2 Introduction of Li Bai
Li Bai (70 1-762), whose word is Taibai, is the most outstanding poet in the prosperous Tang Dynasty, and also a great romantic poet in the history of China literature after Qu Yuan, and is known as the "Poet Fairy". He had a rough experience and complicated thoughts. He is not only a brilliant poet, but also a ranger, assassin, hermit, Taoist and counselor. Confucianism, Taoism and Rangers are all reflected in him. "Retire after success" is the dominant thought that dominated his life.
Li Bai left more than 900 poems to later generations. These brilliant poems show his mental journey all his life, and they are artistic portraiture of social reality and spiritual life in the prosperous Tang Dynasty. Li Bai was ambitious all his life, and he expressed his yearning for fame and fortune unabashedly. This is vividly expressed in Fu Liangyin, Reading Biography of Zhuge Wuhou, and Love Cai Sheren Bear. Li Bai liked Ren Xia since he was a teenager, and wrote many ranger poems, among which Knight Rider is the representative work. Three years of political life in Chang 'an had a profound influence on Li Bai's creation. There is a sharp contradiction between his political ideal and the dark reality, and unspeakable pain and resentment accumulate in his chest. Angry wrote good poems, so he wrote a series of nostalgic people, such as "Difficult to Go", "Antique" and "Answering the King for Twelve Nights". A famous sentence that is sad for a person's life and difficult to send away. Li Bai lived a wandering life for most of his life, traveled to many famous mountains and rivers all over the country, and wrote a lot of beautiful poems praising the great rivers and mountains of the motherland to express his feelings of loving freedom and yearning for liberation. In this kind of poetry, the strange mountains and rivers complement his rebellious and unruly character. This kind of poetry occupies a large number in Li Bai's poetry works, and has been passed down through the ages, among which "Climbing Mount Tianmu in a Dream" is the most outstanding masterpiece. With dripping and carefree poems, the poet freely spread the wings of imagination, wrote all kinds of spiritual adventures and pursuits, and truly liberated the repressed soul in his dreams. And "Oh, how can I seriously bow and scrape to high-ranking people and people in high positions? They will never stand being shown an honest face!" His poems show the poet's lofty sentiments and become an important basis for future generations to examine Li Bai's great personality.
As a great poet who loves the motherland, cares about the people and never forgets the reality, Li Bai is also very concerned about the important issue of war. Enthusiastic praise is given to the soldiers guarding the border (such as "Xia Sai Qu"), and the wariness of the rulers is mercilessly lashed (such as "Battle of the South of the City" and "Song of Ding Du"). Li Bai also wrote many Yuefu poems, describing the hard life of laborers and expressing their concern and sympathy (such as Long March and Midnight Wu Ge). ).
Li Bai's poems have the artistic charm of "the pen is shaken by the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature of his poems. As a romantic poet, Li Bai mobilized all romantic skills and realized the perfect unity of poetry content and form. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. For example, when he entered Beijing as an official, he said, "Laugh to the sky. Are we Artemisia people? " When I miss Chang 'an, "the wind blows my heart and hangs Xianyang trees in the west." Such poems are very infectious.
Extreme exaggeration, apt metaphor and amazing fantasy make people feel highly real. Reading these poems, such as "But since the water is still flowing, even though it is cut with a sword, it is even more worrying to raise a glass to dispel the sorrow" and "The white hair is three thousands of feet, and the sorrow is as long as long", readers can't help being infected by the poet's long sorrow and endless melancholy. Li Bai's artistic expression is particularly prominent in his poems, such as Climbing Mount Tianmu in a Dream, Difficult Road to Shu, etc.
In Li Bai's poems, imagination, exaggeration, metaphor and personification are often used comprehensively to produce a fantastic, magnificent and moving artistic conception, which is why Li Bai's romantic poems give people a heroic, unrestrained and elegant charm. His language is clear, lively and meaningful, just as two of his poems say, "clear water gives birth to hibiscus, and it is naturally carved."
Li Bai's poems and songs had a far-reaching influence on later generations. Han Yu, Meng Jiao and Li He in the middle Tang Dynasty, Su Shi, Lu You and Xin Qiji in the Song Dynasty, Gao Qi, Yang Shen and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poems.
Respondent: wolfsb- assistant level 311-116: 46.
Li Bai (70 1-762) is too white. Originally from Longxi, he moved to Broken Leaf City in Central Asia at the end of Sui Dynasty. Most of Li Bai's life was spent in the heyday of Xuanzong's rule in Tang Dynasty, that is, Kaiyuan and Tianbao years. Most of Li Bai's more than 900 poems handed down from generation to generation clearly show his contempt for feudal nobles, his exposure of decadent politics, his sympathy for people's sufferings and his praise for the magnificent mountains and rivers of the motherland. At the same time, due to the serious influence of feudal ruling thought, many of Li Bai's works often reveal the negative emotions of Taoist life as a dream, eating, drinking and having fun in time, and Confucianism's "being poor and being alone". Li Bai, a great poet in the Tang Dynasty, was called Du Fu. His poems are excellent in all aspects, among which the seven-character rhyme and seven-character quatrains are the best.
