Tools/raw materials: a brave heart; Brush can use long front; Ink can be used in cabinets; Song Huizong's calligraphy can be written in thousands of words.
Method: It means that the strokes above should be thin and light, and the strokes below should be thick and heavy. This is the biggest feature of the thin gold body that gives the individual a sense of solemnity. The thin gold structure of left tight right loose is left tight right loose. Tight on the top and loose on the bottom means that the strokes in the upper part of the fine gold lettering are more compact and the strokes in the lower part are more stretched.
In the copybook, learn the style of Bo Jin, recommend and write articles. Because Qian Wen Zi is a regular script with few strokes in running script, it is very helpful to better grasp the character structure. Auxiliary copybooks, we can also find some tips according to the learning experience of the pioneers: Song Huizong studied Huang Tingjian first, then Chu Suiliang, Xue Ji, Xue Yao, mixed the strengths of each school, learned from each other's strong points, and was unique, and finally created a unique "thin gold book" style, which had great influence.
Calligraphy in Song Dynasty is good at rhyme and interest, and Evonne's "The Book of Thin Gold" embodies similar aesthetic interest of the times, which is called "the beauty of heaven and bones is beautiful, and the interest is dull"; It also has a strong personality color, so-called bending iron and breaking gold.
Note: Persistence is victory, but thin body is an art after all, so you need to be cautious when entering the business, and it is impossible to reach the sky in one step.