Shanghai Calligraphy magazine founded the editorial work, and later served as the responsible editor of the magazine. The editorial department of Calligraphy held the first national calligraphy theory seminar and edited the proceedings of the conference.
1977, it was proposed that Shanghai Calligraphy and Painting Publishing House and East China Normal University should cooperate to sort out and proofread China's ancient calligraphy theory's works on a large scale, and be responsible for editing Selected Calligraphy Papers in Past Dynasties, which is the basic book for calligraphy theory's research.
At the same time, he compiled calligraphy theory Series, and published Du Zixiong's Mounting of China's Paintings and Calligraphy, Zhu Pu Zhu, Cui's Zhou Shuang Zhu Zhu and other theoretical works.
1980 Entrusted by Hong Kong Calligraphy Spectrum Publishing House, he organized dozens of calligraphy and seal cutting experts to compile the first dictionary of China calligraphy in China, and presided over the daily editing work as the executive deputy editor. 1985 was published simultaneously in Hong Kong and Guangdong. 1986, this book was revised into "China Dictionary of Calligraphy and Seal Cutting" by the Institute of Ancient Books Arrangement of East China Normal University, and served as the editorial board. For these two dictionaries, all the entries, schedules and illustrations of some "terminology" techniques have been written.
1983 1 month was the executive editor-in-chief of hong kong music score magazine, and 1989 was the editor-in-chief
1996 Established the website of "Artists in China", and edited The Classic of Artists in China and The Long Edition of Art History in China.