Liu Gongquan's calligraphy works are mainly divided into cursive scripts and inscriptions:
1, cursive script (cursive script): including 16-day posts, posts, posts insulting Hunan, etc.
2. World monuments: including Su Feng Monument, Diamond Sutra Monument, Bell Tower of Hui Yuan Temple in Tang Dynasty, Xiyang County King Monument, Mysterious Pagoda Monument, Shence Army Monument, Pingxi County King Monument, Liu Mian Monument and Gong Wei Monument.
Before studying Liu Ti's classic "Mysterious Tower Monument", we should make clear the following characteristics:
Look at the rules first. Composition is a special word for composition knowledge of China's paintings and calligraphy works. This refers to the integral form of the mysterious pagoda, that is, the size, shape and the scattered relationship between words and lines, so we should be aware of this.
Second, look at the structure. Namely stroke thickness, radical layout, etc. The inscription of Mysterious Pagoda Monument is beautiful and complete, with rigorous and compact structure, restrained and stretched, and square. The book handsome is rigorous and tight, the middle palace is tight, the left is tight and the right is loose, and the density is good, seeking change in symmetry.
Third, look at the brushwork. "Mysterious Tower Monument" is mainly written by Fang Bi, and Fiona Fang is a parallel pen. Fang Bi reversed with the folding front, and the pen turned back to the front. The strokes are square from beginning to end, and the turning point is clean and heavy. The round pen goes backwards into the wrapping front, to the letter, and it is put away at once, turning around, and the strokes are round at the beginning and end. The most obvious feature is that the thickness of strokes does not change much, and it is rigid and stretched. Mr. Dongpo's evaluation of it is that "the book is expensive, thin and hard, and the spirit is connected."