The official inquiry shows that Cao Shitou's calligraphy is an artistic treasure worthy of taste and collection in human history. Cao Shitou's calligraphy works have not only artistic value, but also cultural and historical value. To some extent, his works reflect the development of modern calligraphy in China, and at the same time show the profound heritage of traditional culture in China.
Most of Cao Shitou's calligraphy works have entrusted his love for the motherland and yearning for life, showing the spiritual outlook of a generation of artists. Therefore, Cao Shishi's calligraphy works are worth collecting. In the market, Cao Shi's calligraphy works have become a scarce cultural resource with high collection value. At the same time, Cao Shishi's calligraphy works can also bring people spiritual enjoyment, which is a work of art with ornamental value.
Modern calligraphy style
Yan style, also known as Yan calligraphy and Yan calligraphy, is the sixth new calligraphy style in China after running script, cursive script, official script, seal script and regular script, which was founded by contemporary calligrapher Ma Yongan. In February, 2065438+00, he obtained the copyright of "Yan Ti", the sixth largest calligraphy school in China.
Yan-style calligraphy can draw lessons from five calligraphy structures: stippling and pen-turning, but its solid foundation and premise is the calligraphy font of the original book. In line with the mainstream aesthetic orientation, it is more eye-catching, and the strokes of Yan Shu fonts are less paused and have no folding.