Brief introduction of Zhao Junfeng's art

When I was young, I liked to be strong, half of them were qualified to practice, and half of them were qualified to be gentlemen. The connection with calligraphy can be traced back to primary school, when he was imitating red, writing big letters and practicing hard pen, and studying under Pang Zhonghua. His neat appearance won the praise of his family and neighbors. In the second grade of junior high school, he won the first prize in the calligraphy competition for rural middle school students. The teacher found a copy of Jiuchenggong for him to copy. From then on, I plunged into the south wall and was really serious about calligraphy. He learned from Europe, Liu and Yan, absorbed Wu Changshuo, and copied the Diamond Sutra, and learned from Erwang, Mi Fei, Huang Tingjian, Wang Duo and Xu Wei, while adhering to the "academic school" theory. Sketching and writing for decades, such as entering the Zen realm, sitting in the study and standing in front of the pile table, practicing three volts in summer and nine winters in winter, welcoming thousands of mornings.

In forgetting to eat and sleep, he gradually went to the ground; Over time, he slowly flowed in; In pursuit, he silently expanded. Calligraphy works participated in Jincheng 10 Young Calligraphers Joint Exhibition; Enter Jincheng Jincheng Calligraphy Exhibition; Participate in the second young and middle-aged calligraphy and seal cutting exhibition in Shanxi Province; Enter the seventh calligraphy and seal cutting exhibition in Shanxi Province; Enter the northern cursive exhibition; Enter the first calligraphy sketch exhibition in Shanxi Province; Selected as the first youth calligraphy and seal cutting exhibition in Shanxi Province; Enter the "Liang Piyun Cup" national calligraphy exhibition; Participate in the first China Pu 'er Tea Township Calligraphy Art Festival National Calligraphy Exhibition; In 2006, she was shortlisted for the China ASEAN Youth Art (Calligraphy) Creation Competition. Won the first prize of the fourth youth calligraphy competition in Jincheng; First prize of Jincheng anti-corruption calligraphy exhibition in 2008; Jincheng Sixth Excellent Works Award for Literary and Artistic Creation (Calligraphy); Excellence Award of "Yipin Zhu Xian Cup" Calligraphy Grand Prix in Shaanxi Province; The 2nd hongdong pagoda tree international painting and calligraphy art exhibition and the 3rd China Shanxi international painting and calligraphy art exhibition were selected for this award. Second prize of youth group in the 4th China Youth Calligraphy Art Grand Prix; Gold medal in the first China Federation of Literary and Art Circles Calligraphy Grand Prix. Published calligraphy theory's article "Criticism of Contemporary Traditional Calligraphy and Modern Reform" and "Calligraphy Learning Methods under the Requirements of the Times" in Taihang Daily and other newspapers and periodicals. He wrote nearly 200,000 words of prose, poetry and prose. He once participated in the compilation of "Twenty Years of Jincheng Calligraphy" and published "Jincheng Book News". It can be said that once the sea was difficult for water, it won the beauty of a thousand peaks.

Absorbed a lot of essential nutrients, realized the form, spirit, meaning and rhyme of calligraphy, and gradually formed the style of "mountain firewood wild crane" This is the comment of experts, the consensus of the industry and the recognition of the people. However, the road of art is extensive and profound, with a vast sea of books and sails, and sailing to Wan Li. If you don't advance, you will retreat. Listening to the master's teachings, reading the calligrapher's classics, bathing in bright sunshine, handsome peaks, pure people, young people, exuberant blood, endless art, a long way to go ... My point of view: "Never erase the spring breeze, travel lightly in the deep sea."