Hello everyone, I would like to ask about the life stories of Wang Xizhi, Wang Xianzhi, Yan Zhenqing and Zhao Mengfu. That friend knows, please feel free to give me your advice, and I am very grateful.
Wang Xizhi's representative works include: Huang Tingjing's regular script, Lun, Wang Xizhi's calligraphy works (1 1 piece), 17 cursive scripts, running script, aunt's post, clearing post in the snow, funeral post, preface to Lanting collection, and traveling at the beginning of the month. . Xi was not good at words when he was young, but when he grew up, he was eloquent, honest and frank, and enjoyed a high reputation. Wang Xianzhi: the seventh son of Wang Xizhi. He was 43 when he died. It is famous for its running script and cursive script. Wang Xianzhi studied calligraphy with his father Xi as a child, and also studied Zhang Zhi. Calligraphy is excellent, especially cursive script, which dares to innovate and has made outstanding contributions to modern calligraphy and cursive script since Wei and Jin Dynasties. Known as a "little saint" in the history of calligraphy, he is also called "two kings" with his father. He is good at running script and cursive script, but he also has a deep foundation in regular script and official script. The famous work "Thirteen Lines of Luoshen Fu" is also called "Thirteen Lines Jade Edition". Mo Bao has duck head pill mail and Mid-Autumn Festival mail; ; ; Yan Zhenqing; As a descendant of Langya nationality, Yan Zhitui, the sixth ancestor, was a famous scholar in Northern Qi Dynasty, and he wrote Family Instructions of Yan Family. When Yan Zhenqing was young, his family was poor and lacked paper and pens, so he used a pen to brush loess water to practice calligraphy on the wall. Chu Suiliang was a beginner, and later learned Zhang Xu's brushwork. He also absorbed the characteristics of the four schools in the early Tang Dynasty and accepted the brushwork of Zhuanli and the Northern Wei Dynasty. He completed the vigorous and broad creation of colorful regular script, which set a model for regular script in Tang Dynasty. He is the author of Wu Jixing, Luzhou Collection and Linchuan Collection. Yan Zhenqing wrote many monuments in his life, which have been passed down to this day: many pagodas, dignified and dense in structure, beautiful and charming; "Dong Fangshuo painted a monument to praise" with a strong Qingyuan style; "The Inscription of the Golden King" is dignified and vigorous; "Zang Huaike Monument" is magnificent and vigorous; "Over the cup" is graceful and smooth; Ma Gu Xian Tan Ji is vigorous and solemn, with exquisite structure and full of charm. "Da Tang Fu", carved on a cliff, is the largest regular script in Yan Zhenqing, and its calligraphy is square and smooth, showing no bones and muscles. Song Dynasty Monument, also known as Song Guangping Monument, is open and full of vitality. "Eight official pavilions report good deeds", with strict weather; Yuan Jie Bei is vigorous and far-reaching; The book of manna seeds focuses on harmony; Li Bei's calligraphy is vigorous, but the strokes are fine, which is different from other tablets. His noble personality is a typical example of the perfect combination of calligraphy beauty and personality beauty. Zhao Mengfu (1254- 1322) was born in Song Xue, a Taoist priest in Song Xue, a Taoist priest in Water Mirror Palace, and a native of Goulpeau. He is a middle-aged Mengfu native, Han nationality, from Xing Wu (now Huzhou, Zhejiang). Famous painter in Yuan Dynasty, one of the four masters of regular script (Ou Yangxun, Yan Zhenqing, Liu Gongquan and Zhao Mengfu). Zhao Mengfu is well-read, good at poetry and prose, familiar with economy, industrial calligraphy, fine painting, good at epigraphy, fluent in temperament and appreciation. In particular, calligraphy and painting achieved the highest achievements in the Yuan Dynasty, creating a new style of painting, which was called "the crown of Yuan people". Good at seal cutting, official script, authentic works, calligraphy and cursive script, especially regular script and running script. Zhao Mengfu has many masterpieces handed down from generation to generation, such as Qian Zi Wen, Luo Shen Fu, Biography of Ji An, Danba Monument, Gui Xi Ci, and Lohan in Red written by Yuan Zhao Mengfu.
Lanting Thirteen Postscripts, Red Wall Fu, Tao Te Ching, Qiu Ai Tombstone Inscription, etc. He is the author of Notes on Shangshu and Collected Works of Song Xuezhai (volume 12). ; ; ; That's all. The rest is not clear.