Why did Ma Yuan, a painter in the Southern Song Dynasty, catch a picture of fishing alone in the cold river for thousands of years?

Ma Yuan's "Fishing Alone in the Cold River" in Song Dynasty is very valuable in artistic form, because he painted the virtual beauty of artistic conception. The whole picture is left blank in a large area, and there is an ink mark in the middle of the picture, that is, an old man is fishing by the river. There is a large area of blank space with a little black in the middle, but looking at this composition form, Ma Yuan is definitely an artist with deep artistic attainments. China's paintings and calligraphy pay equal attention to white and black, highlighting artistic conception. Chinese painting is also different from western painting, which mainly embodies perspective and volume, while Chinese painting mainly highlights artistic conception. So this "Fishing Alone in the Cold River" profoundly reflects China people's understanding of artistic conception.

But unfortunately, this national treasure painting has not been preserved by us. It was taken away by the Japanese in the late Qing Dynasty, and now it is in their museum. Unfortunately, we didn't enjoy this painting in China. It is said that as long as there is a picture of fishing alone in a cold river in Japan, it will attract a large audience, which shows that this painting is not only loved by China people, but also fascinated by foreigners.

One more thing, this painting "Fishing Alone in Cold Jiang Tu" was made by Liu Zongyuan, a poet in the Song Dynasty, based on Jiang Xue. Liu Zongyuan described Jiang Xue's hundred mountains without birds and thousands of trails without footprints. Later, a boat, a bamboo cloak, fished alone in the cold river and snow to guide people to start dating. It was wonderful.

Therefore, it is a very good publicity method to use Liu Zongyuan's "Jiang Xue" as a cash withdrawal on this "Leng Jiang Solitary Fishing". Then, if you look at this painting carefully, you will find that the painter's description of the old man is very detailed. Although the area is small, he has not neglected a detail, and it is definitely not a simple brush.

After magnifying this painting 10 times, you will be surprised to find that the pulley can be clearly seen on the fishing rod held by the old man. The area of the old man only accounts for 1% of the whole painting, but he can paint so delicately, which shows that Ma Yuan's painting skill is very powerful.