Wang Jiadong's personal performance

Seal cutting: praised by Ji Xianlin as a "scholar-type stele engraver", his seal cutting works won awards in the first national modern seal cutting exhibition, and he also managed to print books such as History of Book Publishing and Printing in China and Chronicle of Modern Music Education in China. Celebration of Peking University Tsinghua 100; Winner of the 2008 International Violin Competition and the 2008 International Disabled Sailing Competition; Printed by Qingdao Guanxiangshan Observatory, Qingdao Folk Museum, Qingdao Tobacco Museum and Qingdao Camel Xiangzi Museum. He has created many works, such as Shoutong Jinshi, descendants of Yan Fu, Music Rhythm, Nine Sons of Dragon Victory, Four Spirits in Four Sides, Nostalgia at Red Cliff, and Ninety-nine Return to One. His works are also presented to friends and scholars as gifts from Peking University. Kim Dae-jung, Han, Ji Xianlin and others all collected his works.

Wang Jiadong was born in a scholarly family, and his father Wang Junhua received a good education. He grew up under the guidance of Liu Gongfu (later Liu Yong), and his poems, songs, chess, books and paintings laid a comprehensive foundation for his education. In the year of weak crown, he worshiped painting art and admired Sun Zhanqun of Qilu to learn painting. Mr. Sun also introduced disciple Li Kuchan to Wang Junhua to teach freehand brushwork flowers and birds. His father is a Confucian, and his friends, such as Zhang Boju, Chen Dayu, Song Zhenting, Hou and Wu Zuoren, are mostly masters and celebrities. As a famous painter in Qingdao, he was invited to paint for Peking University, Tiananmen Gate and Memorial Hall. Write big-character couplets for China at UNESCO. His artistic career and achievements have been included in many dictionaries, such as China Contemporary Literary Celebrities published by Peking University Publishing House.

Wang Jiadong is the youngest son in the family. At the age of five or six, he followed his father to the inkstone in front of the case. He loves epigraphy and often takes pleasure in wiping the residual mud of the seal with toothpicks and cotton towels. Knowing that his son likes seal cutting, his father asked Zhang Shuyu to teach his 7-year-old son basic kung fu. Zhang Shuyu is a master of seal cutting. He is proficient in epigraphy of Deng, Zhao and Wu Changshuo from Xiling and Zhejiang schools, as well as his research experience in ancient seal cutting in Zhou and Qin Dynasties and seal cutting in Han and Wei Dynasties, as well as the profound skills of Oracle bones, Zhong Ding and Xiao seal cutting. He has been engaged in seal cutting for decades and carved more than 10 thousand seals. Later, Mr. Xie Jingzhi, personally handed down by Wu Changshuo, taught Shi Guwen, who was extremely difficult to learn, and arranged a lot of homework every day-this doll had to complete three or five seals after writing Shi Guwen. Both teachers are dignified and meticulous in their teaching. Every time the teacher stands in front of the homework, he is frightened, because the teacher not only speaks sharply, but also often grabs the brush and beats his skull. In fact, both parents are hard-spoken and kind-hearted, and it is difficult to hide their love for their disciples. They always leave messages on the engraved stamp at home with knives. There is a small chapter on one side, and only the numbers are engraved at home. However, the teacher's carved borders are dense and full of praise. Up to now, Jiadong still retains several of them.

Look at the inscription of Mr. Zhang Shuyu on the seal of "First Scholar": This is Zhang Shuyu, who plays a knife for an eight-year-old child. He is Jun Hua's brother and a philosopher.

On the seal of the inscription, Mr. Zhang wrote: My family is eight years old and I am a beginner in India, but I can play with knives steadily. Beauty and elegance is a lovely young man, and I dare not ask the right questions. 1962 in may, I also wrote a few words to encourage Zhang Shuyu to stay on the island.

Mr. Xie Jingzhi made a long postscript to the seal of "The bright moon goes straight into the breeze in Xu Lai" engraved on his home building. He said: Wang Jiadong's hi-carved stone and Japanese seal are simple and lovely, and the eight-year-old prodigy is really shy away and smiling. When Xie Jingzhi, an ugly old man in Dongshan, was under the lamp, Qingdao had nine guests at the age of fifty. From this point of view, this quiet old man has a special liking for his family building. The seal below shows the wisdom and understanding of family construction.

Wang Jiadong's seal cutting works, let us ponder from the square inch, red and white, which is also the interest conveyed by the author. The seal of the book of commandments. The article said: "A gentleman's trip is to cultivate one's morality by being quiet, to cultivate one's morality by being frugal, to be indifferent to one's ambition, and to stay quiet and far away. If you study quietly, you must study. If you don't study, you won't learn widely. If you have no ambition, you can't succeed. Slow can't have vitality, and risk can't have sex. Time keeps pace with the times, meaning keeps pace with the day, and then it becomes withered, not enough to meet the world, and it will be very sad to stay in poverty! " This is a letter that Zhuge Liang, a wise man in China, wrote to his son before he died. It was inculcated by Kong Ming, a wise man with animism in Zhou Dynasty. His words are inspiring and inspiring, and they are inspiring works for students of all ages. He set this chapter as a rectangle with uniform red and white prints, which made people shine and find everything new. The whole chapter is arranged smoothly and vividly. Looking at the three words "one", "non" and "nothing" that appear many times in the text, the combination of seal characters changes moderately and the care is unified. The technique of playing with knives is natural and appropriate, and the knife is casual and the pen melts the knife. The hands are light and heavy, and the rhythm under the knife is slow and steady. Careful appreciation makes people feel that the author is active and skilled, and the nuances are just right, from adding strokes to arranging structural parts. It reveals the bookish spirit of China literati, and reflects the expression of elegance in family construction.

In the chapter of "Candle Shadow Shakes Red", he grasped the essence of seal cutting, arranged four words horizontally, and the overall composition was solid and virtual. This font method not only has the intensive and delicate power of seal cutting, but also has elegant elegance. On the printing surface, the strokes on the upper part of the four characters are as dense as brocade embroidery, while the strokes on the lower part of each character stretch like cloud sleeves, with unique lines, flickering like candlelight and dancing with red sleeves. The rhythmic beauty of music and the physical beauty of dance are integrated into the poetic beauty of seal cutting.

20 13 published "Zeolite Boiling Word-Wang Jiadong Calligraphy Seal Carving Collection".