What official was Su Shi sent to Mizhou to be?

Su Shi was sent to Mizhou to be well known.

In the fourth year of Xining (107 1), Su Shi wrote about the disadvantages of the new law. Wang Anshi was very angry and asked Xie Jing to tell Su Shi's fault in front of the emperor. Su Shi then requested to work in Beijing: from the fourth year of Xining to the seventh year of Xining (1074), and was sent to Hangzhou as a judge, and Xi Ningqiu was transferred to Mizhou (Zhucheng, Shandong Province) as a magistrate.

In the seventh year of Yuanfeng (1084), Su Shi left Huangzhou and was stationed in Ruzhou. Due to the long distance and tiring journey, Su Shi's children died unfortunately. Ruzhou is far away, and all the tolls have been used up. Coupled with the pain of losing his son, Su Shi wrote to the court, requesting not to go to Ruzhou for the time being, and to live in Changzhou first, and then was approved.

Extended information Su Shi was a famous writer, calligrapher and painter in the Northern Song Dynasty. In the second year of Jiayou (1057), Su Shi was a scholar. Song Shenzong worked in Fengxiang, Hangzhou, Mizhou, Xuzhou and Huzhou. In the third year of Yuanfeng (1080), he was demoted to be the permanent assistant ambassador of Huangzhou because of Wutai poetry case.

After Song Zhezong acceded to the throne, he was known in Hangzhou, Yingzhou, Yangzhou, Dingzhou and other places. In his later years, he was exiled to Huizhou and Danzhou because of the ruling of the New Party. Song Huizong was granted amnesty and returned to the north, where he died. Song Gaozong posthumously awarded a surname, posthumous title "Wen Zhong"? .

Su Shi was a literary leader in the mid-Northern Song Dynasty, and made great achievements in poetry, ci, writing, calligraphy and painting. His writing is arbitrary; His poems are broad in subject matter, fresh and healthy, good at exaggeration and metaphor, and unique in style. He is also called "Su Huang" with Huang Tingjian. His words are bold and unconstrained, and he is as bold and unconstrained as Xin Qiji, and he is also called "Su Xin"? .

His prose creation is rich and unrestrained, and he is also called "Ou Su" with Ouyang Xiu, and he is one of the "Eight Masters in Tang and Song Dynasties". Su Shi is also good at books and is one of the "Song Sijia"; He is good at literati painting, especially ink bamboo, strange stones and dead wood. There are Seven Episodes of Dongpo, Dongpo Yi Zhuan, Dongpo Yuefu, Xiaoxiang Bamboo Stone Atlas, and Ancient Wood and Strange Stone Atlas handed down from ancient times.

Su Shi has made extraordinary achievements in the creation of ci. As far as the development of a style itself is concerned, the historical contribution of Su Ci has surpassed that of Su Wen and Su Shi. After Liu Yong, Su Shi carried out a comprehensive reform of ci style, and finally broke through the traditional pattern of "Ke Yan", improved the literary status of ci, changed ci from an accessory of music to an independent lyric style, and fundamentally changed the development direction of ci history.

The transformation of Su Shi's ci is based on his concept of ci and his creative idea of "being unique". Ci has been regarded as "Tao" since the late Tang Dynasty and the Five Dynasties. Liu Yong devoted his life to the creation of ci, which promoted the development of ci style, but failed to improve the literary status of ci. Su Shi first broke the concept that poetry is superior to ci in theory.

He believes that poetry is homologous, and the word "is the seedling of poetry". Although there are external differences between poems and words, their artistic essence and expressive function should be the same. So he often compares poetry with poetry. Because he raised the word to the same position as the poem from the stylistic concept, it provided a theoretical basis for the word to move closer to the poetic style and realize the mutual exchange and infiltration between the word and the poem.

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