Contrast.
Through comparison, Chinese calligraphy will have a strong artistic quality.
Artistry refers to the degree of beauty in how people reflect social life and express their thoughts and feelings. Artistic words often appear in the cultural field.
As a measure of the artistic value of a work of art, artistry mainly refers to the degree of perfection achieved in artistic processing and artistic expression.
Mainly include: the distinct concreteness and typicality of the artistic image; the vividness and twists and turns of the artistic plot; the rigor and integrity of the artistic structure; the accuracy and distinctness of the artistic language; the quality of the artistic techniques Accuracy and diversity; nationality and originality of artistic expression, etc. The artistic expression of each art is different.
The art of calligraphy today faces the problem of being generalized. Every Chinese who can read and write has a natural advantage in being close to the art of calligraphy. There is neither a cultural barrier nor a technical barrier. . But it is this "natural advantage" that aggravates people's misunderstanding of calligraphy.
In fact, what needs to be emphasized and appealed to is: the art of calligraphy obviously has technical specifications, formal specifications and artistic specifications. Therefore, when learning calligraphy, one must distinguish the difference between the practicality and artistry of calligraphy. This is the basis for the inheritance, dissemination and promotion of the tradition of Chinese calligraphy and the art of Chinese calligraphy.
Whether it is a literary work or a calligraphy work, form and emotion are interactive, which is the unique nature of art. However, their methods and ways of expressing emotions are different. The essential difference between literature and calligraphy should not be confused because of their uniqueness, resulting in misunderstanding. Calligraphers create through glyph combinations rather than semantic construction.
The emotions of calligraphers generally do not follow literary works, but are reflected in the combination relationship of stippling and structure. It is the handling of these relationships that expresses the calligrapher's cultivation and quality. I think this should be clearly distinguished. The creation of a calligrapher is to transform the poetry and words he has selected from text materials into the form of pen and ink.