The 10 treasures of the Palace Museum are of extraordinary value.

The Forbidden City in Beijing is the palace of 24 emperors in Ming and Qing Dynasties, and it is also the top royal treasure place where 24 emperors gathered treasures from all over the world. It has collected tens of millions of fine works of China's 5,000-year civilization history. The reason why the Forbidden City makes ordinary people linger is because it is a treasure house, which transcends ordinary people's imagination of the world's treasures. Because of its value, many people who love Bao spare no effort to protect each other with their lives, creating a miracle in the cultural history. The following are the top ten treasures of the Forbidden City, which cover all categories and are of great value. Here, you are invited to enjoy them! The Riverside Scene at Qingming Festival is a treasure of calligraphy and painting: a famous painting was found in a dusty warehouse. Zhang Zeduan's The Riverside Scene at Qingming Festival in the Northern Song Dynasty is the first famous painting masterpiece recognized throughout the ages, and it is of great value. It was written by Zhang Zeduan, a painter in the Northern Song Dynasty, and recorded the architecture and people's livelihood in the suburbs of Bianjing (now Kaifeng), the capital of Hui Zong era, and on both sides of the Bianhe River in the city with exquisite brushwork. The whole picture is divided into three sections. In this five-meter-long picture scroll, * * * painted more than 550 people of various colors. This painting was first collected in the court of the Northern Song Dynasty, with four entries and three exits. When they left the palace for the last time, Puyi and Pu Jie were smuggled out of the palace, then taken to Changchun, and finally piled up in the temporary warehouse of the Northeast Museum. In the winter of 1950, Yang, an expert in ancient calligraphy and painting, came across this painting. There were many fakes of this painting at that time. At first, Yang couldn't believe that the painting was genuine, and his identity was confirmed by many appraisers. The treasure of calligraphy post: The reply post sewn into a national treasure in the Western Jin Dynasty to avoid robbery lies in its rarity and uniqueness in the history of calligraphy in China. It is the oldest existing original calligraphy in China, and is known as "the first calligraphy post in China". Written at least 1700 years ago, more than 60 years earlier than Wang Xizhi's Preface to the Lanting Pavilion, it has not yet rotted. A letter about Lu Ji greeting a friend about his illness. Because there is a saying that "I am afraid it is difficult to calm down", it is named "reply post". Lu Ji ping fu post, paper, hand-rolled, 23.7cm long and 20.6cm wide. "Ping Fu Tie" was originally an old collection of the Qing Palace, and Jiaqing Emperor gave it to the prince as a rare treasure, so it flowed out of the imperial palace. During the Republic of China, it was treasured by the descendants of Prince Gong. 1937, in order to raise money to treat his mother, the descendants of Prince Gong wanted to sell it, but it changed hands several times and fell to England. Zhang Boju bought it for 40,000 yuan and named his study "Pingfu Hall". Unexpectedly, the Japanese invaders invaded China on a large scale, and Zhang Boju took his family to Shaanxi to avoid disaster, and sewed Pingfu tie into his clothes and carried it with him, so the cultural relics were preserved. Why are some palm-sized "reply posts" so precious? This should start with its author Lu Ji. His grandfather, Lu Xun, was a famous Wu Dong. He planned to outsmart Jingzhou and instructed to burn Liu Bei's 700-mile camp. He himself was the most famous writer in the period of Taikang and Yuankang in the Western Jin Dynasty, and his masterpiece Wen Fu was China's first systematic creative theory. Many famous calligraphy works in local history were written by accident. About unconsciously, the author can write freely, "excellent works are natural." This work by Lu Ji, written with a bare pen, is simple and vigorous, with a heavy and natural structure, full of natural interest and high artistic value. Later generations praised him as "a bald pen dipped in ink to express pain, and the wonderful