Huai Su
People never sell wine, but hang a pot on the pine tree all day.
Grass saints go crazy when they want to go crazy. It's really like drawing a picture of a drunken monk.
The greatest feature of this poem is that Huai Su put himself in a picture of a drunken monk painted by Zhang Sengyou in the Southern Dynasties. Is it The Drunken Monk? Huai Su? Almost one and two, two and one. It fully shows Huai Su's peak mental state of drunkenness, madness, confusion, talent and belief in Huai Su's poems.
Huai Su was a famous calligrapher in the prosperous Tang Dynasty. He is drunk and crazy. His pen and pencil are like a cone drawing sand, like a god. Li Bai once witnessed him writing a book in public, and a cursive Song Xing recorded its grand occasion: "The young man is called Huai Su, and the cursive script is called chinese odyssey. Mo Chi flew out of the North Grilled Fish and killed all Zhongshan rabbits with the pen tip. It is cold in August and September, and the poems of drinkers are full of people. A few boxes of linen, Xuanzhou graphite light. My teacher was drunk, so he leaned on the rope bed and swept thousands of sheets in a short while. ..... "Li Bai is the fallen fairy of" Hundreds of Drinks ",and he probably understands the artistic conception and scene of Huai Su's" Drunken Grass ",which is very tacit, so writing Huai Su in one go is just like writing himself. The third sentence of Huai Su's poem, "The sage of the grass will be crazy if he wants to be crazy", is the moment when Li Bai's cursive ballad "My teacher leans on the rope bed after being drunk", and it is the moment when inspiration is about to be generated.
The poem "Zhang Sengyou paints a picture of a drunken monk" is inspired by the word "crazy" in the third sentence, and the whole poem revolves around the word "crazy". There are one or two sentences about the "drunkenness" of drunken monks, not about people but about wine. "Everyone gives wine and never sells it" is a lie. Everyone gives wine, not the drunken monk buys it himself. It can be seen that the drunken monk is a respected, virtuous and talented monk. Drunk monks are rich. He has been drinking, and the hip flask hanging in the pine room is always full. Hanging a pot of wine between pines is really a sight.
The third sentence "the sage of grass is crazy when he wants to be crazy" is a strange pen. Huai Su put himself and his wild grass ("sage of grass" refers to cursive script), and the title of Zhang Sengyou's Drunk Monk Map became a self-taught book. At this point, the excitement is still not over. "It's like painting a drunken monk" to further praise yourself.
This poem eulogizes the spirit of Dionysus. Artistic creation needs charm. Plato and Socrates said that poets create with genius and inspiration, not when they are conscious. Before Plato's Guan Zi, which originated in China, there was also a similar statement of "thinking is impossible, and ghosts and gods teach it". In fact, the inspiration of ecstasy is still a sign of diligence and maturity, and it will not be the inspiration of some mysterious intuition. The ecstasy of Dionysian spirit is just a detonator. Without the "Green Temple" with banana leaves covered with paper calligraphy and the "Tomb with Bald Pen", Ren Huai Su would be drunk all day long, and it would not inspire him to be so unrestrained when creating wild grass art: "Get up and stop against the wall, and a row of numbers is as big as a bucket. Just like smelling ghosts and ghosts, I always see dragons and snakes walking. " Li Bai's cursive music.