Ada's calligraphy

1. Only the third word is regular script, which seems to be a face. The first one should be official script, which Liu Bingsen is best at. The second is an image, which can't be seen clearly below; The fourth picture is a running script, and it's a little unclear.

Second, the detailed explanation:

1, the characteristics of Liu style:

Liu Gongquan (778-865), the last great calligrapher in the Tang Dynasty, was one of the four masters of regular script (Ou Yangxun, Yan Zhenqing, Liu Gongquan and Zhao Mengfu). Wang Xizhi, a beginner in calligraphy, later studied modern calligraphy, studied under Yan Zhenqing, absorbed his new ideas, and then got married and created his own unique Liu style, which is a model for later generations. His handwriting is even, thin and hard, and he pursues Wei Bei firmly. His stippling is crisp and beautiful, with thick bones and tight body. "Books are expensive, thin and hard, and the spirit is clear." Compared with his face, his regular script is slightly flat and thin, so it is called "Yan Gu". Liu Gongquan has many works handed down from generation to generation. The inscriptions handed down from ancient times include the Diamond Sutra, the Mysterious Tower Monument and the Su Feng Monument. Among them, the engraved version of Diamond Sutra, the mysterious pagoda monument and the Shence Army monument can best represent its regular script style.

2. The characteristics of European regular script:

The originator of European style was born in the first year of Chen Yongding in the Southern Dynasties (557) and died in the fifteenth year of Zhenguan in Emperor Taizong (64 1). He was born in Linxiang (now Hunan) in Tanzhou. Known for regular script and running script. As the largest official calligrapher in the history of calligraphy, his handwriting is called "European style", which is as famous as Yan (Zhenqing), Liu (Gongquan) and Zhao ().

European style is a regular script font created by Ou Yangxun, a great calligrapher in the Tang Dynasty. It is characterized by the combination of harmony, strong stippling and cohesive brushwork. It is steep and rigorous. Keep the side stable, compact and sparse.