Huang Shen, a painter and calligrapher in Qing Dynasty, introduced that Huang Shen's paintings belong to landscape painting.

Life of the characters in Qing Dynasty —— Huang Shen's landscape flowers and birds horizontal painting Huang Shen was born on May 5th, 26th year of Kangxi in Qing Dynasty (14 June), and was 84 years old in the thirty-fifth year of Qianlong (1770). His death year is unknown, and he lost his father at a young age. He sells paintings for a living and supports his mother. At first, he studied painting with Shangguan Zhou, then traveled away from home and sold paintings in Yangzhou many times. Fang was eighteen or nineteen years old and went to Xiao Temple to paint during the day and study under the Buddha's light at night. In the fifty-eighth year of Kangxi (17 19), he was good at painting in Yangzhou, and people competed for him. In the fifth year of Yongzheng (1727), my mother was too old to travel. She lived in Yangzhou and returned to Fujian for three years, and Zheng Xie presented poems. In the thirty-three years of Qianlong (1768), it was eighty-two, and it was still a flower book. Watch out for cursive scripts, Huai Su. When I draw characters, I take fairy tales as the theme. I began to learn the official Zhou Dynasty, and then painted with the brush strokes of weeds. The brushwork is bold and unrestrained, the weather is magnificent, and it goes deep into the ancient law, occasionally hurting rhyme. Intercropping of flowers and birds between mountains and rivers leads to vacancy rate. He painted many historical figures, Buddhists, woodcutters and fishermen, and was meticulous in his early years. Later, he took part in Huai Su's cursive brushwork, and the characters he drew were rough, vigorous, changeable and magnificent. Flower-and-bird painting is washed and practiced, the image is generalized, and the painting style is vigorous; The landscape is open and poetic expression is emphasized.

Representative paintings include spend december God, Four Noble Men, Fu Sheng Jiao Jing, Drunk Sleep, Luya, Jiao Hu Shi Hua Cao and so on.

Artistic Features Huang Shen is good at figures, landscapes, flowers and birds, and figure painting is the most prominent. Themes are mostly immortals, Buddhists, historical figures, and some real-life images, mostly based on folk life. Many works have created the following figures: stalkers, beggars, refugees, fishermen and so on. For example, "Begging for a Map" is based on real life, depicting the tragic picture of beggars living on the streets and being bullied in famine years, and showing the immortal Buddhism and Taoism, such as "The intoxicating map", which is bold and unconstrained, which can be seen in confusion. It is Dongpo who plays with inkstone that describes the life of literati, which is characterized by rapid brushwork, vigorous clothing lines, tough lines, alternating shades of ink and public, magnificent characters and mature painting style.

Xu Wei, the originator of his flower-and-bird paintings, is also free and vigorous, such as Plum Blossom Painting and Calligraphy in a Bottle-Huang Shen and Chrysanthemum and Crab Picture. Although his landscape is "not named after it", he has certain accomplishments. The scenery, big and small, is wonderful and unique. Representative works of landscapes such as Fish Returning to the Map and Erliu, "graceful posture, standing on the rocks, swept out of the beach. In the middle scene, two blue-yellow fishing boats are hooked on one side of the boat, and the characters on board.

Huang Shen is good at cursive script and is the "two kings" in calligraphy. He was even more impressed by Huai Su's brushwork, and his provocative brushwork was also used in painting. Therefore, the picture is mostly dry, flying white and fast changing, while Huang Shen's cursive script is messy and orderly. Critics say that it is like sparse scenery and tangled vines, and it has the interest of "painting with words". His calligraphy is based on Cao Zhang. His cursive script is not ignorant of ancient laws, and it is difficult to distinguish the traces of the ancients. It does not emphasize the density and dispersion of rules. Instead, it uses the twists and turns of brushwork to disconnect, look around and echo, highlighting the sonorous rhythm of stippling, showing a sense of colorful balls. His masterpiece "Cao Ting Fei Wanzhu's cursive scroll" is grotesque, like a silhouette of a pine and cypress. It points out the thick branches of a mosaic, which is really a spectacle. It is really neither a book nor a painting, but also a book.

Huang Shen's paintings and calligraphy are widely circulated, and most of them are hidden in major museums in China. There are also many people. There are many paintings in the Forbidden City in Beijing, such as Shu's ink-holding picture; The album "Drunk Sleeping" collected by Tianjin Art Museum; The "Twelve Divisions Moon Flower God Map" collected in the Treasure Hall of Qin Mausoleum has a large horizontal axis; The axis of "Floating Life and Surprise"; Fish returning to the map in Yangzhou Museum, etc.

Huang Shen's personal achievements in poetry and calligraphy painting are called Three Musts. He came to Yangzhou three times, stayed for a long time, and made close friends with Li (Shan). He is one of the "Eight Eccentrics of Yangzhou".

