Author Huang tingjian.
The words on your picture are: "You only need to make your lips and mouth to be different. You are afraid of persistence. What do you cling to? For persistence, persistence, persistence, persistence (emptiness) ..."
I didn't finish this wallpaper when I made it.
But wallpaper is just a picture of artistic conception, so it is enough to stop. .
-dividing line.
Send you a rare photo.
The complete original photo is here:
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-dividing line.
The following is a network reference: related knowledge of Zhushangcaoshu Volume.
All the seats were written in cursive script in Fu Yuan for three years (1 100), on paper and cursive script. Every 92 lines, 477 words, 33X729.5 cm. Payer: "the book of the old man in the valley." The word "book" was inscribed by Taoist Zhu in the valley. After the paper, there are inscriptions and postscript by Amin Wu Kuan and Liang Qing Qingbiao. Before and after the scroll, facing each other across the water, the seals of Neifu Book Seal, Shao and Yuesheng in Song Dynasty, Su Wei Private Seal in Yuan Dynasty, Li Yingzhen, Huaxia and Zhou Lianggong in Ming Dynasty, Wang in Qing Dynasty and modern collections. This post was originally collected in the Emperor Gaozong Palace in the Southern Song Dynasty and later returned to Jia Sidao. It was collected by Li Yingzhen, Huaxia and Zhou Lianggong in the Ming Dynasty, and was collected by Yan Shanzhai in the early Qing Dynasty, and then returned to Wang. It was collected in the Forbidden City during the Qianlong period and left the palace in the late Qing Dynasty. It was acquired by Mr Zhang Boju and donated to the country. It is now in the Palace Museum in Beijing. ?
This volume is the Quotations of Zen Master Wen Yi copied by Li Rendao, a good friend of Huang Tingjian in the Five Dynasties, and it is one of his excellent cursive scripts. This volume is the representative work of Valley in his later years, which won the legacy of Huai Su's cursive script. Like a dragon leaping like a tiger, it is round and detached. Extremely vertical and horizontal, very similar to the Zen family atmosphere. Huang Tingjian's "On Valley" said: "I have studied cursive for more than 30 years. At the beginning, I took Zhou Yue as my teacher. Therefore, I have been swearing for 20 years, and I got Su Caiweng's and Zi Mei's views on books late, which is the meaning of the ancients. Later, Zhang Changshi, Huai Su monk and Gao Xian's Mo Bao got a glimpse of the wonderful brushwork. " After the quotation, Huang wrote a regular script, which was tight inside and loose outside. The pen is long and vigorous, full of twists and turns, and the momentum is open. A volume of calligraphy with two bodies set against each other is particularly rare, and it is a masterpiece of his later years. Du Mingmu's Implication Compilation, Hua Xia Zhu Zhen Jian Zhai, Notes on Painting and Calligraphy in Wen Jia Qian Shan Hall, Zhang Chou's Painting Qinghe Book, Qinghe Data Sheet, Bian Yongyu's Notes on Painting and Calligraphy in Shigutang, Notes on the Summer of Gengzi in Sun Chengze in Qing Dynasty, and Notes on Neifu in Qing Dynasty? The first edition of "Shiqu Baodi" and other books are recorded.
Interpretation of Huang Tingjian s Zhushangcaoshu Volume;
As long as it is to be different, I am afraid of being obsessed with Iraq and what. For the persistence of reason, things, colors, emptiness, reason, life, color, emptiness, things, things and emptiness. Therefore, when the monk asked for meditation, he tasted the way of sitting, ten buddhas and ten good knowledge. There are still places where we can get good results, but we can't. We're all here for a round trip, so everyone sitting on the table and walking around the room must be careful. Don't just kill time with less wisdom. Monks in the mountains have seen so much in public. Ancient sages and sages have seen the world. They only look at their own hearts and learn from their ancestors. They are not moved by the wind, but by it. All living beings have their own solutions according to their classes, and scholars learn to understand and learn from Iraq. You know very well that the ancients didn't ask questions before, but you know very well about Iraq and where the solution lies. If you are in the middle of Iraq, you will point to Iraq. If you don't ask for Iraq, you should reflect on Iraq. If you decide otherwise, you should be careful not to make mistakes. Besides the two sessions, how can we discuss it? He who gets the word gets the sage to hold the door and get the meeting. If you get a speech, you don't have to explain it in the same way. This is a mistake. ?
This is a matter of life and death for a gentleman, and you can't just do it. Shooting a blind little devil often takes his mouth off at first sight, like a blind donkey eating grass, so I wrote this article and left a bright window for my friend Li Rendao. It's time to meet the ancients and the old man in the valley.