Interviewee: wing fay- Trainee Magician II11-116: 46.
Li Bai (70 1-762), whose name is Taibai, is a violet layman. His ancestral home was in Ji Cheng, Longxi (now near Tianshui, Gansu), and he moved to the Western Regions at the end of Sui Dynasty. Li Bai was born in the broken leaves of Central Asia. (The Chu River basin south of Balkhash Lake was under the jurisdiction of Anxi Prefecture in the Tang Dynasty). When I was young, I moved to Qinglian Township, Changlong, Mianzhou (now Jiangyou, Sichuan) with my father.
He spent most of his life roaming. In the first year of Tianbao (742), under the recommendation of Taoist Wu Yun, he was called to visit the Hanlin in Chang 'an. The style of the article became famous for a while and was quite appreciated by Xuanzong. Later, because he couldn't see the dignitaries, he abandoned his official position in Beijing for only three years and continued to wander. In the second year after the Anshi Rebellion, he was angry and difficult, and once joined Li Lin, the shogunate of Wang Yong. Unfortunately, Wang Yong and Su Zong competed for the throne. After the defeat, Li Bai was dragged into exile in Yelang (now Guizhou) and was pardoned on the way. Wandering southeast in his later years, dangtu county made Li die soon.
Li Bai's poems are mainly lyrical. After Qu Yuan, he was the first person who could really absorb its rich nutrition from the folk literature and art at that time and Yuefu folk songs since Qin, Han and Wei Dynasties, and concentrated on perfecting it to form his own unique style. He has extraordinary artistic talent and great artistic power. Everything that is surprising, comforting, exciting and thought-provoking comes out. Du Fu is the most outstanding romantic poet in China after Qu Yuan, and is known as "Poet Fairy". As famous as Du Fu, he is called "Du Li" in the world. Han said: "Du Li's article is there, and the flames are endless." ("Turn to Zhang Ji"). Li Taibai's collection.
Main work
Kezhong Zuo Qiu Deng Xuancheng Xie Tiao North Building bid farewell to Minister Shu Yun at Xuanzhou Xie Tiao Villa.
Ye Jing Sijiang Jin Jiu Wanglushan Waterfall
Send friends to Phoenix Terrace in Baidicheng early and climb mountains in Nanjing.
One is the qingping tune of the moon alone, and the other is the qingping tune.
Qingping turned the third song "Down to the South Mountain" into the pillow and bowl of "Hu Si's Spring Thoughts"
For Wang Lun, climb Mount Tianmu in the dream and bid farewell to Nanjing Hotel.
Guan Shanyue midnight Wu Ge long-term trip
It is difficult to get along on the road, one is Sauvignon Blanc and the other is Sauvignon Blanc.
It is difficult to send a message to Meng Haoran in the jade class.
Seeing friends off at Jingmen Ferry, complaining that the Yellow Crane Tower saw Meng Haoran off on the way to Yangzhou.
Throughout Li Bai's life, his thoughts are more complicated. Confucianism, Taoism, strategists and rangers all influenced him. He envies immortals and yearns for seclusion, but he doesn't want to be the abbot of Penglai. On the contrary, he wanted to "apply Yan Guan's words, seek the skills of the emperor, and strive for his wisdom. Willing to be complementary, make the atlas area fixed and the sea county clear "("Dai Shoushan answers Meng Shaofu's book "). He has great political ambitions, but he is unwilling to take the road of imperial examination. He wanted to live in seclusion and seek immortality to gain fame, so that he was recruited and reused by the emperor under the recommendation of celebrities to realize the ideals of "helping the poor" and "securing the country" and retired after success. It is under the guidance of this thought that the poet lived a wild and bumpy life.
Li Bai has more than 990 poems. These poems, or with unrestrained passion, express their enthusiastic pursuit of ideal politics and their desire to make contributions; Or expose the decadence of political groups with a sharp pen; Or use a good brush to touch the magnificent mountains and rivers of the motherland. His poems, no matter in five words or seven languages, have a unique style and strong romanticism. Li Taibai's collection.
In the early years of the Northern Song Dynasty, people found the words "a vast expanse of smoke and mist in the flat forest" in memory of Qin E's Bodhisattva Man and Qin E's Dream of Breaking Qin Louyue, and respected them as their ancestors. Some people suspect that it was entrusted by future generations, and the lawsuit has continued so far. In fact, Li Bai's Yuefu poetry was the origin of ci, and Yuefu poetry always occupied a dominant position at that time. As for these two poems, which have always been called "the ancestors of one hundred generations of lyrics and songs", their styles are superb and their weather is broad. If it doesn't belong to Li Bai, whose work is good?