1. A complete collection of four-character calligraphy idioms
The dragon and snake at the bottom of the pen are like the dragon and snake at the bottom of the pen. Calligraphy is described as vivid and powerful.
Source: Chapter 31 of "Jin Ping Mei Ci Hua" written by Lanling Xiaoxiaosheng of the Ming Dynasty: "Wen Gong is erudite and has extensive records, and his writings are about dragons and snakes. He is a true genius."
The pen moves like a dragon and a snake describes calligraphy as vivid and powerful.
Source: Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."
Silkworm head and swallow tail describe the dignified start of calligraphy. The writing is mild.
Source: "Xuanhe Painting Book·Yan Zhenqing" by Zhao Ji of the Song Dynasty "But he is loyal to the day and knows the world, so his spirit can be seen in the expression of calligraphy and ink, which is unique and comprehensive. . . . The later folk studies sought the end of its shape, which is called silkworm head and swallow tail. "
Calm, happy, strong and fluent, vigorous and smooth. Describe poetry and calligraphy as vigorous and fluent.
Source: Volume 1 of "Yao Lu" of the Southern Dynasties and Song Dynasty quoted Yang Xin's "Able to Write Names of People from Ancient Times": "The emperor of Wu people can make grass like an elephant, and he is known as calm and happy."
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Song Dynasty Yan Yu's "Canglang Poetry Talk·Poetry Debate": "There are probably two types of them, namely, leisurely travel without urgency, and calm and happy life."
Fengjin Duolifeng : plump, plump; tendons: tendons or ligaments on bones; many: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
Source: "Xuanhe Shupu" by Anonymous of the Song Dynasty: "At the beginning of the Three Kingdoms, calligraphy was not taught at all, so Yao became a family method, and some commentators said that it had abundant muscles and strength, and was able to travel in the clouds and rain. Sudden trend. ”
Feng Boluan drifts, moored: drifting with the current. It originally described the calligraphy style as free and elegant, but later it was used as a metaphor for a couple being separated or a writer being frustrated.
Source: Tang Dynasty Han Yu's poem "Xunji Mountain": "Ke Douquan's body is covered with sage, and the luan is floating on the phoenix and holding the tiger and chi."
The phoenix dances and the dragon flies to describe calligraphy. The writing style is strong and flexible.
Source: Chapter 10 of "The Biography of Heroes of Sons and Daughters": "This calligraphy can also be written in such a way that the phoenix dances and the dragon flies. It is really admirable."
Feng Zhuluan returns to Zhu. : Goofy. It is a metaphor for the flying and stretching of calligraphy strokes.
Source: Lu Ji's "Fu Yun Fu" of Jin Dynasty: "Luans soar and phoenixes fly, cranes fly in fear, whale salamanders trace the waves, sharks and crocodiles rush along the road."
Ancient and modern times The different styles of calligraphy are metaphorical.
Source: Volume 2 of "Calligraphy Essentials" by Zhang Yuanyan of the Tang Dynasty: "Impermanence is called fatness in ancient times, and Zijing is called barrenness today. Both ancient and modern times are different, but fatness and thinness are quite opposite."
Crane's knees and wasp's waist ① This refers to two of the eight diseases of poetry's rhythm. Generally refers to the mistakes made in the rhythm of poetry. ②Two kinds of diseased pens in calligraphy.
Source: Song Dynasty Wei Qingzhi's "Poet's Jade Chips·Poetry Diseases·Eight Diseases of Poetry": "The third is called wasp's waist, the second word must not sound the same as the fifth word...the fourth is called crane's knees, the fourth is called "Crane's Knees" The five characters cannot have the same sound as the fifteenth character. "
Hu Fei Zhong Shou Hu: Hu Zhao during the Three Kingdoms period; Zhong: Zhong Yao during the Three Kingdoms period. Hu Zhao's font is fat, while Zhong Yao's font is thin. Each person is good at describing calligraphy in its own way.
Source: Tang Dynasty Zhang Yanyuan's "Book of Laws": "Liu Desheng in the Wei Dynasty of the Three Kingdoms was named Junsi, and he was famous for his running script. Hu Zhao and Zhong Yao also learned from his method. The Hu style was fat, and the Zhong style was Thin, each has its own beauty."
The calligrapher's method of painting with sand seal clay is a metaphor.
Source: "On Calligraphy" by Chu Suiliang of the Tang Dynasty: "The pen should be like a cone to draw sand, like sand and clay."
