The completion of a pen requires three processes: starting, writing and collecting. It is a process from big to small. For example, to start a pen in one go, you must have very deep skill to write good results. Collecting a pen is as important as starting to use it, so you need to clean it carefully.
First, start writing.
1, pen angle. First of all, when writing, it is not straight. It has a very small tip. Although this thin tip is very thin and small, it is neither thin nor heavy. It should be caused by a slight twist of the tube after entering the pen, so that the stroke quickly turns from the side to the middle. This kind of writing is subtle and charming.
There are many changes in the angle of entry, almost all angles, which need careful observation. Finding the angle of writing is very helpful for the next stroke. The changes are too rich to list one by one, so watch carefully when reading the posts.
2. the hidden dew of the pen. The beginning of "Book Score" is very refreshing, but it is not straightforward, but it has a change in angle direction and will not appear too burr. A small amount of Tibetan writing before is also to change the rhythm and increase the richness of Chinese characters.
3. The weight of the pen. Pu Shu's strokes are mostly light, drifting with the flow, very smooth and beautiful. But sometimes there will be some redrawing, with a sense of frustration and oppression. This combination of light and heavy strokes enhances the overall sense of rhythm and is very rhythmic.
4. The relationship between the beginning and the end of the pen. The "book spectrum" is beautifully written, and there is no feeling of blocking at all. Although there are not many Lian Bi, most of them are independent of each other, but the stroke connection between words makes the composition look beautiful. Therefore, we should pay attention to the joint relationship between the pen and the last pen, and the pen should be strong, not independent of each other.
Second, collect the pen.
Many people only pay attention to pens and don't pay attention to their collection, which is wrong. The ancients attached great importance to collecting pens and were very cautious. Be sure to accept what comes, so that a word can be written completely and not lost.
1, Dunshou. This method of collecting the pen is to collect the pen with the belly of the pen, which gives people an abrupt feeling and triggers association. However, this method is not commonly used in book grading.
2. Recycling. Back to the front to close the pen, here is the back to the front after the end of the stroke is slightly raised, and the stroke is wrapped in stippling, which also has a subtle and meaningful artistic effect.
Step 3 put it away. This method of collecting pens is most used in the book spectrum. It is worth mentioning that when this pen is closed, Sun usually has a lifting action, which makes the tip of the pen smaller. The first horizontal of the word "mutual" is obvious. Some strokes are put away with a little more ingredients, which are not as subtle as those mentioned above. In order to accept the next stroke, some strokes should be paid attention to.
4, the front tips are sent everywhere. When collecting a pen, it is most taboo to throw it hard, but to send the nib to the end of the stroke. In this way, you will not be frivolous and appear calm.
If you learn how to write calligraphy, you can further learn how to write calligraphy. To learn calligraphy, you must first learn some colors, which are like the building materials of words. If no materials are prepared or the prepared materials do not meet the quality requirements, the exhibition hall will not be beautiful and three-dimensional. So will studying books. If the stippling is not well written, the handwriting will definitely look bad. Learning calligraphy means learning how to drop ink on paper with a pen to form a satisfactory stippling.
Extended data:
The movement of the pen can be divided into vertical movement and horizontal movement. Vertical movement refers to the vertical movement of pen and paper, and horizontal movement refers to the front, back, left and right movement of pen and paper.
There are mainly the following vertical movements:
Put pen to paper: When the pen touches the paper for the first time, it is called putting pen to paper, also called starting pen. Writing is generally light, like a bird falling from the air on a branch. Putting pen to paper is the beginning of writing.
Pen pause: pressing a pen is called pen pause. Don't stop writing too heavily, or you will draw too fat. Stop writing: lifting the pen is called stopping writing, usually after stopping writing. Raise your pen like a bird about to fly high from the ground.
Lateral movement mainly includes the following types:
Stroke: strokes from one end to the other are called strokes, and strokes are also called strokes.
Writing: slightly lifting the pen after the stroke stops, so that the pen tip rotates, and the position slightly away from the stroke is called writing. For example, when writing a horizontal stroke, first raise the pen, write the angle with the tip of the pen, then stop writing, slightly raise the pen to make the second angle appear, and then slightly rotate the tip of the pen to make the tip face the top of the stroke-this is called downward stroke, and finally continue writing, and then write the horizontal stroke.
