You should have at least two qualities, one is inner artistic temperament, and the other is skillful pen and ink skills. First, how to choose a post. Choosing a post is like making friends and finding a wife. Choosing the right one will benefit you for life, and choosing the wrong one will delay you for life. Generally speaking, there are two core points in selecting posts: first, it must be a classic law post; First of all, it must suit you. The so-called classic law post is a post that has been tested by history and unanimously recognized by everyone. It has a history of hundreds or even thousands of years and is highly respected by many calligraphers. As an example of learning, more people have come out of it. We can't go wrong by choosing it. Another point is that the position you choose must be suitable for you. If you really like the selected position, it will ring with you in some places, indicating that the selected position is suitable for you. Once you choose the right position, you should plunge into it and study deeply. Never change jobs rashly. Second, how to post it. Speaking of pro, we must now distinguish a concept, what is professional calligraphy learning and what is human writing. The so-called human writing is written for practical purposes. There is no complete regulations and systematic scientific training system, and there is no distinct artistic appeal; However, professional calligraphy learning is just the opposite. Only through strict and systematic scientific training can it understand and master brushwork, brushwork and composition, accumulate a large number of calligraphy languages and create consciously, and express the author's aesthetic feelings. Knowing this, we will know why we are posting and what we are coming. To get a copy of a calligraphy post, we must first make an in-depth study of the work, author, creative background and artistic characteristics, and then carefully read the post, his brushwork, his structure, his composition and his pen and ink, so as to understand his brushwork. Only when these works are ready can we start writing. "Imitators are expensive, viewers are fine". Only when the image is in place and you feel right on the spot can you communicate with the post. Because the post is a dead thing and can't talk. The key is to activate the post step by step, so that we can have a deep communication with the post. In this process, if you do something wrong, you must copy it, double hook, single hook, ink filling and repeated training, so you can face it with a certain foundation. It is also very important to have a concept in clinical practice, that is, "quasi-clinical", accurate clinical practice, without personal thoughts. Because posting is a process without self, we must overcome some of our bad habits in order to really learn what is in the post. Third, several problems that need to be overcome in the post. 1, originally intended to excuse yourself. This is a common phenomenon. There are also friends who know about the post, but are afraid of hardship, so they say they are interested in it. This is actually a manifestation of self-deception. He said that Mr. Zhai's words have some truth, which makes sense in theory, but in fact it is deceptive and does not exist. If we can't pass this pass, we may never enter the palace of calligraphy art. At best, it is written by people. 2. Be true, not false. Some comrades just put on airs and put on airs They think that calligraphy is a matter of "different people have different opinions", and there is no conclusion or evaluation standard. There are several people who know, so you can know by listening to the title. This is all wet! This kind of thinking is unacceptable, and it is detrimental to others. Because art conquers the world by sincerity, if it only depends on fame, it may be fooled for a while and will eventually be eliminated by history. I'm afraid of the idea that I can't get out. Some people think that if you post for a long time, you will become rigid and you will not be able to post. This kind of worry is unnecessary. There is no problem of leaving the post at all. The point is that we didn't go in at all. How can we get out? Where did it come from? If you really go in, it is very natural to go out. Fourth, the mentality of learning. "Books, express delivery." The key to writing is to be calm, not impatient, and learn to adjust your mentality. As long as the method is right, it will get twice the result with half the effort. Through continuous learning, you can further improve your personality. If calligraphy leaves aside the artistic level, one of the most direct problems is the sublimation of our aesthetics and the reshaping of our personality. You may have an experience that most people who engage in calligraphy are peaceful, generous and popular. Because calligraphy itself is a process of understanding Dhamma and me, and finally achieves the freedom of artistic expression. We should face it with a peaceful and perfect attitude, which is strikingly similar to learning Buddhism, Zen and Taoism. The law depends on our own evidence collection and careful experience. Only what you experience is your own, and what you get is your own. For example, before the enlightenment of Zen Huineng, the sixth ancestor, he went to see his master Hongren, the fifth ancestor, with a kind of anxiety about the law. He said, "Please rest assured, Master!" What is Ann's heart? Normal mind, of course. This example deserves our serious consideration. Fifth, the current situation of calligraphy learning. Nowadays, the display mechanism and evaluation mechanism of calligraphy and people's understanding of calligraphy have risen to a new height. If we look back on the development of calligraphy in the past 80 years, we can easily find that the overall level at that time was very rough. Things are very different now. Expression has been completely divorced from human writing, and more and more truly embodies the art of calligraphy. Subsequently, the society's requirements for calligraphers became more and more demanding. If we want to continue on this road, we must make great efforts to learn classic law posts in a scientific way and reach a high level. Otherwise, we will soon be eliminated by the times. You may have an experience that a calligrapher who wrote very red many years ago has disappeared in recent years. What is the reason? The most important thing is that the classic excavation is not deep or detailed and cannot stand the test of time. In other words, there are not enough copybooks and the copybooks are left too early. Now that everyone's level has improved, rough things can't impress us, let alone the judges. The reason is that simple.
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