When writing the word "Dong", it is necessary to ensure that the stroke writing order is correct and symmetrical, and it cannot be reversed or interrupted. For example, to write the word "East", you should first write the horizontal fold, then write the radius hook below, and finally write half a circle. In particular, the big circle should be clean and neat, and the arc should be smooth and natural. In order to coordinate the proportion of the whole word, the size of each part should be measured, neither too big nor too small. For example, the radius hook and the size of the big circle should be just coordinated; At the same time, the gap between the three parts also needs to be symmetrical to avoid local crowding and laxity.
Can be combined with personal calligraphy style and the use of words for design and writing. If all other characters are straight, then Dong Can adds some elegant curvature and brightness. If it is a calligraphy work, you can work hard with the pen to show fluency, rhythm and beauty. In short, to write beautiful Dong characters, besides the basic stroke order, we need to pay more attention to its structural proportion and details, as well as personal artistic feelings and understanding of calligraphy norms.
Matters needing attention in writing regular script
1, dense, thin and thick
In order to write the words with many strokes in the center of the grid, it is necessary to write the strokes carefully; On the contrary, words with few strokes are easy to write in the center of the grid, but if they are also written in detail, they will feel cold and frugal, so they should be written roughly.
2, long thin short thickness
Beginners always ignore this rule when writing with long and short strokes. It is not as long as thick, or short, thin and thick, which does not conform to the principle of visual balance. Compared with short strokes, long strokes have greater visual tension, that is, they are more conspicuous than short strokes. Only by writing them thinner than short strokes can short strokes be more conspicuous, thus achieving visual balance.
3, horizontal fine vertical thick
This can be explained by architectural truth, which is equivalent to horizontal beams and vertical columns. If the top beam is thin and the cross beam is thick, it will give people a feeling of instability. Only when the top beam is thickened and the cross beam is thinned can there be a sense of stability.
4, thin left and thick right
This is perpendicular to the left and right sides of the word, because it conforms to people's aesthetic psychological habits.