Shu Su Tie is the work of Mi Fei, a famous calligrapher and collector in the Northern Song Dynasty, and is now in the Palace Museum in Taiwan. "Cycas MiShu Fei" is one of the series of "Classics of China Stone Inscription". M Shu Fei showed the readers the cycads. This post is well written, with rounded strokes and elegant structure and layout.
This copybook not only has high artistic appreciation value and collection value, but also allows the majority of calligraphy lovers to appreciate an ideal realm of China classical calligraphy, which is soft on the outside and rigid on the inside. Beginners can copy every word according to the pen, structure and layout. Calligraphy in the Song Dynasty inherited from the Tang Dynasty and was handed down to five generations, forming its own family.
In the political and literary stage of Zongshen and Zhezong, Su Shi, Huang Tingjian and Mi Fei appeared one after another, which pushed the calligraphy drama to another climax. Among them, Mifei won the eternal status with superhuman talent, profound knowledge and outstanding diligence.
His "Shu Su Tie" is such a famous calligraphy post circulating in the long river of history. In particular, he galloped with a pen, ups and downs, praised and appreciated by future generations. At the same time, Su Shi evaluated himself as "calm and happy". Beginners can copy every word according to the pen, structure and layout.
Creative background:
Mifei always likes to visit Taihu Lake and enjoy poems and stones. Song Zhezong Yuan You (1088) visited Tiaoxi, a suburb of Taihu Lake, at the invitation of Lin Xi, the chief of Huzhou (Xing Wu, Zhejiang). At an appropriate time, Mi Fei wrote several poems while expressing his feelings. Before he left, Linxi took out a book "Shu Su" that had been treasured for more than 20 years and asked him to write poems.
Mifei wrote this Susu Tie by hand. The corn used in this volume is a very precious silk, which was made in Sichuan during the deep Zongqing period. Mi Fei's calligraphy is deeply influenced by Wang Xianzhi and has an elegant and free-spirited temperament. Among the four great families in the Northern Song Dynasty, the brushwork and speed of rice characters are the most flexible. Although this volume was written in Wu Si's column, its writing style is bold and vivid, and it is not limited by format at all.