The latest catalogue of the Yellow River in Song Dynasty.

(8) Tradition Returning to Individuality-The Sidelights of Hao Yuanjin by Guo Jichang, a famous calligrapher.

(12) The rhyme of Poyang Lake is in full bloom —— A study on the types and melody characteristics of fishing songs in Ma Feng, Poyang Lake

(14) On the Style Features of prokofiev's Piano Music Yan Bin

(16) The Influence of "Controlled Accidental" Composition Technology on Harmony Thinking —— Harmony Analysis of Luto Slavski's Prelude and Fugue Ma Ting

(18) Research on Bei Lini's Artistic Song Creation Wang Cen

(20) The Footsteps of Impression-Take Debussy's Piano Suite Children's Garden as an example, Ma

(23) Talk about the application of LED dance beauty technology in dance performance.

(24) The balance of the unity of opposites in Beethoven's Sonata for Enthusiasm is beautiful.

(26) The creative characteristics of Rachmaninov's piano music "Shenhua"

(28) On the reform and development of music education major in normal universities —— Thoughts on Li Zijun's participation in the Basic Skills Competition for Music Education College Students.

(30) How to induce, cultivate and improve junior high school students' interest in music learning? Zhou Xiaoyan

(34) The creative style and artistic features of Puccini's opera arias can be seen from Zhou Shiming's For Art, For Love.

(35) The style of Wang's songs is Johnny.

(36) Emotion moves in the middle, so it moves in the sound —— Interpretation of Xing Xing's Interpretation of Song Mei Lanfang

(37) Yang Hongnian children's chorus training and teaching Zhao Haoran.

(38) Talk about the importance of song analysis in performance.

(39) Analyze the importance of inheriting Henan local music culture in school music education.

(40) On the Beautiful Love in Jay Chou's Lyrics —— Appreciation of the Lyrics of Blue and White Porcelain by Du Nan

(4 1) Analysis of Chopin's Scherzo No.2 in B flat minor by Zhang Congcong

(42) The gardener's ideal king Liu Shouzhi

Yin He Liu Yunming, Fisherman's Water Street in Weishan Lake

Han Jinning wishes Guo.

(45) "Filial Piety Song Xia Xisheng Changcheng Wang"

(46) Ding Yan, Ye Jiaxiu, the road of a country.

My beloved motherland, Deng Qin, is nameless.

(50) Young people Tang and Li Lei who stayed in the barracks

(5 1) ode to Lin Yong Mao Kang Development Zone

(52) Feel the motherland Yu Longming Ding Guoqiang

Cheers, my friend Liu Decai Zhou Xiaoyi.

(54) Talk about the practice essentials of playing brass instruments.

(55) A preliminary study on vocal music teaching of performance major in Yelin Vocational College.

(56) On the Cultivation of Psychological Quality of Vocal Music Students Chen Yingyuan

(58) Feel the charm of music in dialogue —— My opinion on dialogue teaching in high school music appreciation class, Shan Jiping.

(60) Talk about China's music education concept 1 The 18th Red Chamber Temple Fair in Beijing Grand View Garden 2 Erbaoliu; 1 3 A new generation of musicians with musical spirituality-singer Yao Shuai Yao Wenshu; 7-9+6-4 Research on the Protection and Inheritance Strategies of Bulang Folk Music Culture in Yunnan —— Taking Bulang Instrumental Music Culture in Shidian as an Example: 10- 13 5 On the Function of Consciousness in Singing Chen Liqing: 13- 14 6 Cultivation of Piano Ability of Students in Yang Fei Art Vocational Colleges; 15 7 discussion on the application mechanism of China local music resources in music education in Zhou Qiong universities: 16- 17 8 on the practical application of sliding kneading in erhu music; 18-20 9 Reflections on the performance of children's songs and the setting of teaching objectives for pre-school education majors in normal universities Zhou Wanmin; 20-2 1 10 The Piano Deduction of Peking Opera —— A Brief Analysis of Tang Xin's Piano Music Pi Huang: 22-231/On the Adjustment Skills of Nervous Psychology in Piano Playing: 23-24 12. 26-28 14 Niu Bin, the master of neoclassical music Stravinsky and one of his representative works, Wind Octet; Research on the Training of Applied Musical Talents in Qiongzhou University —— Taking Zhang Yanjun as an example: 30-32 16 Overview of the development of Ruan's solo works after the founding of the People's Republic of China Zhu Hanghong; 32-33 17 On the thinking characteristics of Zhang Yanchuan's vocal music singing: 34 18 On the pitch training, modeling and special skills in piano teaching Wei Song: 35-36 19 The spread and inheritance of Mongolian short-tune folk songs in colleges and universities in Hao Wenjie; 36-37 20 On Liu Fang's creative characteristics of Linyi folk song "Yimeng Mountain Minor": 38-39 2 1 Transformation: a new way of protection-from heritage to resources-Feasibility analysis of adapting Hequ folk songs by singing Gu Xiaoying: Liu Xiaowei; 39-40 22 Reflections on the Construction of Piano Textbooks in Zhang Ning Teachers' Colleges: 4 1 23 Development Direction and Significance of Pre-school Piano Enlightenment Education; Li Xiumin; 42-43-24 On the application of pharynx singing in vocal music teaching: A brief analysis of plucking skills of dulcimer and its application in specific music Li Xiaogang: Effective teaching of piano lessons for preschool teachers in Feng Hao: 46-47-27 On the effective teaching of collective piano lessons for secondary preschool teachers Xue Rui: Talking about national vocal music teaching from Gong Linna's "new style" music: Zheng Yanli's harmony textbooks and the teaching problems in Chinese music colleges-50-5230 group teaching mode in vocal music teaching in colleges and universities. Application in learning: 52-53 3 1 Exploration of instrumental music classroom teaching in senior high schools in Li Yue: 54-55 32 Summary of Fujian Nanyin melody theory research Song Jia; 56-57 33 National Characteristics and Performance Analysis of Piano Adapted Music "Two Springs Reflecting the Moon" Shao Jingjing; 58-59 34 The agreement between the aesthetic expression of musical image and the theory of musical emotion; On the ability construction of Li Li, a piano player: 6 1 36 The influence of western music on dulcimer music from Wang Meng's dulcimer work; 62 37 The influence of social culture on ancient music in China was shown by Wang Yue; 63 38 Looking at the Innovation and Development of Kunqu Opera in the New Period from the Li Yalan of Youth Peony Pavilion: 64-65 39 Reflections on the Ancient Music History and Music Aesthetics of China Zhang Xia; 65-66 40 Reflections on Children's Piano Enlightenment Textbooks Yang Jiaqin; 67