Liu Yong’s wife is Princess, and Liu Yong is not a real Luo Guo. Mrs. Liu is the daughter of the Sixth Prince and the wife of Liu Luoguo, whose nickname is Xia'er. Her character is arrogant, willful, naive and frank, yet she is also virtuous and wise in taking the overall situation into account.
Liu Yong is not a real Luo Guo. Luo Guo is because he has been studying at his desk for a long time and his back is a bit hunched. People jokingly call him "Liu Luo Guo".
Liu Yong came from a well-known family, and his ancestors were all Jinshi for several generations. His father, Liu Tongxun, was an official bachelor, a highly respected minister, and highly relied upon by Emperor Qianlong. Therefore, Liu Yong's career as an official had deep family roots.
Liu Yong's calligraphy
Liu Yong is not only a politician, but also a famous calligrapher. He is a master of calligraphy and is known as one of the four major calligraphers in the Qing Dynasty (the rest are The three are Prince Cheng, Weng Fanggang, and Tie Bao). Xu Ke of the Qing Dynasty praised Liu Yong: "Critics of Wenqing calligraphy, such as the sound of Huang Zhong and Da Lu, and the tools of the Qing temple and Mingtang, have praised him as the top calligrapher of his generation. Because of his integration of the calligraphy of the great masters of the past dynasties, he became his own family. The so-called golden sound and jade vibration, clustered The great success of the saint. From the time he entered the Ci Museum to the time he entered the stage, his physique has changed repeatedly and is unpredictable."?
Liu Yong is a good and creative calligrapher who learned from the ancients. Be informal. He has a deep study of Huang Tingjian's calligraphy. Liu Yong's running script "Commentary on the Fubo Shrine Poetry Scroll of the Huangshan Valley Sutra" says: Huang Wenjie's official letter Liu Bin (Yu Xi)'s "Fubo Shrine" poem is so majestic that it is truly worth mentioning. wonderful. Gongchang said to himself that while in Huanglong Mountain, he suddenly realized the samadhi of cursive writing. He also said that he was happy that his calligraphy had improved slightly in his middle age. After writing this book, he went to Huainan to show him how it was like before. This authentic work is now inevitably known to Po Gong. ?