This post is like a flash of a pen, with continuous words and extremely full preparation. It is a precious material for learning the "two kings". The calligraphy of Mid-Autumn Post is a new style created by Wang Xianzhi. In the Song Dynasty, many books, such as court calligraphy works, the officially compiled Xuan He Shu Pu, and He Qing Shu Hua Fang written by Zhang Chou, a famous collector in the Ming Dynasty, all included Mid-Autumn Festival stickers.
According to the Book History written by Mi Fei, a great calligrapher in Beizong, the ink cut by Wang Xianzhi in December was collected by Mi Fei, because Mi Fei bought jute paper from the great collector Suu Kyi as his calligraphy and painting treasures. Mi Fei's "Ink Book of December Post Clipping" is the later copy of Mid-Autumn Post.
The Mid-Autumn Post starts with the word "Bao" inscribed by Emperor Gaozong in Qing Dynasty. A section on the topic of front water separation. In the upper right corner of the post, there is a line titled "Wang Xianzhi Mid-Autumn Festival Post".
After the Postscript of Mid-Autumn Festival, there are inscriptions by Dong Qichang, a famous painter, collector and connoisseur in Ming Dynasty, Emperor Qianlong in Qing Dynasty, and a painting by Emperor Qianlong and painter Ding in Qing Dynasty. Before and after the volume and across the sea, there are collections and seals of the inner government of Beijing Xuanhe in Song Dynasty, the inner government of Southern Song Dynasty, the inner government of Xiangnei in Ming Dynasty and the inner government of Qing Dynasty.