Folding pen: when writing some pictures, I want to go down first, then up, first left and then right, first left and then right, and change the direction decisively. Intentionally revealing the edges and corners is called folding pen. For example, when writing horizontally, first put the pen on the upper left, and then fold it to the lower right to write a square edge, which is called folding the pen.
Turn the pen: the rotation of the pen tip is called turn the pen, which means that the stippling is written without edges and corners. For example, when writing the second stroke of the word "Ma" or the fourth stroke of the word "Yuan", in order not to expose the edges and corners at the turning point, the pen tip should be rotated like drawing a circle with a compass.
Pen return: the direction of pen return after stopping is called pen return. The purpose of returning the pen is to "protect the tail and avoid' broken wood'".
Stroke: The stroke of a pen is called a stroke, which is different from the stroke of a stroke. Stroke by stroke is rotating, stroke by stroke is reversed. If you write the left vertical hook, when you write the length vertically, lift the left line of the pen and turn it around, so that the stroke of the pen faces the opposite direction of the hook to be picked out-this is the stroke-and finally lift the pen to pick it out.
Vertical pen: when walking, the pen tip is raised, which is called vertical pen. For example, when you log off, you should use the pen from heavy to light, and when you finally come out. Besides moving vertically and horizontally, there is another way to move the pen between them. This kind of brushwork is neither mentioned nor stopped, that is, it stops on paper and is called a pen. The purpose of putting pen to paper is to gain momentum, that is, to get stippling.
The above are several commonly used strategies. Beginners will gradually master more brushwork as long as they ponder carefully in writing practice.
Calligraphers of all ages emphasized Chinese calligraphy when they talked about using pens. What is the center stroke? The top of the brush head is called the nib, also called the pen center, and the short hair outside is called the auxiliary hair. When the central stroke is writing, the pen tip often stippling. In this way, with the use of brush hairs, the brush hairs are laid flat on the paper, and the stippling written looks rich, round and three-dimensional.
When writing, horizontal strokes are not in the middle of stippling, but on the edge of stippling. It is often on the top when writing horizontally, and it is often on the left when writing vertically. It is easy to see the edges and corners when profiling, but stippling often lacks three-dimensional sense. Moreover, because the pen is not in the direction of bristles, it is easy to have neat strokes on one side and untidy strokes on the other.
Change is one of the remarkable characteristics of Chinese characters and calligraphy. From the structure of Chinese characters, horizontal and vertical, simple and complicated, wide and narrow, long and short, oblique and correct, each has its own state; From the point of pen use, the Fiona Fang, thickness, pitch and straightness of stippling are varied by Teton, line entry, vertical collection, hidden dew, turning and rapid development. From the structural point of view, density, opening and closing, gathering and dispersing, and stabilizing risks have their own advantages;
Judging from the use of ink, there are dry and moist, dark and light, and dry and wet set each other off; Judging from the composition, the size, reality, disjointed and uneven. It can be said that the process of calligraphy creation is the process of correctly handling this contradiction. In a good calligraphy work, these contradictions reach the unity of opposites.
Center and winger are also two methods of writing with unity of opposites. It is monotonous to use only the center or winger. The center is energetic, the winger is beautiful, the center is the main one, and the winger is the auxiliary one. It is not necessary to use a pen center, and it is impossible to use a pen center. If you write, especially when you write a fast running script,
When cursive writing, we always haggle over whether the strokes are central or not, which will definitely affect the strokes, scattered composition, vivid charm and so on. Try Huai Su's "Autobiographical Post", which is said to be a pen center, but also a winger! Therefore, Feng Fang of the Ming Dynasty said, "The ancients used the same pen to write seal, minute, truth, line and cursive script, and they must give priority to the front (that is, the center), and occasionally use the side to win their glory.
Below the sub-book, the front edge is eight, and the side edge is two. Seal cutting is absolutely not acceptable. "Some people say that in order to keep the center pen, keep the pen straight and the nib conical when writing. This statement is not accurate enough. Mr. Ding's "On the Essence of Calligraphy" makes it more clear: "The pen tube is straight and vertical, and you can't sweep it all. "
"Bao's method is the best theory. He said,' When a stonemason carves a calligraphy and painting, the right-handed pin will turn to the left, and that's the test. Paper or stone, pen or drill, finger or hammer. Since the front is all papery, it is appropriate to change it. Draw a picture of the Walker tube turning up, draw a picture of the Walker tube turning down, and draw a picture of the left-handed tube turning right' ... So, the tube is effective.