use of ink is the best in ancient and modern times." The treasure of embroidery in Meique Tu: an inch of silk and an inch of gold Shen Zifan's Meique Tu Axis, Southern Song Dynasty, Shen Zifan, length 104cm, width 36cm. Shen Zifan's "Mei Que Tu" is a masterpiece of embroidery in the Forbidden City. This picture is made of silk and woven according to the picture. Small shuttles with colors of 15 and 16 are used as ghostwriters, with clever collocation and harmonious picture colors. The method of "warping and weft breaking" is adopted for weaving, and various reeling techniques are skillfully used. The used silk thread has a warp density of 20/cm and a weft density of 44-46/cm, which is fine and precise. It is an outstanding masterpiece of silk reeling technology in the Southern Song Dynasty. At the bottom of the picture are the seals of Zifan and Shen Shi, the seal of Liang calligraphy and painting in Weichi Jiaolin, the secretary of the map, the imperial pen of Ganlong, and the seal, which is the treasure of Ganlong imperial tour. Silk reeling in ancient China is regarded as the noblest variety in silk weaving technology. The ancients used "one inch of silk reeling and one inch of gold" to describe the preciousness of silk reeling works. Silk reeling is gradually monopolized by the royal family because of its value, and the existing silk reeling treasures handed down from generation to generation are mainly concentrated in the Palace Museum. Langya red glaze wears a straight bottle of ceramic treasure: peerless red makes a famous official wear a straight bottle of red glaze. There is a saying in Jingdezhen that "burn Lang Hong if you want to be poor", because it is extremely difficult to burn, and it is difficult to burn one in hundreds of kilns. /kloc-At the beginning of the 8th century, the governor of Jiangxi, Lang Tingji, was ordered by Kangxi to preside over the imperial kiln in Jingdezhen, trying to fire a red glazed porcelain that had been lost for hundreds of years. Although he failed, he succeeded in firing another brighter red glazed porcelain and named it after him. Yaxiangfang respects the bronze treasure: the symbol of Shang Dynasty restaurants? Fang Zun was a bronze wine vessel in the late Shang Dynasty. The old things in the Qing dynasty were made by the emperor. One is in the Palace Museum in Beijing, which is relatively well preserved, and the other is in the Palace Museum in Taipei, which is damaged enough to be a square statue in Asia. Yaxiang Fangzun is a representative work of bronze wares in the Forbidden City. The appearance of bronzes is one of the important symbols of ancient China from barbarism to civilization. Zun is a kind of wine container, which was very popular from the early Shang Dynasty to the Spring and Autumn Period and the Warring States Period. Fang Zun was handed down from generation to generation. In 1970s, several bronzes engraved with Yaxing inscriptions were unearthed in Subutun, Yidu, Shandong Province. Judging from the excavated tombs, the scale is not small, and many artifacts engraved with Yaxing inscriptions indicate that they may represent a big family. Gold-plated, pavilion-style, automatic door opening, the treasure of royal clocks and watches: five years is unique. /kloc-Before the 7th century, palaces in China were timed by dripping water from copper pots. Italian missionary Matteo Ricci knocked on the door of China Palace with two western clocks. Painted golden pavilion-style automatic door-opening immortal life clock is a masterpiece of the Forbidden City clock. Height 185cm, width 102cm and width 70cm. This clock has seven sets of mechanical systems, which control time, time and movable devices in the scene box respectively, and the technical level is quite high. According to records, it took more than five years for the clock to be designed in Qianlong for eight years and completed in fourteen years. Jin 'ou Gu Yong Cup, the treasure of the palace: I hope Jin 'ou Gu Yong Cup is a masterpiece of palace cultural relics in the Forbidden City. Height 12.5cm, caliber 8cm, foot height 5cm, palindrome engraved at the mouth. According to the work archives of the Ministry of Internal Affairs in Qing Dynasty, Emperor Qianlong attached great importance to the making of this kind of