Tour Guide Words of Diaoyutai in Yan Ziling, Zhejiang Province

Yan Ziling Diaotai, located at the foot of Fuchun Mountain, south of Tonglu County, Zhejiang Province15km, is the main scenic spot on Fuchun River. Fuchun Mountain in the west of Fuchunjiang Town. In the Eastern Han Dynasty, Yan Ziling lived in seclusion here. The following is what I arranged for you, I hope it will be useful to you.

[On board, on the dock]

Hello, tourists! Welcome to visit Yan Ziling Diaoyutai and Fuchunjiang River. Diaoyutai in Yan Ziling is the main scenic spot of Fuchunjiang-Xin 'anjiang National Scenic Area, referred to as "Two Rivers and One Lake Qiandao Lake". It is a key cultural relic protection unit in Zhejiang Province, a provincial patriotic education base and one of the world-famous scenic spots and historic sites in Southeast China. Because Yan Ziling, an expert from the Eastern Han Dynasty, refused the call of Emperor Guangwu Liu Xiu and the official position of "remonstrating officer", he came here to live in seclusion and fish, making him famous in ancient and modern times. Many cultural celebrities in the past dynasties, such as Li Bai, Fan Zhongyan, Meng Haoran, Su Shi, Lu You, Li Qingzhao, Zhu, Kang Youwei, Bian Dafu, Zhang Daqian, Chen Yi, Guo Moruo and Ba Jin. I have visited Diaoyutai and left many excellent poems. According to statistics, from the Southern and Northern Dynasties to the Qing Dynasty, more than 1000 poets and writers came here, leaving more than 2,000 poems. Therefore, this tourist route is also called the Tang Poetry Road tourist route in western Zhejiang. 1April, 949, Comrade * * * wrote in "Harmony with Mr. Liu Yazi" that "Kunming is shallow, and watching fish is better than Fuchun River", which is to use Yan Ziling's secluded fishing on the Fuchun River to persuade Mr. Liu Yazi to stay in Beijing to participate in the founding of the People's Republic of China.

Diaoyutai in Yan Ziling is located halfway up Fuchun Mountain, which is known as "beautiful and unique, with beautiful peaks and mountains". This mountain is 3 12 meters high and 35 kilometers long. The river at the foot of the mountain is also called "Qililong", "Qilitan" and "Qiliset". You see, in the lush mountains ahead, a pair of strange peaks stand on the water cliff. In Li Bai's poems, there was a description of "Diaoyutai is in the blue clouds and Cangshan". The one on the right is called Dongtai and the one on the left is called Xitai, so this scene is also called "double platform fishing".

Ladies and gentlemen, the Diaoyutai Pier has arrived. Here, we can already see that there are some stone tablets of different sizes standing on the dock, reflecting the rich cultural atmosphere of "Yan Ziling Fishing Terrace". These inscriptions are the works of modern celebrities such as Yu Dafu, Ba Jin, Tan Qilong, Chen Lifu, Zhu Jiuying and Sun You. All right, the ship is about to dock. Please disembark in order and pay attention to safety.

Ladies and gentlemen, first of all, please take a look at Yu Dafu's inscription "Fishing Platform in Spring". This was written by Yu Dafu when he came to Diaoyutai in March. 193 1. At that time, the fishing platform was "quiet and invisible to human beings" ... The curved pavilion ... the ancestral temple was in ruins ... "It is conceivable that the Diaoyutai in those days was as gloomy as it is now, but now it is crowded with tourists.

The word "Yan Ziling Diaotai" on the front of this stone archway was inscribed by Mr. Zhao Puchu, chairman of the Chinese Buddhist Association and a famous calligrapher. On the back, the words "the mountain is high and the water is long" were written by Mr. Sha Menghai, former president of Xilang Printing Society and chairman of Zhejiang Calligraphy Association. There are many carvings on this archway, which are even more lifelike. Please follow me to watch.

