Chunhua Pavilion Post is the earliest calligraphy post in China. The so-called French post is the traditional French style. After the ink of the famous ancient calligrapher was traced with double hooks, it was engraved on a slate or a wooden board, and then printed and bound into a post.
The book *** 10 contains China's calligraphy ink from pre-Qin to Sui and Tang Dynasties 1000 years, including 420 works by emperors, courtiers and famous calligraphers 103, which was praised by later generations as the crown of China's calligraphy posts and the "ancestor of cluster posts". Among them, the first volume contains the calligraphy works of 65,438+09 emperors from the Han Dynasty to the Tang Dynasty, including Dong's Tomb Post, Sima Yue's Lu Nvlang Post and Sima Pi's Zhong Shu Post.
The third year of Song Chunhua (992) is an important node in the history of China's calligraphy, which determines the development direction of China's calligraphy. The publication of Chunhua Pavilion Post finally established Wang Xizhi's position as a "book saint". "Spring Flower Pavilion Post" opened the end of official engraving, thus setting off the wind of official private engraving.
The influence of Chunhua pavilion post
First of all, in terms of artistic style, the unique style of Chunhua Pavilion Post provides a new aesthetic paradigm for later calligraphers. It shows Wang Xizhi's unique aesthetic view and artistic pursuit, and provides new artistic inspiration for later calligraphers with his free and easy brushwork and unique composition.
Secondly, in the aspect of calligraphy techniques, the innovation and application of Chunhua Pavilion Post provided new techniques for later calligraphers. It shows Wang Xizhi's outstanding calligraphy skills and accomplishments, including the priorities of strokes, the changes of horizontal and vertical strokes, the structure and layout of glyphs, etc. The innovation and application of these techniques provided rich expression methods for later calligraphers.
In addition, Chunhua Pavilion Post also contributed to calligraphy theory. It is not only an art form, but also a theoretical innovation of calligraphy art. Wang Xizhi put forward the theoretical viewpoint of "vivid" in "Spring Flower Pavilion", emphasizing the vivid and artistic appeal of calligraphy works. This theoretical viewpoint has had an important influence on the creation and evaluation criteria of later calligraphers.
Reference to the above content: Baidu Encyclopedia-"Chunhua Pavilion Post"
The influence of Chunhua pavilion post