China has been passed down for 5,000 years, and I can't understand anything except the science and engineering of history books. Art seems to be very close and far away from me, from fairy tales I saw as a child to well-known local buildings, the Terracotta Warriors and Horses in Xi, the Great Wall in Beijing, the Grand Canal in Hangzhou, to well-known historical figures Li Bai, Du Fu and Wang Xizhi ~ to Tang Bohu, Zhang Daqian and Xu Beihong ~
Even in the long history, the spiritual core of Confucianism and Taoism was formed in the subconscious of China people. ...
It is conceivable that the content of China art history, which is widely circulated, is so rich that it is no longer limited to form, but pursues with the spirit of birds of a feather flock together.
That is to say, I feel that China's art is stepping out of low taste and moving towards higher requirements ~ Laughter. ipg。
In history class, I recited poems in Taibai, and the teacher explained the techniques of line drawing. The well-rooted beard really shocked my heart. When I grew up, I accidentally came into contact with more excellent works, only to know that no matter how excellent the technique is, there are traces to follow. What is rare is the expression of emotions. Just as the ancients pursued "a gentleman is not a tool" and "take the law."
For example, practicing calligraphy, whether it is Yan style or European style ... pursues positive and rigorous fonts. But the world has praised Zhang Xu and Huai Su, who lived in a drunken dream. As the book says, "when the mood is satisfied with the technique, calligraphy has charm."
The Art History of China written by Yi Gongzi not only takes life as the image, but also combs China's profound and inclusive traditional culture, conveys every work of art with the knowledge of history, humanities and other disciplines, and even depicts the artistic conception under this background. When reading, I deeply realized the greatness of China culture.
One of my younger brothers is also reading this book. He asked me a question, why are art students learning to carve nude paintings? Is it because of cultural revival that China's cultural thought can't keep up with the world trend?
I said, on the other hand, it can also be understood that China's art is not backward, but weak countries have no right to speak.
/kloc-The humiliating history of 0/00 years has been deeply remembered by our generations. We study, explore and move forward with humiliation, slowly expand our cultural influence with hard work and tenacity, and the national wind rises and sweeps the world. From the cooking power of China's cooking to the spread of the goddess' split view. Everyday life, which is used to it, can also cause shock in the literary and art circles.
If we don't compare China's inclusive art history with the western art history with clear context, or compare the peak of Sui and Tang Dynasties with a powerful empire, that is, after the Qing Dynasty, the declining sons and daughters of China are still sitting at the poker table of a world power. 100 years of humiliation, extended to 5000 years. In the history of ups and downs, after every suffering, civilization has been passed down and returned to its peak.
Some people say that China is culturally confident, while others say that people in China today are arrogant and ignorant. Actually, it doesn't matter. China people are good at introspection, but they don't blindly indulge in the image of the weak. The road back to the top is at your feet. I don't want to say it's a long way, because we can already see the moment of revival.
The great China, the majestic China, the eastern corner of the world, have accumulated a lot.