Ladies and gentlemen, stand here, please look up. There are two big stones on the mountainside, nearly 100 meters high. This is the east and the west. Look, there is another stalagmite standing in front of Dongtai. Judging from this posture, she seems to be an ancient lady, with a bun on her head and a gown, and even the wrinkles on her skirt seem to be clearly visible. Someone said: This may be the lady who accompanied Yan Ziling. Do you think so? But if you want to climb the stone platform named "Chessboard Stone" on the left side of Dongtai and look down, it looks like a stalagmite going straight up and down. Some people say it is more like a fishing rod in Yan Ziling? You can go up the mountain to see it yourself in the future. At the same time, you can also take pictures on the chessboard stone above. Its background includes mountains, water, houses, trees, boats, pavilions and a stalagmite.

We are going to visit Mr. Yan's ancestral temple now.

[in the ancestral hall]

This ancestral hall was originally the ancestral hall of Yan family in Tang Dynasty. It was built by Fan Zhongyan, a famous politician and writer, in the middle of the Northern Song Dynasty, that is, more than 960 years ago. And drew a statue to erect a monument to Yan Ziling. At the same time, he also wrote "Mr. Yan Ancestral Hall". Later, this ancestral hall was repeatedly destroyed and repaired. The present ancestral hall was rebuilt by 1983. It is the17th reconstruction after Fan Zhongyan built the ancestral temple, and it is also the largest reconstruction in history. This statue was carved by Professor Tang Shouren from the Sculpture Department of Zhejiang Academy of Fine Arts on 1982.

Yan Ziling was born in Mingguang and Yuyao, Zhejiang. The real name is Zhuang, and it was renamed Yan for avoiding Liu Zhuang, the Emperor Gaozu of Han Dynasty. He is knowledgeable and versatile, and rarely has a high reputation. When I was young, I was friends with Liu Xiu, Emperor Guangwu of Han Dynasty. After Liu Xiu became emperor, Yan Ziling changed her name and disappeared. Liu Xiu missed him very much. He ordered the painter to paint portraits and sent people to look for him everywhere. Later, on the land of Qi, people found a man wearing a sheepskin and a hat, much like Zi Ling. So I prepared a car and a gift to pick him up and made three trips back and forth before I called him to Beijing. It is also recorded in history that after Yan Ziling was called to Luoyang, the capital city, he did not visit Emperor Guangwu, but invited him to visit him. Later, he was invited to sleep in the same bed as Guangwu Emperor Liu Xiu. Zi Ling didn't sleep well, so she put her feet on the emperor's stomach. The next day, I watched the urgent drama of the master of astrology: the guest star is anxious to violate the throne! Liu Xiu said with a smile: This is because my old friend and I sleep in the same bed. Later, Liu Xiu appointed Yan Ziling as a consultant doctor. He refused to be a doctor and came here to farm and fish. From then on, people praised Zi Ling's spirit of not serving the prince and called him a "guest star". This "Guest Star" tablet and that "Diaotai" tablet were re-engraved according to the original book rubbings of Xue Jingzhi in the tenth year of Hongzhi in Ming Dynasty. This historical fact is recorded in the Biography of Yan Guang in the Later Han Dynasty. There is a stone tablet engraved with this article in Dongtai Pavilion on the mountain. You can go up the mountain and look carefully in the future.

The most valuable inscription in the ancestral hall is that one-Fan Zhongyan's "Mr. Yan Ancestral Hall". Please follow me to watch.

[in front of the monument]

Fan Zhongyan was a famous politician and writer in the Northern Song Dynasty. In the first year of Jingyou (1034), Song Renzong was implicated in the contradiction of the relocation of the palace, and was demoted to Zhou Mu by You Sijian. Zhou Mu was later changed to Yanzhou, which is now Tonglu, Fenshui, Jiande, Shou Chang, Chun 'an and Sui 'an counties. At that time, the seat of the national government was Meicheng, and he was 46 years old that year. Although Fan Zhongyan was an official for a short time, he did many good deeds praised by later generations, one of which was to build a new "Mr. Yan Ancestral Temple" and inscribed it "Mr. Yan Ancestral Temple".