/kloc-at the age of 0/8 and 9, he was sent to Xiao Temple to paint during the day and study hard under the Buddha's light at night, and his skills improved greatly. All figures, flowers and birds, landscapes, terraces, insects and fish are indispensable, but he is not satisfied with these. Once he saw her husband's work and said, "My teacher's stunts are hard to win fame. I am determined to stand on my own feet and make a name for myself. Why do you want to stay? "

Summarizing his life, he said with emotion,' I learned to draw when I was 14 or 15, but from time to time, a stork poked its head out of my chest and suddenly realized,' I don't draw because I don't study. So I broke my heart, took the five-character poems of,,, Jin and Song Dynasties, and Du Han's poems in the middle and late Tang Dynasty, and was able to succeed by familiarizing myself with Jingsi ointment. But at the same time, I pushed Xie Rong to the four seasons of Cordyceps sinensis, and the system of clothes and ritual vessels in previous dynasties was fine, but it made me feel like a snake, scorpion and phoenix. According to my temper, something suddenly happened in my heart. It was this meditation, sleepless nights and hard work that made Huang Shen grow from a little painter to a "famous poet and painter".

Zheng Banqiao presented a poem saying, "I hope that the ancient temple will break the moss mark, and I am used to writing about the roots of chaos in the wilderness, painting until the spirit floats away, and there is no truth but a true soul."

Huang Shen is also a poetic artist. His poetry is as pure as stone, and the smoke is extraordinary, and there is a book handed down from generation to generation, Jiaohu Poetry Money.

Huang Shen studied under Shangguan Zhou in his early years, and his work was meticulous. Huang and Ni Zan, the ancestors of landscape, learned Xu Wei's brushwork after middle age and became freehand brushwork, cursive script and cursive script. They try to indulge themselves with crazy cursive calligraphy, which is magnificent and goes deep into the ancient law, but it also hurts the rhyme with a pen.

Huang Shen's paintings and calligraphy are widely circulated, and most of them are hidden in major museums in China. There are many paintings in the Palace Museum in Beijing, such as the ink-holding picture of Shu stone and the drunken sleeping picture of Tianjin Art Museum. Fu Sheng painted the warp beam, and the fish in Yangzhou Museum returned to the map. Huang Shen's painting creation was famous in the world during the Yongzheng period, saying that "ruler and paper can accommodate each other, and the world strives for treasures". It can be seen that his works had a high price at that time. In addition, Huang Shen often evaluates himself on his paintings. The most proud wrote a poem, the second knew the year and month, and the third only used the word "Li Piao". Now many works by Huang Shen have entered the market. Auctions began in the late 1980s and have appeared every year since then. The price fluctuates little and is relatively stable, but it is not too high, which is equivalent to other painters in the Eight Eccentrics and lower than the Four Wumen.

Social evaluation Huang Shen traveled (now Nanchang) and crossed wuyue. His achievements were warmly praised and highly praised by the teacher Shangguan Zhou. He said: "There is Huang Sheng in our school, and there is Lu Gong after the right army."

Huang Shen's influence on later generations as a painter-Min Zhen in Qing Dynasty, Su in Guangdong, Li Xia in Fujian and Li Chucai in southern Liaoning all studied under Huang Shen. Qi Baishi also fell in love with Huang Shen-"I got a" Huang Ying Gone with the Wind Album "in Huang Shen, and I didn't know that I was still too similar and had no detached interest. Decided to change from now on. Don't listen if people want to scold; I don't like it when people want to be praised. " "There are more than 100 painters in the dynasty, except for gourd ladle, green vine and big polyester, which are all the same. If I cherish my talent, I can't learn from it. "

Stories and Anecdotes of Huang Shen's Four Visits to Yangzhou;

Huang Shen is one of the representatives of Yangzhou School of Painting. Good at figure painting, steady and neat with a pen.

When I first arrived in Yangzhou, someone who knew how to paint seemed to convince him with paintings: "The ancients painted many meticulous figures, and people were used to it. How can I get ahead if I go on like this? " Might as well take the road of freehand brushwork figures. "Huang Shen hearing this, although feel uncomfortable, but he felt reasonable. He immediately returned to his hometown, practiced hard in freehand brushwork for three years, and made great progress consciously, so he went to Yangzhou the next day. Indeed, his paintings are highly appreciated. After a while, someone said, "Your painting is freehand, but the font on your painting is still too straight, and the words and paintings don't match." He got it and went back to the cursive script that he had practiced in Minnan for three years. When he took Calligraphy and Painting III to Yangzhou, the name of the painting had greatly increased. Once a scholar came to buy his paintings. After reading it, he said: "The characters are bold and exaggerated, and the inscription style is vivid and powerful. There seems to be only the year number on the painting, but no poetry articles. "Huang Shen is not the kui is an open-minded person. He returned to his hometown and studied poetry for three years. After four years in Yangzhou, it has been "poetry and painting".

The statue is in Ninghua, Huang Shen's hometown, and Huang Shen is admired by people. There is a statue of Huang Shen in the local border trade city.