Painting worm graffiti describes poor calligraphy or writing. Often used as a word of modesty.
Source: Ming Dynasty Song Lian's "Preface to Han Bo in Kuaiji": "Gu Yu is not sensitive and practices useless learning. He only writes empty words to meet the needs of the times, draws graffiti, and has no time to give.
” 2. Four-character idioms to describe calligraphy works
Hello, I have written a few four-character idioms for calligraphy works. You can go and take a look.
Sweep Thousands Jun describes poetry, calligraphy, etc. as grand and powerful.
Bi Zoulong Snake describes calligraphy as vivid and powerful.
Silkworm head and swallow tail describe calligraphy as dignified in starting and light in finishing. .
Fengjin Duoli means that the font structure is solid and plump, and the writing force is strong.
Jiao Ruo Jinglong is often used to describe the vigorous calligraphy strokes or the graceful dancing posture.
Penetrating the back of the paper describes the strength of the calligraphy, and the brush strokes almost penetrate the back of the paper.
Penetrating into the back of the paper describes the calligraphy that is very powerful.
Iron painting and silver hook describe the calligraphy's strength. The keys are soft and beautiful.
Fairy dew pearl describes calligraphy that is graceful and round. 3. A collection of 4-character calligraphy idioms
Falling from the peak, with various styles, in the middle, powerful and vigorous, with consistent errors. Elegant and charming, thunderous, hard and soft, clumsy and skillful, flowing and smooth, dragon and tiger shaking, changing ideas repeatedly, elegant and graceful, dignified and elegant, powerful and unrestrained, concise writing, wrapped with iron, round and smooth, natural, delicate and rich , leaning sidely and graceful, beautiful and clear, natural and interesting, thick and strong, sincere and powerful, steep momentum, powerful writing, strong and powerful, learning from all the strengths, timeless and handsome, straightforward and simple, majestic, vigorous and powerful, flying dragons and phoenixes, Vivid charm, profound skill, agile and flowing, powerful as a startling dragon, majestic, natural, gorgeous and natural, thousands of miles of clouds, self-contained natural interest, pleasing to the eye, majestic, graceful and generous, beautiful style, majestic and majestic. Smooth, simple and graceful, vigorous and powerful, fresh and straightforward, tight structure, straight and strong, masterpieces handed down from generation to generation, natural stretch, vigorous and vigorous, flowing clouds and flowing water, skillful brushwork, smooth charm, unrestrained and elegant, peaceful and smooth, iron painting and silver hook, lifelike and round. Smooth, simple and peaceful, free and easy, well-equipped, tight and relaxed, strong and strong, flexible and elegant, hearty and unrestrained, charming and strong, beautiful in body, unique in personality, tight and steep, handsome Elegant and elegant, penetrating into the wood, dense and plump, rich and graceful, smart and unrestrained, the pen moves like a dragon and a snake, soft yet strong, vigorous and simple, powerful and penetrating the paper backing, solemn and sincere, round and round, strong and powerful, hearty, unrestrained and unrestrained, smooth and subtle, vigorous Tall and straight, steep and clear, a combination of hardness and softness, a four-character idiom about calligraphy
The literal meaning of "Bi Zoulong Snake" is "dragon flying and phoenix dancing", and the word "Zuo Dragon Snake" means vivid and powerful calligraphy. p>
Source from Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, I only see dragons and snakes walking away, left and right, frowning and shocked. "Use example: The scholar Xiao Wangbin hides brocade in his chest,~.
(Ming Dynasty Ling Shuchu's "The Surprise at the First Carving of the Case" Volume 20) The dragon and the phoenix dance. The close meaning is free and unrestrained. The original meaning is to describe the winding of the mountain. Majestic, later also described the calligraphy strokes as powerful and flexible. It comes from "Biaozhongguan Stele" by Su Shi of the Song Dynasty: "On the mountain of Tianmu, the dragon water flows out, and the dragons and phoenixes dance in Lin'an. "
The use case looked up and saw four large screens hanging on the north wall. They were written in cursive ~, which was amazing. (Chapter 9 of Liu E's "Lao Can's Travels" in the Qing Dynasty) The use of short meanings can be used freely, with ease and heart. The opposite meaning of the hand is to hold the hand in the east and fall in the west, and to be stretched thin. Definition: swipe the pen; drink: spill the ink.
