What are Zhao Mengfu's favorite 50 words? Let's have a look.

Zhao Mengfu (f incarnation) (1254 ——1July 29th, 322), Han nationality, whose real name is Song Xuedao, also known as Shuijing Palace Daodao and Goulpeau, worked as Meng Yi in middle age. Xing Wu, Zhejiang (now Huzhou, Zhejiang) people. The grandson of Song Taizu 1 1 and the direct descendant of Zhao, the king of Qin. His fathers, Zhao and Chen, served as assistant ministers in the Southern Song Dynasty, and also served as the prefect of Lin 'an and the envoy of western Zhejiang. After the demise of the Southern Song Dynasty, he returned to his hometown to live in seclusion. The world only knows that Zhao's words are graceful and fluent, but they don't know that they are just external beauty. After 60 years old, their works are older and heavier, and there is no gentle and charming atmosphere. Today, I mainly cut out the oldest and hottest words from Zhao Mengfu's old works for everyone's appreciation and can also be used as a reference for choosing words. Zhao's success in calligraphy is inseparable from his ability to learn from other people's long sentences. What is particularly valuable is that most calligraphers in the Song and Yuan Dynasties were only good at lines and cursive scripts, while Zhao Mengfu was able to delve into various styles. Later generations, many people studied Zhao Mengfu's calligraphy, and Zhao Mengfu's calligraphy was very popular in Korea and Japan. Zhao Mengfu has an important position and far-reaching influence in the history of calligraphy art in China. His contribution to calligraphy lies not only in his calligraphy works, but also in his calligraphy theory. He has many original ideas about calligraphy. We see the word "Xiang" on it, and it is obvious that the brushwork is two kings. But for copying learning, Zhao Mengfu thinks: "There are two ways to learn books, one is brushwork, and the other is font. Exquisite brushwork, although good and evil; The shape is wonderful, although it is still cooked. Learning books can solve this, and then you can learn books. " On the study of calligraphy, Zhao Mengfu also said: It is beneficial to learn calligraphy while pondering over ancient books and knowing the meaning of using a pen. He pointed out a meaningful fact when writing an ancient book post: "In the past, people carved a few lines in ancient times and concentrated on learning to become famous. Kuang Lanting is the masterpiece of the right army, and there is no end to learning. Why not hit others? " All these can give us important enlightenment. Zhao Mengfu's books have been controversial since ancient times: those who strongly admire, those who praise and criticize, and those who are evil. In the Ming Dynasty, he wrote in The Four Friends Theory: "Since (that is, Wang Xizhi), the Tang people have won their charm, but not their charm, and the Song Mei Niang Palace (that is, Mi Fei) has won its charm but not its shape, and only one person has both shape and spirit. In the Ming Dynasty, Wang Shizhen commented on Zhao Mengfu's book in Yi Yan Yuan, saying: "... Huang Ting and Luo Shen's lower-case method, within the precision work, sometimes has a vulgar pen; Li Beihai was carved on a stone tablet. Although the North Sea is vigorous, its bearing (Zhao Mengfu) is slightly heavy and soft. Only in the running script, it is extremely pleasing to the two kings, but there are many mistakes in the middle. " This theory not only points out the advantages of Zhao Shu, but also points out its disadvantages. Generally speaking, the evaluation of Zhao Shu is mostly in these two categories. Generally speaking, there are two ways to belittle Zhao Shu: one is to discuss books with books, and the other is to discuss books with people. The former, such as Li Zhenbo, called Zhao Shu a "slave book", referring to Zhao Mengfu's imitation of the ancients without his own innovation. The latter, like Zhang Chou in the Ming Dynasty, once said, "Zi Ang's calligraphy Wen Ya is far away from the right army. At first, it was charming and delicate, so it lacked the spirit of seizing big festivals. Another example is that Fu Shan, a Qing Dynasty man, disliked Zhao Mengfu's books and customs even more, because he "belittled Zhao Mengfu's personality". He said: "Zhao is a man who is devoted to his body. Because of his bad knowledge, he is soft and beautiful, as are his heart and hands. Danger! Danger! "In short, Zhao Mengfu's book is evaluated by those who belittle Zhao in combination with his political attitude. People who hold this view believe that his willingness to participate in the new dynasty is a manifestation of the loss of national integrity, and "he is a man with little strength, so his words are kitsch." "Dong Qichang put forward Zhao Ti's viewpoint of" being familiar with customs "in the Zen Room of Collection Painting, and put forward the conclusion that" a calligrapher is surprised by risks, and only Yang Dezhi and Zhao Wuxing can understand this knowledge ". That is to say, Zhao Mengfu's calligraphy has reached perfection in both brushwork structure. On the familiarity of the two kings, it can be said that none of China's calligraphers can surpass Zhao Mengfu, even himself, and it is Zhao Mengfu who can't surpass himself, which determines that his calligraphy realm cannot be "perfect" but "close to common customs". On the other hand, it also shows that it is Zhao Mengfu's inner character, experience and Confucian moral norms that determine the realm that his artistic attainments can never reach. In the Ming Dynasty, Tang Linchu said: "Books should be cooked before they are cooked, and students should be cooked before they are born. The fledgling has not yet reached the academic level, and his heart is behind his hand; Those who are familiar with it do not find another way, do not follow the crowd, and create new ideas. The bottom of the pen is also chemical. Kang Youwei once commented: Xing Wu, fragrant and timid, like a quiet girl, flowers and grass, Miao Yan can update their ideas. If you lift a stone mortar, you won't lose your face, so it's not your responsibility. Since the Yuan and Ming Dynasties, those who have mastered the list of books are extremely fresh, and the study of steles is not prosperous. Zhao Mengfu's achievements in painting and calligraphy are extremely high, and he is known as the "crown of the Yuan Dynasty". His calligraphy is good at seal cutting, official script, original script and cursive script, especially regular script and running script, and he created the "Zhao Ti" book, which is also called "the four masters of regular script" with Ou Yangxun, Yan Zhenqing and Liu Gongquan. It has a great influence on later generations, especially in the Chinese and foreign calligraphy circles today.