Please introduce the resumes and artistic characteristics of the two painters of "Southern Yellow and Northern Qi"

There is a saying in modern art circles in China that "Northern Qi and Southern Yellow". The Northern Qi Dynasty refers to Qi Baishi, a world-famous shrimp painter, while the Southern Yellow refers to Huang, a famous landscape painter and painting theorist. Huang (A.D. 1864- A.D. 1955) was born in Jinhua, Zhejiang, east of China. In middle age, because I like the Hong Bin Pavilion in my hometown, I changed my name to Hong Bin Caotang and Hong Bin. When Huang was young, he took an active part in social activities in his hometown, became friends with Tan Sitong, Bai, Chen Duxiu and others, participated in the political reform and anti-Qing struggle, and organized the "Huang Society" in his hometown. He also specializes in artistic practice and theoretical research. He co-edited the illustrated newspaper China Guoguang Collection and Art Series with Deng Shi and others, and served as a professor in various art colleges in Shanghai. 1937 moved to Beiping to engage in art education and cultural relics appraisal in the Forbidden City. After the fall of Peiping, he refused to cooperate with the Japanese puppet government, wrote books at home and studied painting art. 1944 On the occasion of his eightieth birthday, the Japanese specially hosted a birthday party for him, but he refused, and transplanted the phoenix bamboo from the south to the courtyard of Sifuma Mansion in Beijing, in order to encourage himself and other China people to have the same backbone as bamboo all their lives. From this, we have a deeper understanding of Mr. Huang, a great master. He is not only a master of painting, but also an anti-Qing revolutionary and patriot.

In his early years, Huang saw a lot of China painting history and studied various painting techniques of his predecessors. The style of landscape painting is deeply influenced by Li, Cheng Zhengqi and Kun Can. After middle age, his artistic pursuit changed from imitating the ancients to self-creation. From the age of 50 to 70, he traveled all over the famous mountains and rivers, leaving many sketches. After 70 years old, his painting style changed greatly, and his works were unique. He likes to use Jiao Mo and thick ink. Based on years of practice, he summed up the brushwork of "flat, round, heavy and changeable" and the brushwork of "thick, light, broken, splashed, burned, accumulated and fixed", which has high theoretical value in art. Proficient in poetry, seal cutting, calligraphy, cultural relics identification, art history, etc. Judging from the contents of his paintings, they are all based on pen and ink, which makes people never tire of seeing them, and the more they look, the more connotation they have. Huang Yisheng wrote a lot of works, including The Origin of Huangshan Painters, An Introduction to Painters, On Lu Hong's Painting, The Painting Collection of Caotang, Quotations of Hong Bin's Painting, An Introduction to China's Painting and Hong Bin's Painting Collection. He also systematically studied and introduced the Xin 'an School of Painting, which greatly enriched the historical materials of China's paintings.

Qi Baishi is a master of modern painting with high attainments in all aspects. His paintings, poems, calligraphy and seal cutting are all unfamiliar. His artistic creation is extremely rich, and his creative style has great influence on modern and even contemporary Chinese painting. Qi Baishi, formerly known as Chunzhi, has a green word. When he was a child, his name was A Zhi. When he was old, he was named Baishi and Baishi Weng, and he was also named Pingping, Laoping and Lithographic Rich Man. He is from Xiangtan, Hunan. When he was a child, his family was poor and his parents were farmers. He/kloc-read only one book with his grandfather before he was 0/2 years old. /kloc-at the age of 0/3, he began to learn to be a carpenter. His woodcarving broke through the old rules and created many new patterns. At the age of 27, Qi Baishi began to learn painting, writing poetry and seal cutting. After the age of 60, he settled in Beijing and made a living by cutting and selling paintings. During this period, he met Mei Lanfang, a master of China opera. When we first met, Qi Baishi painted a grasshopper for Mei Lanfang, and Mei Lanfang sang a lady to Qi Baishi. Elected as deputy to the National People's Congress and chairman of China Artists Association. 1955, the German Democratic Republic awarded him the title of exchange academician of the German Democratic Republic Art Institute. 1956, the World Peace Council awarded him the Peace Prize.

Qi Baishi was deeply influenced by Chen Shiceng and absorbed Wu Changshuo's artistic style. Specializing in painting flowers and birds, with a powerful pen, painting insects is extremely fine. He is especially good at painting vibrant themes in nature such as shrimp, crab, cicada, butterfly, fish and birds. Qi Baishi's paintings oppose the illusion of closing the studio. He often pays attention to the characteristics of flowers, birds, insects and fish and tries to figure out their spirit. The above two masters have played a role in connecting the past and the future, and have played a role in connecting the past and the future.

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