What do Mongolians do to promote the development of culture and art?

In the process of unifying China, Mongolians experienced the transition from slavery to feudal serfdom. Although it was quickly feudalized, it was a historical detour in terms of the development of the whole society. However, this kind of detour, which is mainly reflected in politics and economy, does not seem to have a significant impact on culture and art. On the contrary, it stimulates and promotes the development of culture and art to a certain extent. Reflected in calligraphy, mainly in the following two aspects.

First of all, in the process of establishing political power, the Yuan rulers realized the importance of China culture in ruling China, and once they came to China, they showed great interest in learning China culture and art.. Among the emperors of the Yuan Dynasty, Injong and Yingzong liked Wen Han, and sometimes Chen Han preferred his ministers. Wenzong established Kuizhangge Bachelor College to recruit scholars to work here. Some Mongolians and Semu people who came to the Central Plains with Mongolians also quickly accepted China culture and became outstanding writers and artists, such as Kang Lizi, Gao, Guan Yunshi, Taibihua, Sheng and Sexian.

Secondly, on the one hand, the Yuan court attached importance to celebrities of the Han nationality, and Zhao Mengfu was a model of this courtesy; On the other hand, the policy of racial and regional discrimination they pursued made the career of Han intellectuals generally poor, which led them to devote most of their energy to the study of national culture, thus promoting the artistic professionalization trend of literati painters.