The spirit of calligraphy in Wei and Jin Dynasties is about 600 words.

Calligraphy in Wei and Jin Dynasties began to evolve from calligraphy to personal style.

Wei-Jin Calligraphy Wei-Jin Calligraphy is a milestone in the history of calligraphy, which laid the development direction of China's calligraphy art. Wei-Jin Calligraphy standardized the laws of Sui and Tang Dynasties, opened the meaning of Song Dynasty, enlightened the country of Yuan and Ming Dynasties, carried forward the simplicity of the people, and profoundly influenced the development of calligraphy in past dynasties and contemporary calligraphy.

First of all, capital letters, lines, cursive characters and other fonts have been rapidly improved in a wide range of applications; Secondly, there are many great calligraphers with great influence in history, who have irreplaceable significance in the creation of styles and the establishment of models, and have profoundly influenced the development of China's calligraphy history; Finally, and most importantly, calligraphy, as many basic concepts of art, was revealed, which not only formed a theory, but also was put into practice, thus strengthening the artistry of calligraphy.

Before the Wei and Jin Dynasties, due to the invention of paper and the improvement of pens, the improvement of learning conditions and the enhancement of the practical degree of fonts, fonts were forced to develop from rigorous and prudent to convenient and concise, such as Cao Zhang's "simplicity", and Cai Yong, a master calligrapher, and Zhang Zhi, who enjoyed the reputation of "sage of grass", appeared. From the integration of merchants (such as Qin Zhuan and Han officials) to the coexistence of many bodies, the trend of Chinese characters has also changed from vertical and horizontal to founder, forming a static braking pattern, which can be round, long or short. For example, Wang Xizhi's early, middle and late Chinese characters have different trends. The evolution of the five bodies is intertwined and influenced each other. For example, running script is the final edge script. Including the absorption of regular script, cursive script and other fonts, its own evolution has formed two calligraphy styles: running script and cursive script. Therefore, later generations commented that Jin people's calligraphy was "a masterpiece through the ages" (Ding's "Calligraphy Essentials") evolved into Wei and Jin Dynasties, which weakened the momentum of creating calligraphy that condensed collective wisdom. Calligraphers such as Zhong and Wang do not consume energy in calligraphy creation. It is an artist's unremitting pursuit to strengthen and perfect a certain calligraphy style, show his temperament and charm with his genius and diligence and the height that a calligrapher should have. "One skill is perfect" (Su Shi's words) is the artist's unremitting pursuit. The reason why "Wang Ti" and "Zhongti" are blooming brilliantly in history is because of their correct choice of the times. They are.