1, snow painting:
Be good at leaving white space, which can be dyed with powder or not. The white place is snow, and if you leave it well, you will get the spirit of snow. Traditional painting of snow is nothing more than depicting the gloomy and gloomy scenery of heaven and earth. Dead trees with antlers or crab claws rarely draw evergreen trees. The trunk is painted with a faint ochre color, and the others are always dominated by dark blue or pure ink, which is a gloomy tone.
2, stone painting:
Drawing two stones is the stone method of drawing Taihang Mountain in the north. There is a big stone behind Niangniang Temple in the suburb of Beijing, which looks exactly like the one on the right in the picture. Its painting method is that long and straight pieces are split with a straight axe, and slightly curved pieces are split with a pen and an arc axe. Although the structure is different, the appearance is similar, because it is blocked by light and shadow when observing the real thing, so it is a simplified image.
3. Introduction:
Lu (1June 26th, 909-1June 23rd, 993) was born in nanxiang town, Jiading County, Shanghai. The name is like stone. China is a modern China painter, landscape painter and educator. His main paintings include Zhusha Chongshaokou, Warm Vegetables in Mountains and Rivers, Dangerous Water Map of Xiajiang River, and Yandang Cloud Waterfall. Published albums include Lu Hua Ji, Lu Hua Ji and so on.
Lu's creative characteristics:
1, art summary:
Lu is good at painting landscapes, especially at using pens. He uses different usages of nib, belly and root to show different changes of natural landscapes. The lines are smooth and smooth, both rigid and flexible. Cloud and water are its unique conception, and it has a feeling of ups and downs. Hook clouds and hook water, smoke waves are vast, clouds are steaming and foggy, and the changes are endless, creating a method of leaving blank large pieces and ink blocks. Calligraphy, like figures and flowers, is original.
2. Artistic innovation:
Learning from Lu is different, inheriting is more important than innovation. The composition is simple, the texture is reduced, the contrast between pen and ink is enlarged, and the shape is changed from round to square. Therefore, we can learn its spirit from the past and grasp its charm between similarity and similarity. After the rain in Xin 'anjiang, I didn't know that the ink was blank, and I realized the dangerous way of the Three Gorges.
3, painting techniques:
Judging from the overall frame structure of Lushan water painting, it takes coarse as the skeleton, from coarse to light, from moist to dry, and often starts with a few spicy coarse inks and then wipes them with dry ink. If the first painting is regarded as "Qi", then the latter painting is "Sui". As the forerunner, the "Kai" pen is the main pen, and the subsequent "Sui" is necessarily based on the size of the previous pen.
4, picture composition:
Generally speaking, a painter's composition is from big to small, but Lu's composition is just the opposite and unique. Contrary to this method, from childhood to adulthood, the pen grows. Before it was finalized at first, the small noodles became big ones. In the process of creation, every time the train of thought is cut off and turned, a bright future and a new realm emerge.