Looking for Liu Yong's "Looking at the Trend of the Sea"

Tidal bore watching

Southeast shape wins, Sanwu city, Qiantang has been prosperous since ancient times. Smoke willow painting bridge, wind curtain and green curtain, interlaced with 100 thousand people. Clouds and trees surround the dike sand, and the raging waves roll frost and snow, and the natural hazards are endless. The city is full of jewels, and every household in Luo Qi is competing for beauty.

Heavy lakes overlap Yue Jiaqing. There are Sanqiu cassia seed and Shili Lotus. Qiang tube clear sky in Wan Li, night, enjoy the lotus. Riding a thousand times with high teeth, listening to flutes and drums and enjoying the haze. The map of the future will be good. I will go back to Fengchi to boast.

[explanation]

This masterpiece about scenery was written in the early years of Jingdezhen (about 1004), and Liu Yong gave it to Sun He, a transshipment ambassador from Zhejiang. Liu Yong was less than twenty years old at that time. The extensive use of even sentences is one of its characteristics. There are six pairs of words in these hundreds of words. Of the first six sentences, the first three are symmetrical. Is the so-called complex. This structure is most suitable for description and rendering, and has vivid artistic effect on the performance of Hangzhou's victory. "Sanqiu Guizi, Shili Lotus" cleverly captures the poetic soul of lakes and mountains in summer and autumn, and its framing is wonderful and natural at present, which is widely spread. According to "The Return of Crane" and other books, Jin Wensong admired him, transferred troops to the south and committed crimes, and died at Guazhou Ferry. Therefore, there is a line in Xie Chu's poem that says, "Who put the Hangzhou tune on the record, and the lotus is ten miles away in Sanqiu? I don't know that the flowers and trees are ruthless and affect the Wan Li of the Yangtze River. " The great influence is rare in the history of literature.