Source: Shen's "The Mystery of the Cave" is the third fold: "If you want to test the magical power of that Taoist, it is better to show my wisdom of making clouds and waves."
Usage: as predicate and object; Used in written language.
Emotion: making clouds and fog is a neutral word.
Tradition: making clouds and fog.
Near meaning: make clouds rain, make clouds spit fog.
Expand knowledge:
The Mystery of the Cave is a zaju written by Yang Shen in Ming Dynasty, and its full name is The Mystery of Celebrating the Cave.
In the play, it is written that the Taoist priests of Xingshan Mountain practiced in Kunlun Mountain and accepted six disciples, including Yuan Zhong and Ma Zhi, to surrender the East China Sea Black Dragon and Xilin Monster Tiger. His merits and deeds were complete, and he ascended to heaven in the daytime. Dongtian is the Taoist name for the immortal residence. In front of the book, there is a preface to Yang Biao's Sixteen Years of Jiajing, saying, "My younger brother was promoted to buddhist nun and lived in Yunnan for seventeen years, so he copied Taoist books and wrote the mystery of the cave, which is the same as the so-called journey to the west." The play focuses on promoting Taoist thought.
Yang Shen was born into an official family in Xindu, Sichuan, with a distinguished family background. 15 1 1 year, 24-year-old Yang Shen Senior High School Champion was awarded writing by the Hanlin Academy. On the occasion of rising official career, Yang Shen was banished to Baoshan, Yunnan, for crying and remonstrating about "discussing the ceremony". From to beno. 1 to the southern wilderness, fate played a big joke on Yang Shen, and the luxurious life of the past is gone forever.
Yang Shen is not afraid, not passive, but praises the exotic flowers and plants in the frontier, in order to survive in the "lonely mountain" and "peerless independence". During the long years of exile in southern Yunnan, Yang Shen was concerned about people's sufferings. He found that the gentry in Kunming colluded with local officials and seized private land in the name of repairing Haikou, and wrote poems such as "A trip to Haikou" and "A trip to Houhaikou" and denounced them. He also wrote a book to the governor of Yunnan, demanding to stop the so-called water conservancy project that wastes people and money.
After more than 30 years of hard exile, Yang Shen devoted himself to writing, dabbling in literature, Ci, Fu, Sanqu, Zaju and Tanci, and compiling history for the Bai people. The cultural seeds of the Ming Dynasty grew, blossomed and shined in the remote hinterland.
When the retro style prevailed, Yang Shen was able to learn from the essence of poetry in the Six Dynasties and the early Tang Dynasty, and formed a poetic style of "rich and graceful". Yang Shen's poems are full of loyalty and filial piety, paying attention to the sufferings of people's livelihood, condemning the world and questioning life. Many of them are monologues of his hard life, and they are the epiphany and vigilance of life after hardships.
Yang Shen's greatest contribution was to set up an apprentice library in southern Yunnan, when nine out of ten celebrities in southern Yunnan came from his door.
Yang Shen's calligraphy reached a peak in Jiajing Dynasty, and his handwriting was elegant, like pearls and jade. At that time, people were proud of collecting Yang Shen and Mo Bao. Some local dignitaries often take advantage of Yang Shen's drunkenness at banquets to make geisha wrapped in white silk appear properly in songs and dances. On a whim, Yang Shen sprinkled splendid Mo Bao on geisha, which became a beautiful talk.
I think, maybe "Linjiang Fairy" is also written on the beautiful woman's three-foot white silk with a wave of his hand. This style of writing best suits his character.