Qi Baishi expressed the specific phenomenon of "frog sound" through pen and ink. There is no frog on the screen, but it is like smelling a frog. That's a good idea.
On a four-foot-long vertical shaft, against the background of the distant mountains, a torrent emerged from the rocky mountain stream, and six tadpoles swam downstream with their small tails wagging in the torrent. Little tadpoles don't know that they have left mother frog and are still playing in the water. People will naturally think of frogs and frogs when they see tadpoles wagging their heads and tails at the source of streams.
It can be associated with the female frog outside the painting from the tender tadpole. Because of the loss of tadpoles, mother frog is still chirping loudly, as if the frog's voice is from far to near with the sound of water. Although there is no frog in the picture, people can vaguely smell the sound of frogs in the distance and the sound of running springs, playing a sweet movement, connected with the sound of frogs.
Extended data
Frog Rang Ten Miles Outside the Mountain Spring is an ink painting that Qi Baishi painted for Lao She, a China writer, when he was 9 1 year old. The creation of this painting alone is extraordinary. It is a discussion between a writer and a painter about high-level art theory in the field of art. Qi Baishi used superb techniques to show a wonderful painting that was enjoyed by both vision and hearing.
There are no frogs, only tadpoles, which reminds people that tadpoles grow into frogs. This painting spans from a simple two-dimensional space to a four-dimensional space, and tadpoles grow into frogs, which is a qualitative change.
Qi Baishi (1864- 1957), formerly known as Chunzhi, named Lanting, later renamed Huang, was born in Kinki, named Baishishan Weng, Laoping, Hungry Soup, master of singing by mountain, old man of Jipingtang, 300-millionaire lithograph, from Xiangtan, Hunan.