Gu was born on 9 10 and died in 980. Southern Tang Dynasty painter of the Five Dynasties, Jiangnan native, the late master Yuan Zong was in the Painting Academy. Gu's painting style inherited the defense of Tang Dynasty and Zhou Dynasty and became more slender. He used a trembling "war pen" to draw lines of clothes, which was influenced by Li Houzhu's calligraphy. The ancient works handed down from generation to generation include "The Picture of Liuli Hall", "Heavy Screen Chess Manual" and "The Picture in the Palace".
The life of the character
According to records, Han Xizai was originally from the north, and Gu's father was an emissary of Pinglu Festival in the later Tang Dynasty, and was later killed. Since then, he fled to the Southern Tang Dynasty, had the ambition to unify the Central Plains, and participated in politics many times, but he was not reused.
Gu's wandering songs and dances in his later years showed his contempt and resistance to feudal ethics, which was also a consolation for his political frustration. It was in this case that Li Yucai remembered to use him as a photo. In order to research his life, he ordered a letter from the Academy of Painting and others to sneak into the North Korean government, and made a "Night Banquet" by observing his eyes and remembering his mind.
In Gu's Han Xizai, the beard fluttered, with a majestic look and elegant manners. He is a noble scholar with political ambition and loyalty to integrity and honesty. He is also a generalist, who can listen to sounds and dance. His characters are vivid and vivid, which shows Han Xizai's complex psychological state of detachment and unhappiness.