Describes the ability to draw, write, and compose as one wishes. Source: "Gift to Zhang Xu" by Li Qi of the Tang Dynasty. : "When I am happy, I sprinkle the plain walls, and my pen is like a shooting star. "
The family members of the case gave him a pen filled with ink. Jue Zhai picked up the pen and wrote more than a hundred words on the paper.
(Qing Dynasty Zeng Pu's "Nie Hai" "Flower" Chapter 25) Literally means penetrating the back of the paper. The pen is as strong as a rafter. Antonym is understatement. It describes the strong and powerful calligraphy. It also describes the profound meaning of the poem and the conciseness of the words.
Source from Tang Dynasty Yan Zhenqing's "Zhang Changshi's Twelve Yi Brushwork Notes": "When he uses the edge, he often wants to make it penetrate the back of the paper. This is the ultimate success. "Using examples means writing first, ~.
(Qing Dynasty Zhao Yi's "Oubei Poetry Talk" Volume 6).
5. Four-character words commonly used in calligraphy
Blessings: Blessings with perfection, longevity and health, auspicious gates, happy gatherings, blessings to the soul, celebrations in the gate, congratulations on getting rich, good harvests, blessings Qinnan Mountain, good fortune and longevity, good fortune and long life, double cultivation of good fortune and benefit, good luck in virtue, good fortune in parallel, good fortune in Tan, good fortune in parallel, complete five blessings, kaitai in three yangs, auspicious fortune, long-lasting good fortune, Tan Qidiji, Huaxing Ninghui.
Birthday wishes: longevity without borders, longevity of a hundred years, rejuvenation, longevity as Nanyue, thousand-year-old peaches, pine cranes and dancing phoenixes, good intentions and wealth, Magu is full of wine, natural protection, longevity, Nanshan Offering praises, calculating the age of spring, blessings and longevity, being promoted to the seventh rank, reaching adulthood, and congratulating words: the happiness of the family, the harmonious singing of luan and phoenix, the wings flying together, the perfect match, the orchids for thousands of years, the wedding room flowers and candles, the good fortune of Qin and Jin Dynasties, The piano and the sesper are together forever, the purple air comes from the east, the auspicious star shines high, the newlywed is born, the happy words of the housewarming: the house is full of gold and jade, the sun turns a thousand steps, the fish jumps over the dragon gate, the first star is shining, the glory is brilliant, the peak is reached, the wealth is glorious, the wild goose pagoda is inscribed, Drinking to Ce Xun, Yun Cheng Fa Ren, Zhu Huai Jin, Fish leaping over the dragon gate, congratulatory words: Be virtuous, be virtuous and highly respected, be pure and pure, accumulate love and become blessed, be the happiest doing good, devote yourself to the best, be loyal to the country, congratulations Anxiety: The country is peaceful and the people are peaceful, the house is harmonious, the family is prosperous, the world is at peace, the people are prosperous and the country is prosperous, everything goes well, the wind is warm and the sun is warm, the society is harmonious, the bamboo is safe, and the words to encourage learning are: read thousands of books, work hard to achieve ambition, career Be good at hard work, plow the clouds and sow the moon, God rewards hard work, open the book to benefit, never tire of learning, hear the chicken dancing to nourish the heart. Words: open-minded, gentle and respectful, cautious and still, broad-minded, clear the mind, contented and always happy, patience turns into gold. , Qi is like a quiet orchid, open-minded and generous, happy and contented, curling in the autumn moon, artistic language: God blends the pen smoothly, connects the past and the present, the pen inspires nature, speaks of rich mountains and seas, can be imagined in seconds, thinking is superb, Dharma is noble Innocence, the words are the voice of the heart, the pearls are round and jade-like, the jewels are precious, and the words to welcome the spring: spring returns to the earth, the three suns bloom, the garden is full of spring scenery, the plum blossoms are a few, the auspicious air fills the door, the whole world celebrates, all things are bright, everything is radiant, spring is harmonious, The spring is noisy, green and quiet, the spring is deep, and the scenery language: singing orioles and dancing swallows, tall willows hanging over the shade, pines and bamboos with rhyme, hundreds of rivers returning to the sea, thunderous waves rushing, orchids, flowers and guis, good weather, flying dragons and phoenixes, tranquility and far-reaching, choosing like the rain. , Yun Xing Xia Wei, Bai Hui Ying, Orchid Xiu Ju Fang, Floating Cui Liu Dan, Flowers and Bamboo Love, Business Language: Hui River and Accept the Sea, Gathering Blessings and Producing Wealth, Prosperous and Great Causes, Ambition and Great Exhibition, Yuye Fufu Entrepreneurship Words: The old man is in trouble, the ambition is high, the