yellow
China was a painter and calligrapher in Yuan Dynasty, and one of Yuan Sijia. Formerly known as Lu Jian, S from Yongjia, Zhejiang Province has a long surname, such as Yifeng, Taoist Dachi, and Jingxi Old Man. His name and the origin of the characters are quite interesting. After Huang's father had a son, a friend came to congratulate him and said, Long time no see! So Huangfu named it maharaja and took a long word. Changshu people. He used to be a small official and was imprisoned for his participation. After he was released from prison, he lived in seclusion and became a true believer in Taoism. He is good at calligraphy, poetry and Sanqu and has made great achievements. After the age of 50, he began to paint landscapes and studied under Zhao Meng, Dong Yuan, Ju Ran, Hao Jing, Guan Tong and Li Cheng. In his later years, he changed his methods and became his own family. His paintings pay attention to imitating nature, and he often carries a pen and paper to describe the natural scenery such as Yushan, Sancha, Jiu Feng and Fuchun River. This painting uses cursive brushwork and has two sides: ink and light crimson. The pen and ink are simple and profound, with rich and lofty style and magnificent momentum. Huang's paintings had great influence in the late Yuan, Ming, Qing and modern times. In the history of painting, Huang is called Zhenwu, Ni Zan and Wang Meng. Landscape strategy, expounding painting principles, painting methods, layout, artistic conception and so on. There are snow maps of Fuchun Shan Jutu and Jiu Feng, Yushu map of Danya, Shibi map of Tianchi, Shan Yu's intention, mountain visit to Daitu and so on. Huang's many landscape paintings "Fuchun Daling" were created by Fuchunjiang after 70 years old, with a length of 636.9 cm and a height of 33 cm, depicting autumn scenery in Fuchunjiang area in southern China with ink and wash techniques. When he conceived it, he traveled all over the riverside, and it took him six or seven years to draw it. This painting shows an elegant style. This is extraordinary. He advocated learning from his predecessors in his creative style, and proposed sketching as long as he saw good landscapes, rather than passive painting. As an outstanding and rich literati painter, Wang pays more attention to pure painting language. His crazy mentality of art for art's sake is worth learning from later generations.
Zhenwu was poor all his life and once made a living by selling hexagrams. Lonely temperament, the taste of seclusion and masturbation, and few contact with the scribes and gentry, few people knew at that time. He is learned and aloof, so it is not easy for him not to start painting. He said it wouldn't happen again in twenty years, and then he really became famous. Cursive, able to write poems, good at ink and wash landscapes. His works include Fuchun Shan Jutu, Fisherman's Map, Xiaochun Map of Qingjiang River, Fishing Hidden Map of Qiu Jiang, etc. And other works. Among them, The Plain Map of Song Shuang embodies his thoughts of yearning for nature and seclusion.
Ni Zan was a painter and poet in Yuan Dynasty. Say the first name. Yutai character, named Yunlin because of the word town, is also called Yunlin, or Yunlin Sanmin. Also known as Jingmanmin, Jingmingjushi, Zhuyang Guanzhu, Puxian Xianqing, Xia Huan, Donghai Nong, the founder of Wuzi, Jueting, Ququan Institute, Bohai Manshi, Lazy Zan, Donghai Zan and Xia Huan. Wuxi people. It lives in Sautory, Wuxi, where there are many trees. Its name is Yunlin, and it is named after Yunlin. He has never been an official, and his family is a famous rich man in Wuzhong. But Ni Zan didn't want to be in charge of production, calling himself lazy Zan, also called Ni Yu. Have a good sex life, wash towels several times a day and often wash trees in front of and behind the house. There are thousands of books at home, all written by hand. Good at landscapes, bamboo stones, dead wood, etc. His landscape paintings were developed by imitating Dong Yuan, Hao Jing, Guan Tong and Li Cheng. His painting method is simple and simple, and his painting style is naive and quiet. Most of his works depict the scenery around Taihu Lake, with plain composition and few scenery, mostly sparse forests and slopes and shallow water prospects. Using a pen to change the center to the flank, folding the belt to draw rocks, the pen and ink are dry, elegant and elegant, the artistic conception is desolate, cold and ethereal, and the style is simple and detached. Zhu Mo Xiao Shuang Qing Li. Painting advocates expressing subjective feelings, and thinks that painting should show the author's relaxed mentality and not seek form. It is said that he is a so-called painter from a servant background, but he does not seek form, but only seeks to entertain himself. His painting practice and theoretical viewpoints had a great influence on literati painters in Ming and Qing Dynasties and enjoyed a high reputation. In the history of painting, he is as famous as Huang, Zhenwu and Wang Meng. Calligraphy, good at regular script, beautiful and elegant, Wei and Jin demeanor. His works include: Eight Scenes of Jiahe, Fisherman's Map, Riverside Mountain Map, Wild Stone Map of Bamboo Trees, Western Hills Map, Six Scholars Map, Shuizhuju Map, Songting Map, Lion Forest Map, Xilin Zen Room Map, etc. You Han pine map, Qiu Linshan color map, spring rain crescent map, small mangosteen tree map, over-the-knee lent map, bamboo trimming map, etc. There are Shan Jutu, Wuzhu map, Xinyan poem map, Shuizhu residence map, Zhai map, fishing village autumn collection map, Yushan forest valley map and so on. Wang Mian, A Tour of Han Jiansong, said that on Obsidian Day, Ni Zan's toothpicks filled the room with books and Cigarette Cards's crayons filled the floor.
Wang Mengyuan painter. Shu Ming, whose name is Xiangguang layman, is from Huzhou. Wang mengneng's poems and calligraphy. He is particularly good at painting landscape paintings. He studied under Zhao Meng, Dong Yuan and Ju Ran. With dense scenery and mountainous layout, Jie Suocun and thirsty moss scenic spots are well used to show the boundless atmosphere of the forest. Beyond mountains and rivers, he can also be a character. It had a great influence on landscape painting in Ming and Qing Dynasties, second only to Huang, and was later called Huang, Zhenwu and Ni Zan. The masterpieces handed down from ancient times, Autumn Pavilion, Beautiful Tree and Strange Stone, were collected by Shanghai Museum. , Beijing Palace Museum; National Palace Museum in Taipei.