Mo Xiang soaked in antiquities and won the charm of the ancients.
Luo Yang visited Zheng Zhenduo, Guo Moruo, Liang Sicheng and other cultural celebrities with his father since childhood, and was deeply influenced by the artistic atmosphere. Brilliant, he began to work hard in art, loved photography and calligraphy, compiled a textbook "Ancient Architecture Culture" for Peking University, and was obsessed with calligraphy.
Reading history books, eulogizing classics, poor in cold windows, and "saving books and papers", he is the director of many scholars and has published books such as Selected Works of Poplar Hair. He once worked in National Cultural Heritage Administration Institute of Ancient Literature, and was immersed in Qin and Han ancient books and Tang ancient books all the year round, full of the lightness and charm of the ancients, which laid a solid foundation for his achievements in calligraphy art.
I first met Luo Yang: free and easy, elegant, beautiful and quiet. A pair of eyes are calm and full of energy, which reveals a profound cultural heritage. Its font is neat but not rigid, its pen is rigorous but not rigid, it inherits the ancient method and brings forth the new, its brushwork is elegant and full of charm. His calligraphy works can not only see the flow of pen and ink, but also hear the voice of the author. In his view, a calligrapher must have good cultural accomplishment and artistic self-restraint, and his spiritual realm and pen and ink skills can be integrated to promote a good work, otherwise he is just a "craftsman" rather than a calligraphy "home".
Mo Xiang temperament listening to "scenery" to find the true meaning of art
Luo Yang learned calligraphy research methods, was good at understanding calligraphy skills from ancient inscriptions, sought creative inspiration from ancient poems, and realized the passion of "learning from foreign teachers and learning from them" during his travels, reaching the realm of "reading thousands of books and writing like a god".
If the younger generation wants to pursue the true meaning of calligraphy art, it is not enough to just stay in writing skills, but also pay attention to the combination of environment and mind. The true interpretation of the meaning of calligraphy lies in its connotation. Mr. Luo Yang listened to the "high mountains and flowing water" style of ancient songs and tunes, and with the help of the magic of music, he brought himself into another harmonious and elegant world, waved his pen and ink, let his thoughts move with pen and ink, relax in the ethereal world, and show them between pen and ink.
Mo Xiang cultivates internal skills and can only let him write.
In addition to his high attainments in calligraphy, he is gentle and gentle, and his books and personality have a good reputation. "People value books" and value the artistic value of their books-calligraphy; "Books value people", what is important is the historical value or academic value of people-"outside the book".
Su Shi's "On Books" says: "The pen becomes the tomb, and the ink becomes the pool. Not as good as Xi, just offer; A bald pen grinds thousands of ingots. Don't be Zhang Zhi, be Suo Jing. " In other words, "calligraphy internal strength" is the only way to improve the level of calligraphy works. Luo Yang was able to embark on the road of calligraphy up to now, not only because of his interest in culture and art as a child, but also because of his unremitting persistence in calligraphy in his later period.
The course of Mo Xiang and the two essences of understanding art
Luo Yang's photographic work Mourning for the People 1979 entered the competition for the first time and won the prize. 1985 published the first book "Mausoleum" in China, 1986 published the first photo album "China Ancient Pagoda", 1989 published the first copybook warning motto. 1992 literary works entered the competition for the first time and won the prize, and the work "Red Leaves Love" won the first prize of national prose.
His main works include: Warning Motto, Selected Traditional Famous Sentences of China, Collection of Luo's Works, Collection of Luo Yang's Works by China Photographer, and Collection of China's Contemporary Paintings and Calligraphy Masters? Selected Works of Luo Yang's Calligraphy, etc.
In 2007, Mr. Luo Yang was invited by the China Calligraphy Association to participate in the 9th National Exhibition, and created the Long Scroll of Olympic Calligraphy, which was donated to the China Foundation for Poverty Alleviation in the Great Hall of the People at the starting price of 6,543,800 yuan. He was elected as a member of the presidium of the China Federation of Literary and Art Circles at the Third National Committee of the Eighth China Federation of Literary and Art Circles, and was elected as the first calligraphy elite class by China National Painting Academy. Luo Yang is currently the director of the General Office of China Federation of Literary and Art Circles, a member of the presidium of China Federation of Literary and Art Circles, a director of China Calligraphers Association, a vice chairman of the Central State Organs Branch of China Calligraphy Association, a vice chairman of China Folk Writers Association, an adjunct professor of China Renmin University, a member of China Photographers Association, a vice chairman of China Art Photography Association and a member of the Art Appraisal Committee of the Ministry of Culture.
"In the past, when people talked about books, they talked more about people. If they were not people, although the works were not expensive." In the Tang Dynasty, Zhang said in "The Story": "The artistic success is downward, and the moral success is upward". A calligrapher with real taste must pay attention to the cultivation of virtue, which is the essence of Luo Chaotuo.
Han and Tang verve
20 13 12 "Changzhou Exhibition of Five Paintings and Calligraphy of Han and Tang Dynasties", sponsored by China Calligraphers Association, China Folk Writers Association, China Calligraphy Research Institute, Jiangsu Calligraphers Association, Art Newspaper, Changzhou Ethnic and Religious Affairs Bureau and Changzhou Federation of Literary and Art Circles, and hosted by China National Painting Academy and Changzhou Muyitang Art Museum, opened in Changzhou Muyitang Art Museum on 1 2. There are five artists participating in this painting and calligraphy exhibition, one of whom is Mr. Luo Yang.