Professor Yang Baolin, whose pen name is Yang Baopu, is well-known at home and abroad. He is a famous contemporary cultural scholar, artist and educator, and has studied China traditional culture, classical literature, history, classical philology, art, calligraphy theory and calligraphy education. In academic research, he insisted on taking the road of traditional culture as the academic basis; In artistic thought, he devoted himself to academic care and was compatible with literature and history in art. His calligraphy works are typical "scholar's calligraphy" and "scholar's calligraphy" and are world-renowned.
Academic writing
Representative academic works are:
A Study of Liu Xizai's Calligraphy (People's Publishing House, 20 1 1 Edition)
Chronology of Liu Xizai (Liaohai Publishing House, 20 10 edition)
Li Yu, Queen of Southern Tang Dynasty (Feng Chun Literature and Art Publishing House, 1992 edition)
Interpretation of Su Dongpo's Collected Works (China Children's Publishing House, 2003)
Yang Baolin's Calligraphy Collection (Liaohai Publishing House 20 1 1 Edition)
China Calligraphy Art (English Edition) (Liaoning Education Press, 2002 Edition)
Literature and Art Series (Liaohai Publishing House, 200 1 Edition)
Poems of Shi Gui (Sanhai Publishing House, 2000)
Dictionary of Romance of the Three Kingdoms (Liaohai Publishing House, 2003 edition)
Calligraphy Q&A (up and down) (Liaohai Publishing House, 2009)
One hundred thousand reasons for China culture (calligraphy volume) (Liaohai Publishing House, 1999 edition)
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Representative academic papers are:
1. Aren't Lu You and Tang Wan cousins? Journal of Liaoning University 1984.3.
2. On Li Yu's Changing Gong Ling Ci into Scholar-bureaucrat Ci, Journal of Liaoning University 1987.2.
3. The contradiction between life and official career-A probe into the theme of Du Mu's "I went to Xing Wu to visit the tomb of Leyou", literature and history knowledge 1989.2.
4. A new interpretation of Cao Cao's short songs, Journal of Liaoning University 1990.3.
5. Another explanation of "an ice heart in a jade pot", Journal of Social Sciences 1990.4.
6. Supplementary evidence of Riding on a Cliff, Journal of Shenyang Normal University 1996.4.
7. Catch up with the Fan of Breaking the Hedge in the Long Valley-A Dream of Red Mansions and Li He's Poems, Journal of Shenyang Normal University 1998.3.
8. Causes of Li He's Romantic Poetic Style, Journal of Liaoning University, March 2000.
9. Li He's artistic pursuit and aesthetic ideal, Journal of Shenyang Normal University, March 2000.
10. A probe into the book of songs, the poems of abandoned wives in Han Yuefu, Social Science Journal, April 2000.
1 1. On the Artistic Expression and Creation of Calligraphy, in Panjin Calligraphy, People's Daily Publishing House, 2006.
12. Liu Xizai's calligraphy character theory-from "madness" and "hometown desire", published in Northern Series, 2007+0.
13. Friends of Liu Xizai and Qi Xueqiu, Journal of Shenyang Normal University, 2007+0.
14. A Study of Liu Xizai's Travels, Journal of Northeast Normal University, February 2007.
15. Textual research on Chen Yi's birth and death year, native place and official position, Journal of Social Sciences, February 2007.
16. Chronicle of Liu Xizai, Journal of Liaodong University from June 2007 to March 2008.
17. A Study of Liu Xizai and calligraphy theory from the Perspective of Great Literature and Art, Proceedings of the Eighth National Calligraphy Symposium, edited by China Calligraphers Association, Henan Fine Arts Publishing House, September 2009.
18. "Wandering between art and scholarship-reading teacher Cong Wenjun's testimonies", China Calligraphy Newspaper, 20 10.5.
19. Textual research on Liu Xizai's lost poems, Journal of Social Sciences, 20 10.5.
20. Contemporary Interpretation of Several Concepts in Ancient Book Theory, Calligraphy Guide 20 10.6438+02.
2 1. On the historical value of Cai Xiang's calligraphy, Youth Calligraphy 20 1 1.5.
22. The Hidden Trouble of the Lack of Contemporary Calligraphy Culture, Art Wide Angle 20 1 1.5.
23. Textual Research on Three Letters from Liu Xizai to Qianggui, Journal of Social Sciences, 20 1 1.6.
24. Reflection on the phenomenon that contemporary calligraphy pays more attention to form than content, "Contemporary Calligraphy Creation and How China Calligraphy Goes to the World-Proceedings of International Forum", edited by Shanghai Calligraphers Association, Shanghai Calligraphy and Painting Publishing House, 20 14 edition.
25. the origin of Liu Xizai and Bao's calligraphy, calligraphy series 20 14.6438+0.