cup. He not only used precious materials such as gold, pearls and precious stones in the treasury, but also made them carefully and revised them many times until the emperor was satisfied. Therefore, the cup has always been regarded as a precious ancestral magic weapon by the Qing emperor. "Jin 'ou" symbolizes the state power, and the name "Jin 'ou Gu Yong" reflects a desire to firmly safeguard the state power forever. It is a special wine glass for the opening ceremony held by the Qing emperor on New Year's Day every year. On New Year's Day every year, the emperor will put the "Golden Ou Yonggu Cup" on a long table of red sandalwood in hall of mental cultivation, pour wine for Tu Su, light candles, lift a brush, write auspicious words and pray for peace and stability of the country. Carved lacquer moire plate made in Rizo is a treasure among lacquerware: carved lacquer is a fine product among lacquerware in the Forbidden City. The height is 3.3cm, the caliber is 19.2cm, the wood tire is painted black, and the inside and outside are engraved with moire patterns. The pile of paint is thick, crystal clear, and the carver is round. Rizo was a master of Qi Diao in Yuan Dynasty, and his works handed down from generation to generation were regarded as treasures in Qi Diao's works, but some Qi Diao utensils bought by Rizo were suspected to be fakes. Picking Red Cabbage is recognized as Rizo's work, and it is a work of historical significance. The Yuan Dynasty was a glorious stage in the history of lacquer art in China, and a large number of Qi Diao craftsmen appeared, all of whom were famous for their exquisite knives and magnificent styles. Especially after the lacquerware from Rizo and Yang Mao was introduced to Japan, it had a great influence on Japanese wood lacquerware technology. Their exquisite lacquerware was praised as "sincere work" by Japanese art history experts. Jade Jade Dragon Furnace Jade Treasure: Antique Jade Dragon Inscription Poem Jade Dragon Furnace is the masterpiece of the Forbidden City jade. Made in Song Dynasty, with a height of 7.9cm and a caliber of 12.8cm. It is made of turquoise. The whole body is based on the word "I", decorated with Youlong, Xiangyun and seawater patterns. A seven-character poem "Gan Long" is engraved on the inner bottom of the container: "When does the temple praise the scriptures? It is carved into the four spirits of the Flying Hall. Mao Bo, Xing Hou, has a different Zhou system, and Zu Ding's father is like Shang Xing. I still read Sang Hai, but I'm afraid I'll get paid for it. The rustic sheep fat has changed, and only the clouds and waters are blue. " "The Last Years of Qianlong", the Reform Movement of 1898, is the imperial title of Qiu Meng. "In the Song Dynasty, influenced by the idea of learning from foreigners, literary appreciation became fashionable, and the research on three generations of bronzes was quite fruitful. So there is another kind of jade in Song Dynasty, which is antique bronze jade, referred to as antique jade. This device is based on the bronze reed, but the decorative pattern of the device has many changes, and the jade material is not yellow. Treasure of enamel: the ancestor of precious enamel in Yuan Dynasty, the lotus-patterned elephant ear furnace, is the masterpiece of enamel in the Forbidden City. It was produced in Yuan Dynasty, with a height of 13.9cm, a caliber of 16cm, and a foot diameter of 13.5cm. It was collected in the Qing Dynasty. The enamel of this device is bright and moist, and some enamel is as transparent as glass. The enamel color is rich and harmonious, rich and elegant. " Cloisonne ",also known as" Cloisonne ",is a famous traditional handicraft in Beijing, which was named after its popularity during the Jingtai period in the Ming Dynasty. In fact, silk products appeared as early as the Yuan Dynasty in China. It is recorded in Biographies of Foreign Countries in the History of Song Dynasty that "food country" is another name for this Persia. "Big food" was China's name for West Asia in Song and Yuan Dynasties. According to the analysis of historical data, this technology was introduced into China from * * * countries at the end of 13. At the beginning of its introduction, it was called "Big Food Kiln", "Ghost Town Kiln" and "Folang Inlay".