Look at China's beautiful 400-word China calligraphy composition.

In our world, there are all kinds of beauty: the sky is blue, the sea is blue, the water is beautiful and the mountains are green.

Is the beauty of nature; Beautiful and exciting is the beauty of music; The profound artistic conception and ingenious conception are the beauty of the article; Proper manners, dignified and generous, this is the beauty of etiquette; Doing good and hating evil is the beauty of behavior ... I'm going to talk about the beauty of language today.

Chinese characters are non-pinyin characters, but they are not necessarily "primary" than pinyin characters (such as English), which was once a big misunderstanding in Chinese linguistics. In the past, the academic circles in China even prepared to gradually transform the existing forms of Chinese into pinyin, which is actually an immature idea. Judging from the objective facts, Chinese language has been accompanied by thousands of years of Chinese civilization, and the basic language model has not changed for thousands of years, which shows its strong vitality.

Chinese characters are beautiful in sound and shape. Chinese characters are one of the most beautiful characters in the world. China's calligraphy pays attention to hanging wrists. Only when the calligrapher's wrist is suspended can he freely move his arm to command the ink and give full play to his freedom in three-dimensional space. China's calligraphy pays attention to brushwork. This is largely due to its unique tools, and the brush is the most magical of all pens. Pens also have one degree of freedom: ballpoint pens have only one degree of freedom. The tips of quill pens and pens can be bifurcated in width. It is precisely because the brush has so many degrees of freedom that calligraphers can write thousands of words freely. Who said that it is inappropriate to respect the writing brush as the king of ten thousand pens? Many degrees of freedom of the brush can be used properly, which can increase the dimension of calligraphy. The richness of brushes, the strength of brushes, the correctness of brushes and the beauty of application are all in one heart. Yan, and other books have a visual stereoscopic effect, which is stereoscopic. Can you believe it? Praise day of pen power: power penetrates the back of paper. If there is no third dimension perpendicular to the two-dimensional paper, where will it penetrate? As far as aesthetic feeling is concerned, Chinese characters are unique, and calligraphy has become a well-known elegant art. On the other hand, in the west, who has seen a plaque and couplet written in pinyin letters? The beauty of Chinese characters lies in multi-dimensions!

If you lack external beauty, at least you still have inner beauty. If you have nothing, you have nothing.