The ancient poems praising calligraphy and painting include:
"Quequatu on Calligraphy" by Wang Wenzhi (Qing Dynasty)
Mochi's pens and graves are filled with people, and he has thoroughly understood the Zen of calligraphy. .
After carefully reading Sun Gong’s book, I found out that Qu was from the past.
"Song of the Eight Immortals while Drinking" Du Fu (Tang Dynasty)
Sleeping in a restaurant in Chang'an City. The emperor couldn't get on the boat after calling him, so he claimed that he was a wine-drinking immortal. Zhang Xu's biography of Three Cups of Grass,
Take off your hat and reveal your head in front of the prince, swiping paper like clouds of smoke.
Jiao Sui fought five battles with Fang Zhuoran, and his eloquent talk shocked the four feasts.
"A Gift to Zhang Jiuxu after Drunk" Li Xin (Tang Dynasty)
Zhang Gong is addicted to alcohol and is open-minded and has no plans.
Haoshou Qiongcaoli was called Taihu Jing at that time.
He stood on the bed with his head exposed and screamed two or three times.
When you are happy, you sprinkle the plain wall with water, and the hair is like a shooting star.
"Gift to Lingling Monk" Li Huan (Song Dynasty)
Twenty years after Zhang Dian's death, there was no one to preach about the sage of Yancao.
Lingling Shamen followed him, and his new book was as big as a bucket.
When you are excited, you write like a whirlwind, but when you are drunk, your enthusiasm becomes even more fierce.
Suddenly Fei Min danced with two swords, and seven stars scattered around the dragon.
Another example is Wu Sheng’s paintings of ghosts and gods, which frighten oneself.
The hooks and locks are connected and the momentum is endless, and the stubborn and poisonous snakes are fighting for submission.
"Kuaixuetang Postscript" by Wang Menglou (Qing Dynasty)
I once heard that the whale was caught in the blue sea, but the divine power was limited and the luck was too weak.
The three tripods of asking Qi, ancient and modern, are Du Shi, Han Bi and Yan Shu.
Other words to praise calligraphy and painting:
行云流水 [xíng yún liú shuǐ] 1. Metaphorically speaking, poetry is purely natural and unrestricted; 2. Metaphorically insignificant.
Magnificent [qì shì páng bó] describes an extremely majestic and majestic momentum
dragon flying and phoenix dancing [lóng fēi fèng wǔ]? It originally described the winding and majestic mountains, and later also described calligraphy. The writing style is strong and flexible.
Bi Zou Long Snake [ bǐ zǒu lóng shé ]? Describes calligraphy as vivid and powerful.
The pen is exquisite and the ink is exquisite [bǐ jīng mò miào] The brushwork is precise and the ink is clever
Fengjinduoli [fēng jīn duō lì]? Feng: plump, full; tendon: Tendons or ligaments on bones; many: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
thizzy horse. Just like a horse that is thirsty and wants to drink, it rushes to the sweet spring. Describe the vigorous calligraphy style. Also a metaphor for urgent desire.
force through the paper back [ lì tòu zhǐ bèi ]? penetrate: pass through. The calligraphy is described as strong and powerful, with the strokes almost reaching the back of the paper. It also describes poems with profound ideas and concise words.
Liu Gu Yan Jin [liǔ gǔ yán jīn]? The calligraphy of Liu Gongquan of the Tang Dynasty is strong and tight in structure; the calligraphy of Yan Zhenqing is dignified and majestic, with an open momentum. Later, it was called the font and method of calligraphy.
The flying dragon and the snake [lóng shé fēi dòng] are like flying dragons and swimming snakes. It describes calligraphy as vigorous and vigorous, with strong pen power.