The beautiful ways to write lines are as follows:
1. Generally speaking, the pen used for running calligraphy is only one-third of the full stroke, and the heaviest pen should not be more than half. In this way, when you write, you can press it and lift it. Of course, this is not absolute. People who like to write books with short front pens and long front pens are often not restricted by this. If you write big characters in small words, you will be stretched and withered. The thinness of characters is often closely related to the size and depth of the pen. If the pen is used too much, the strokes will be rigid, flat and thin.
2. It is appropriate to write late and quickly. The speed of running script can't be generalized. It should be said that it is both late and fast. It also depends on the needs of the whole article. Although it is a word, it can be as fast as the wind and late as the boat. Therefore, the speed of writing and writing should not be limited to the medium speed, and it is even more impossible to speed up the urgent writing. It is better to be calm, take advantage of the heart, and express your feelings.
3. pens are delivered. Running script must be "pen-to-pen" when using a pen. The so-called pen-to-pen delivery means that in the process of running a stroke, the pen tip should be in place, and the pen tip should not be picked out or folded when it reaches the end of the stroke. This is the key to the lifting of the pen. The kung fu of this pen comes from the basic skills of regular script writing, otherwise it will not be delivered in place and the quality of strokes will be poor.
4. if you want to be horizontal, you should be vertical first, and if you want to be vertical, you should be horizontal first. No matter whether the horizontal painting and vertical painting are hidden or exposed, they are consistent with the principle of opening the model. In horizontal painting, it is especially important to pay attention to the fact that there are not too many sharp pens to prevent the thin strokes from being cut, and to make the pen full and thick. Before putting pen to paper in a vertical painting, you should cut in to the right, and then press to cut in, in case of being too sharp.
5. The tie wire is not thick. Jiang Kui put forward in "Continued Book Score": "It is all about stippling, not stippling, and occasionally drawing, and its pens are all light." If the entanglement between painting and painting, word and word is thick, it will be suspected of usurping the host's role and winding continuously.