"Sorrow and separation" is an eternal theme throughout the ages and even the whole world. "Where to wake up tonight? Yang Liuan, Xiao Feng and the waning moon is the sorrow of separation; " "Advise you to drink one more glass of wine and go out for no reason" is a comfort to your friends. However, when China has our friendship, heaven is still our neighbor "is the treasure of friendship;" Willow color every year, Baling hurts to leave ",sad for leaving; When they left, I said to him, "Jinling disciples came to see me off" is a kind of parting attachment ... In the farewell song of China's classical poetry, "parting from love and resentment" is an eternal melody. After the May 4th Movement, poems expressing sadness and resentment are still flourishing, and excellent works are in full swing. Among them, the campus song "Farewell" written by Mr. Li Shutong is particularly popular, sweeping the world and enduring. From the overall structure, Farewell is very similar to an ancient word (a kind of poem), with three sections, one of which is the same. The first section focuses on the farewell environment. The author selected eight typical images such as "Changting", "Ancient Road", "Cao Fang", "Evening Wind", "Twilight", "Weak Willow", "Broken Flute" and "Sunset" to render the parting scene. "Changting" and "Ancient Road" are places to write farewell, which reminds us of countless farewells in the history of literature, such as Liu Yong's "Chilling, the pavilion is late, and the torrential rain leaves early" and Bai Juyi's "Incense them to press the high road and reach the crumbling city gate". Ah, my friend's prince, you left again, and I heard them sigh behind you. "Cao Fang" is a metaphor for leaving love. For example, there is a saying in "The Songs of Chu Recruit Hermits" that "the wandering son of Wang Sun never returns, but grows long". "Willow blowing in the evening breeze" means farewell, and "willow" and "stay" are homophonic, conveying resentment and nostalgia. Like The Book of Songs? 6? 1 Cai Wei: "I have been there, Liu Yiyi; I think about it today, it's raining. " Dai Shulun's "Willow on the Dike": "The weeping willows are endless, and the spring comes to weave the sorrow." "Mountain beyond the mountain" means far apart. And all these feelings of parting are shrouded in the "sunset" at a specific time, which only makes people feel the warmth of friendship, the warmth of sunset and the warmth of evening breeze; Warm and touching. The second section focuses on sending others' feelings, which is the climax of the whole song. Through Tianya, Dijiao, Zhiyin, San, Turbid Wine, Night Farewell and Dream Separation, appeal to the senses, touch the heartstrings and tempt you to taste. Farewell, of course, will give birth to many feelings from the heart! "The day is short, and the ends of the earth are scattered." Life is only a few decades. How many people can you know? Goodbye, when? How many people can be together? Those are ecstatic, but don't "A cup of turbid wine makes me happy", which is really a helpless sadness. When friends can get together, we leave the wine and "drink it all"? Finally, in the interweaving of time and space, the author summarizes the full text with the present tense "Farewell to Meng Han tonight". Emotionally speaking, the reunion in the dream takes care of the above-mentioned "mountain beyond the mountain", and rhythmically speaking, it is a repeated emphasis, but this repeated emphasis is a further miss, and only acacia dreams are frequent. The third paragraph is the overlap of the first paragraph, which further sets off the atmosphere of separation, strengthens the image and repeats the phonology. Among them, "the evening breeze blows the flute, and the sunset passes over the mountain" is sentence after sentence, which, with the melody of the circle, forms a kind of beauty of the circle and deepens the emotional parting of dreams. The whole word has three sections, including the beginning, the beginning and the end; Stick to the theme, create a fascinating artistic conception, and be full of helplessness to life. "All scenery words are sentimental words" (Wang Guowei's words), long pavilions, ancient roads, fragrant grass, evening breeze, sunset ... the scenery remains the same, and people are sad when they are gone. Its aesthetic effect echoed in the silence of "drinking Meng Han". The whole word describes such a scene for us: at sunset, mountains are connected, green grass is endless; Nearby, pavilions, ancient roads, breezes, willows and weeping willows, bid farewell to clarinets. A pair of bosom friends are just around the corner, and there is infinite sadness at the thought of being far apart. They picked up their glasses and wanted to borrow some wine to enjoy their last happiness. The parting of drunken dreams left each other with unforgettable scenes of "willow blowing in the evening breeze" and "sunset in the mountains"! The whole "Farewell" is elegant, fresh and elegant, sincere and gentle. Lyrics vary in length and sentence patterns. The melody of the song Sadness of Travel, which was very popular in Japan at that time, borrowed the melody of Dreaming of Home and Mother by American artist John P. Odway. Li Shutong people bottled their own wine and wrote a campus song with strong China poetry. That kind of infatuation, that kind of sadness, that kind of attachment are unified in the farewell song, which is picturesque and poetic, and complement each other. Full rhyme-edge, sky, disability, mountain, happiness and cold, that is, one rhyme, flat pronunciation and bright voice. The first two sentences before the second festival are changed to uo rhyme, which is plain, harmonious and beautiful. Outside the pavilion, beside the ancient road, the grass is blue. The evening breeze blows the flute, and the sunset is beyond the mountain. This is a farewell song that will always make people intoxicated with love. ...
Attached to the mage Hongyi (1880- 1942), the common name is Li Shutong, a native of Tianjinwei, Zhejiang. He is not only a talented art educator, but also a generation of eminent monks. This "Twenty Shocking Seas" master, who combines poetry, calligraphy and painting, seal cutting, music, drama and literature, has created brilliant culture and art in China in many fields. He pushed the anti-China ancient calligraphy art to the extreme, "simple and perfect, muddy as nature", and modern cultural celebrities such as Lu Xun and Guo Moruo were ashamed of winning the master's words. He was the first pioneer to spread western music to China. His farewell songs have been sung for decades and become classics. At the same time, he was also the first teacher in China to create nude sketches. Outstanding artistic attainments have cultivated some cultural celebrities, such as the famous painter Feng Zikai and musician Liu Zhiping. He painstakingly worshiped Buddha, did not eat after noon, intensively studied jurisprudence, promoted Buddhism, and helped all beings get out of their misery. He was regarded as the 11th ancestor of Legalism by Buddhist disciples. He left the world with inexhaustible spiritual wealth, and his life was full of legends. He is a typical figure of China's magnificence and simplicity. Master Zeng Zeng of Taixu: Teach initiation, abstinence, purity inside and outside, Bodhi. Mr. Zhao Puchu's evaluation of the master's life is: "The eyes of the world have endless treasures, and a full moon shines on the heart of heaven."