According to The Treasure of Shiqu, it is eight inches long and one foot and one inch wide (26.6 cm long and 370 cm wide), with 144 lines and 1668 characters.
Beautiful calligraphy, much like Zhao Mengfu's book Preface to Lanting. In front of the volume, there is an inscription on "Er Lu" by Li Dongyang in the Ming Dynasty, and "Lu Jian Zhi Shu" by Shen Du, but there is no paper left, and the name has been lost, including the postscript of Zhao Mengfu, Li Yi, Xie Si, Su Wei, Mo Lian and Sun Chengze. The words "Yuan" and "Shi" in the post are omitted to avoid the taboos of the Tang emperors. The original remains are in Taiwan Province Province. There are photocopies for the world.
Zhao Mengfu is the most important inscription. "Wen Fu" has the essence of "Preface to Lanting", which has both spirit and form, so-called "Jin-style figure". The other two works mentioned by Lu Jianzhi in the postscript, Poems on Lanting and Monument to Lan Ruo, no longer exist today, so this work, as an original work of the early Tang Dynasty, is extremely precious. It not only embodies the standard of Lu Jianzhi's calligraphy, that is, "spirit is better than thought" and "vigorous and vigorous" mentioned in many inscriptions, but also importantly, the works of the early Tang Dynasty can be seen today.
Wen Fu was written by Lu Ji in Jin Dynasty and by Lu Jianzhi, from which we can get a glimpse of Wang Shu's profound style, which is a masterpiece.
There are many stories in this book, including Zhao Mengfu, Li Ya, Jiexi, Su Wei, Song Lian, Sun Chengze and others. The words "Yuan" and "Shi" in the post are omitted to avoid the taboos of the Tang emperors. There is no paper left after pasting, and the title is also lost. Before the volume, there are Li Dongyang's title "Erlu Hanwen" in Ming Dynasty and Shen Du's official script "Lu Jianzhi's Literary Fu on Lu Ji". The original work entered the Forbidden City in the Qing Dynasty, then was hidden in the Palace Museum in Beijing, and is now in the National Palace Museum in Taipei.