In his article "Quotes in the Letters of Jin Dynasty People", Qi Gong examined the meaning of some words in "Kuaixue Shiqingtie" and believed that the word "Li" in "Li Buci" refers to Messenger. According to ancient travel, stopping somewhere is called "time", which represents the paragraph of the journey. One of Du Fu's poems is "Traveling to Zhaoling", which means "Traveling to Zhaoling". "Bu Ci" means that he cannot stay and needs to go back quickly, so Wang Xizhi wrote this short note as a reply. Let's look at the word "failed" again, which means failure to achieve the goal and fail to practice the date. If things are not realized, you will naturally feel unhappy, so the word "knot" means depressed mood.
Xie Guanghui and Zhao Zhiqing’s article "Discussion on the Interpretation of Jin Tie from the Old Collection of Sanxitang" believes that the sentence "strength is not inferior" is used as a polite expression in letters, indicating that you try your best to report, try your best to greet, and try your best to reply. meaning. These words are usually placed at the end of the letter (before the signature), and some are also appended with words such as "buci", "buwu", "buyiyi", etc., and are often preceded by words indicating poor physical or mental state. words. "Kuai Xue Shi Qing Tie" has the seal of "Ting" on the front, the couplet of "Shaoxing" on the back, and the half seal of "Chu". This post was given to Prime Minister Wei Zheng in the early Tang Dynasty and passed on to Chu Suiliang. In the early Song Dynasty, it was acquired by brothers Su Shunyuan and Su Shunqin of Tongshan. The Su family has been an official for generations and has a rich collection. There are three copies of this post alone. Mi Fuyi got a copy from Su Ji, and it was the one with the "Chu" seal (Liu Jingyi got a copy in the Song Dynasty, and it was the one without the "Chu" seal. The Xuanhe Imperial Household once collected this calligraphy, and it was recorded in "Xuanhe Shupu" Posts). In the early Southern Song Dynasty, he entered Gaozong's inner palace. It was collected by Zhu Cunliang in the Ming Dynasty, and later sold to Wang Zhideng by a painting seller. Later, it was transferred to Wu Guoting and Liu Chengxi. After Liu died, he returned to Wu Guoting. During the Yuan Dynasty, it was first owned by the Zhang family and later entered the Yuan Neifu. Later it was acquired by Feng Quan of Zhuolu. In the eighteenth year of Kangxi's reign in the Qing Dynasty (1679), Feng Quanzi Feng Qingyuan presented the post to Emperor Kangxi.
In 1746 (the eleventh year of Qianlong's reign in the Qing Dynasty), he entered the inner palace. Qianlong then stored this post in the greenhouse of Yangxin Hall together with Wang Xianzhi's "Mid-Autumn Tie" and Wang Xun's "Boyuan Tie". The room is called "Sanxi Hall". Qianlong loved calligraphy all his life. He deliberately searched for famous calligraphy works of the past dynasties, compiled them from hundreds of calligraphy masters, and pursued the essence of two kings. Qianlong regarded "Kuaixue Shiqing Tie" as the first of the "three blessings", and wrote in front of the post "unparalleled in the world, rarely matched in ancient and modern times", "amazing skills", and also commented that "dragon leaps over the Tianmen, tiger crouches" Phoenix Pavilion". There are twenty-eight characters in the book, each word is a pearl, and it is known as the "Twenty-eight Li Pearls". In 1747, Qianlong selected 134 calligraphers from the Wei, Jin, Tang, Song, Yuan and Ming dynasties collected in the imperial palace, including Sanxi, and copied them on stone, naming them "Sanxitang Fa Tie". Build the "Yue Gu Building" in Beihai, Xiyuan, and embed the above-mentioned carved stones on the walls of the building. The rubbings are circulated to show the model of Linchi. The original copy of Sanxi is still hidden in the Sanxi Hall of Yangxin Hall.
After Puyi left the palace, the dharma post remained in the palace. In 1933, it was moved south to Shanghai along with other cultural relics, and then to western Sichuan. After the victory of the Anti-Japanese War, it was transported back to Nanjing and then transferred to Taipei, where it is now stored in the National Palace Museum in Taipei. On the front and back of the Dharma calligraphy panel are the seals of "Shaoxing" of the Southern Song Dynasty, "Mingchang Yulan" of Jin Zhangzong, "Qiuhe Treasures" of Jia Sidao of the Southern Song Dynasty, and many seals of the Qing emperor. When "Quick Snow Shi Qing Tie" entered the Yuan Dynasty, Zhao Mengfu paid homage to it, and on April 21, 1318 (the fifth year of Yanyou's reign in the Song Dynasty), he wrote it as "a Hanlin scholar inherits the imperial edict, a Ronglu doctor knows the imperial edict, and also studies the history of the country." His identity was given by the imperial edict. The postscript says: "Since the Eastern Jin Dynasty for nearly a thousand years, the writings that have been handed down to this day are absolutely unavailable. "Kuai Xue Shi Qing Tie", written by King Xi of the Jin Dynasty, is one of the treasures of all dynasties. It is in the engraving. Now I can see the original work, and I am very happy to see it. "Liu Geng, Hu Du Da'er, Liu Chengxi, Wang Zhideng, Wen Zhenheng, Wu Ting, Liang Shizheng and others all expressed their astonishment and admiration in their postscripts.