journey is thousands of miles, the talents are completed, the great ambitions are revealed, the great achievements are made, the sea is open to all rivers, the dragon is hidden in the deep spring, the opening words: the opening is celebrated, the industry is prosperous, the Tao is not comparable, the industry is great. Restoration, enriching the country and benefiting the people, prospering the industry, developing great ambitions, making a lot of money and doing good business, promoting great achievements, great achievements for a long time, great economic development, rapid development of the industry, long-lasting history, great benefits for industry and commerce, gathering of thousands of businessmen, opening up the industry , Junye Hongkai, a model in the industry, the sun is shining brightly, the east wind sends love, morality shines in the neighborhood, talents are everywhere, the business is auspicious, and the source of great wealth. 6. Four-character idioms about calligraphy works
Four-character idioms about calligraphy works: "Sweeping thousands of troops" describes poems, calligraphy, etc. that are grand and powerful; "Zonglongshen" describes calligraphy that is vivid and powerful. Silkworm head and swallow tail describe calligraphy with a dignified start and light and quick strokes. Fengjinduoli means that the structure of the font is solid and plump, and the writing power is more than strong. Jiao Ruo Jinglong is often used to describe the vigorous calligraphy strokes, or the graceful dancing posture that penetrates the back of the paper to describe the strong and powerful calligraphy, and the sharpness of the strokes. It should show through to the back of the paper. Penetrating wood three-thirds describes calligraphy that is extremely powerful. Many metaphors are used to analyze the problem and the problem is very profound. Iron painting and silver hook describe calligraphy that is strong and soft. Fairy dew and pearl describe calligraphy that is elegant and round. Emotion and force describe calligraphy that is strong and powerful. Calligraphy works are the art of calligraphy. A relatively complete form of expression and a form of entertainment.
The main styles of calligraphy works include nave, banner, horizontal drapery, couplet, plaque, scroll and fan, etc.
7. Is there any 4-character word that describes good calligraphy?
Calligraphy: The pen is vigorous and the ink is full: The pen and ink are used very freely and fully. It is mostly used to describe calligraphy and poetry that are vigorous and vigorous.\x0dThe pen is full of dragons and snakes: The pen is like a dragon and a snake leaping. It describes the calligraphy strokes as vigorous and free and easy. It also represents the command of writing.\x0dThe first writing of Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old comments on calligraphy, there is "first writing" "Huang Ting, just right" is an idiom. It was later used to describe doing things just right. \x0d Spring earthworm and autumn snake: a metaphor for poor calligraphy, as curved as the traces of earthworms in spring and snakes in autumn. \x0d At stake: The sword is *** from its sheath. , the bow is also opened. It describes a situation that is tense and about to explode. Later, it is also a metaphor for calligraphy that is vigorous and powerful.\x0dExample: Zuo Qiuming wrote a biography of "Chun Qiu" and summarized the calligraphy of "Chun Qiu" into several categories and examples. A general explanation. Later, it is called a classification example to illustrate the style of a book as "exemplify the style of the book". See "make examples of the world". \x0dStrongly penetrates the back of the paper: originally refers to the powerful calligraphy, now it is also used to describe the vivid and profound poetry. Powerful.\x0dDragon flying and phoenix dancing: Like a flying dragon, like a flying phoenix. The original description is unrestrained and majestic. Nowadays, it mostly describes the lively calligraphy strokes, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.\x0dDragon and snake flying: Describes calligraphy The writing style is vigorous and vivid. Su Shi's "Xijiang Moon? Pingshan Hall" lyrics: "I haven't seen the old immortal in ten years, and dragons and snakes are flying on the wall." Describes calligraphy as free and unrestrained. It can also be used as a metaphor for the separation of husband and wife of advanced trainees. \x0d Luan Xiang Feng Zhu: Zhu: Flying high. It is a metaphor for the flying posture of calligraphy strokes. \x0d Beauty hairpin: describes the style of calligraphy or poetry. The beauty is beautiful and colorful.\x0dpenetrating into the wood three-thirds: the original description is that the calligraphy pen is strong (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated into the wooden board three-thirds deep), now it mainly describes the profound and powerful analysis, description, and discussion.\x0dIron painting silver hook: Hua: strokes; hook: hook. Describes calligraphy as strong and beautiful.