Mr Yan's Ancestral Temple is a masterpiece handed down from generation to generation. After being compiled by Wu Chucai and Wu Diaohou in Kangxi period of Qing Dynasty, it spread more widely and had greater influence. The first sentence of Mr. Yan's ancestral hall: "Sir, Guangwu is an old friend." It is clearly pointed out that Yan Ziling is an old friend of Guangwudi. In the end, "Yunshan is gray and the rivers and seas are vast." Gentleman's wind, mountains and waters grow long. "Jiashi's famous sentences have been passed down to this day. After the introduction here, it is clear to everyone that the Diaotai archway is "the mountain is high and the water is long" and the origin of the "old friend of Guangwu" in the middle of this ancestral hall has just been seen.

Opposite is Rebuilding Mr. Yan's Ancestral Temple written by the Ming Dynasty. Ladies and gentlemen, please see this is 1983 rebuilding Mr. Yan's ancestral hall. They recorded the reminiscence and reconstruction of Mr. Yan's ancestral hall.

Since the opening of Diaoyutai in Yan Ziling in June 198 1 and 10, Tonglu County Tourism Bureau has built two stone tablets in Diaoyutai in June 1984 and June 1993. These stone tablets were written by famous calligraphers at home and abroad and carved by local craftsmen in Tonglu County. today,

[In front of the wall]

These stele corridors are 260 meters long with a total area of 278 square meters. It * * * is divided into four parts: Zhaobi, Nineteen Springs on Earth, Taibai Drunkenness, and upper and lower steles, with a total of 106 steles. Now we are standing in front of the zhaobi, and everyone looks up, but we can't see where the stele gallery is. That's because this stele gallery, like Youlong, is located in the shade of Fuchun Mountain, and it is a stele gallery that climbs up and down at random.

Construction of this stele gallery started on February 1993, and it took 226 days to be basically completed. 1February 1993 10 cut the ribbon to receive domestic and foreign tourists.

Now let's take a look at this stone wall first. It is 7.58 meters long and 2.4 meters high. On the front, Mr. Wang Xuezhong, Vice Chairman of China Calligraphers Association and Professor of Tianjin University, wrote "Yan Ziling Diaotai Wen" in calligraphy by the famous calligrapher Mr. Sun Zhao. This paper describes the beauty of Fuchun landscape with exquisite sentences, and makes a fair evaluation of Yan Ziling.

The dark side of the zhaobi is a stone carving landscape painting. Excerpt from Fuchun by Huang, a famous painter in Yuan Dynasty. Huang has a long history and is known as a great Taoist priest. His ancestral home is Changshu. He is proficient in classics and history, and is good at painting landscapes. Later, he gave up his life as a bookkeeper and lived in seclusion in Fuyang county, wandering among Fuchun mountains and rivers. During the three years from 17 to 20 years, Fuchun Shan Jutu was painted as a work with a length of meters and a width of 33 centimeters. Painted abandoned villages and vegetable forests on both sides of Fuchun River, mountains and rivers, pavilions, small bridges and flowing water, fishing boats flying springs ... Since Ming and Qing Dynasties, it has always been regarded as a national treasure. Unfortunately, during the Wanli period of the Ming Dynasty, they became sacrificial objects in the fire. From then on, the two were separated and collected in Zhejiang Museum and Taiwan Palace Museum respectively.

This square stone painting is 3.68 meters wide and 1 meter high. Mr. Shou Chongde, a member of China Artists Association and a painter of Xileng Painting and Calligraphy Institute, selected the fifth part of the original painting and carefully designed it: 4/5 of the picture is a painting, and 1/5 is the original word, which was copied by himself, and then enlarged by the comrades of the Infrastructure Section of Tonglu County Tourism Bureau in 15 days. You can watch the stone carvings carefully. They are very fine and lifelike. Maintain the exquisite and smooth brushwork of the original painting.