Appreciation of Yuan Qu in Tang Poetry and Song Poetry

Tang poetry is our great motherland and one of the best poetry countries in the world. Tang poetry is the pinnacle of the development of classical poetry in China, and it is a brilliant treasure in the excellent traditional culture of our Chinese nation. Life is the source of literature and art, and Tang poetry is a literary record of social life in the Tang Dynasty during the relatively open period in China's history. It is a reflection of the colorful life feelings and complicated and tortuous ideological course of the people of all ethnic groups of the Chinese nation at that time, and the crystallization of their psychological quality, emotional fantasy, way of thinking and various mental states in the face of economy, life, frontier war, official travel, pure friendship, lingering love and beautiful scenery.

Ci is one of China's ancient poems. It began in Liang Dynasty, formed in Tang Dynasty and flourished in Song Dynasty. According to Old Tang Book; "Since Kaiyuan (the year of Emperor Xuanzong of Tang Dynasty), singers have mixed the songs of Okoyi Lane." At that time, there were many talented musicians in the city who made a living by singing. According to the need to coordinate the lyrics with the music beat, they created or adapted some long and short sentence lyrics, which are the earliest words. It can also be seen from Dunhuang Quzi Ci that the words produced by the people are decades earlier than those created by the literati.

Generally speaking, Ci can be divided into graceful school and wild school. Graceful words are elegant, graceful and full of music; Like Liu Yong's "Where do you wake up tonight?" Yang Liuan, Xiao Feng's waning moon "; Yan Shu's "Helpless Flowers Fall, I have met Yan Gui"; Yan's famous sentence, "Liu Lou's heart dances low, and the peach blossom fan sings at the bottom", is worthy of being a lyrical masterpiece with a blend of scenes and scenes, and has artistic merits. Bold ci began with Su Shi. He helped Ci out of the world of entertaining guests and developed into an independent lyric art. Ci developed and gradually separated from music, becoming an independent style.

Yuanqu is another literary prosperity after Tang poetry and Song poetry, which has unique charm: on the one hand, Yuanqu inherits the beauty and grace of poetry; On the one hand, in the Yuan Dynasty, the soldiers and soldiers were placed in the position of "eight prostitutes, nine men and ten beggars", and the political monopoly and social darkness made Song Yuan radiate extremely dazzling fighting brilliance and reveal rebellious feelings; Sharp-edged pointed at the drawbacks of society, denounced the society that "not reading is the highest, illiteracy is the best, and people who are not sensible are bragging", and pointed at the world trend that "everyone is embarrassed to live, and no one can see the money". The works describing love in Yuan Qu are also more inflammatory and bold than the poems of past dynasties. All these are enough to keep the artistic charm of Yuanqu forever.

But in contrast, the spread of Yuanqu is by no means as wide as that of Tang poetry and Song poetry. This is because people are not familiar with the style of Yuanqu. Here is a brief introduction.

Yuanqu can be divided into zaju and Sanqu. There are several sets of Sanqu, and poetry takes the difference between songs.

In ancient music in China, the mode is called Gongdiao. The Gongdiao of the song originated from Yan Yue in Sui and Tang Dynasties. The four strings of pipa are defined as Gong, Shang, Jiao and Yu, and each string constitutes seven tones. The seven tones of Gongdiao are called Gong, and the rest are all in tune, resulting in 28 Gongdiao. However, there are only twelve kinds of Yuan songs commonly used, namely, Lv Xian Palace, Lu Nan Palace, Huangzhong Palace, Gong Zheng, Dashi Tune, Xiaoshi Tune, Jiangjunguan Tune, Upward Tune, Upper Corner Tune, Double Tune and Yue Tune. Each gong tune has its own musical style, so there is often a certain habit in choosing the tune.