Second, avoid it, avoid it, avoid it, easily avoid it, avoid it far away, avoid it near, and want it to reflect each other properly. Another example is the word "Lu", the first one is sharp, the next one is different, and the word "Fu" is the same.
Put down the pen and wave it to the left, under the word "every"? If you pull it out, you must make some points on it, and avoid overlapping and simplify the path.
Third, there are many people who inherit the word "top wear", but those who emphasize the top are light and want to gain power, such as "overlapping, smashing, medicine, Luan, Jing, Lu, bun, sound, medicine" and "eight skills"
The so-called "crooked like a person, it is called downloading", also known as "don't be top-heavy".
Fourth, calligraphy and painting are interlaced, and their density, length, size and even pause, such as "Han, Fu, Jing, Qu, Shu, Concurrent, Yu, Yu, Shuang, Er, Xiang, Yong, Er, Ao,
From, vertical, car, no, dense, the so-called "four sides stop evenly, eight sides have" is also true.
Five, to the back of the word is opposite, there are opposites, each has its own momentum, can not be wrong. The opposites such as "no, no, goodness, knowledge and harmony" are also opposites, such as "north, omen, fat and root"
Something like that Yes
6. If there are many orthographic characters on one side, if there is an inclination on the other side, it should also be combined with its word potential. Those who lean to the right, such as "mind, posture, clothes and a few"; To the left, such as "Good evening, friends,
Yes, don't, less, macro ",etc.; Just like those biased, such as "hai, female, Zhang, vector, mutual, nothing" and so on. The so-called radical spelling is right, and if it is right, it is radical, which is also wonderful. Eight strategies
Also called "Don't do it sideways".
Seven, pick? Is it necessary to choose the context of the text? Who, such as "Ge, Yi, Wu, Jiu and Qi"; Another example is the words "offer, persuade, disperse and break". Since there are many left sides, we must get the right side?
It; For example, "save, bake" and so on, must the upper level get it? Therefore, phase is good.
Eight, the left and right sides of the word, more or less, must give way to each other in order to be perfect. For example, the words next to "horse", "nest" and "bird" must be straight on the left and then on the right.
Write, otherwise it will be inconvenient. For example, the word "debate" should be shortened with the word "Yan" in the middle, so that two words "faith" can appear, and the words "gull, quail and late" should be narrow on both sides and wide on both sides.
Another example is the word "woo, hoo", and the mouth on the left should be closed; The word "he" and the word "buckle" should be to the right, so as not to interfere, and then it is better, and so is this kind of thing.
Fill in the blanks, such as "I am here", and doing something to the left is not the same as "success and luck". For example, "attack, invade, eat, and attack Jiangxi", if it is to be square,
For example, the same is true of the word "sword" in Li Quan Ming.
Ten, cover such as "treasure, capacity", the point must be correct, the painting must be round, not suitable for each other, the upper part is long and the lower part is short.
Eleven such as "zero, today, winter, cold" also.
12. Those who leave the original form of sticky characters want to stick together, so that they can take care of each other better, such as the radical word "Lie, Sword, Fly, Door".
Thirteen, the speed is like "wind, phoenix", and the speed on both sides should be rounded. When using a pen, the left side should be sick, and when carrying a pen, it is like electricity.
Fourteen, don't be empty, such as "circle, garden, field, country, back, bag, south, partition, eye, four, hook", and so on.
Fifteen, the meaning of words is broken and connected, such as "knowledge, meaning, faith, comparison, dawn, biography, week, water, autumn" and so on.
Sixteen, those above the word will be below the word, such as "rain", "hole", "home, glory", "luxury, gold, food, society, lane, Thailand" and so on.
17. Dragging, such as "Du, Qing, Mao, and worship", dragging, such as "water, nutrition, debt, degree, change, travel, people, and also".
18. Borrowing and changing is another example. The word "secret" is on the right of the word "show" and the word "must" is on the left. This is also borrowing and changing. Another example is the word "autumn" as "?" , the word "goose" is
"?" Such as this, because its words are difficult to form a structure, so the exchange is so, but also borrowed. So is the so-called "East reflects West".
19. It is difficult to add and subtract words, or because there are few strokes, for example, the word "new" is "?" , the word "sword" is "?" Yeah, yeah. Or save because of more strokes, such as
What is "Cao"? " What is the word "beauty"? . But to be beautiful, no matter how the ancient people wrote.
Twenty, Chinese characters should be stippled less, set each other off and be interesting, and must be matched. Another example is "dragon, poem, resentment, turn" and so on, all of which should be drawn one by one.
It should be the other way around.
Twenty-one, people who support independence must support it, and then they will be strong and healthy. Such as "money, Xia, Yu, Ding, hand, Yi, bow, division, Yu, spear, courage, constancy, court, ning,
Flowers, towels, grass and so on.
Twenty-two, people who are biased against words should care about each other. There are many people who have the words "Zou, Xie, hoe and storage", and there are many people who have the words "Bi and Ban".
I especially want to bow to each other. So is the so-called "mutual greetings" in calligraphy.
Twenty-three, to save every word, a pen to drop, it is easy to think of how to save the second and third pens, how to tie them. The same is true of the so-called "intention first, literary direction later" in the eight strokes.
Twenty-four, the shape of the attached words, if there is a coincidence nearby, can not be separated, such as "shape, shadow, flying, rising, super, drinking, encouraging." Where there is literature, debt and support,
We should also attach great importance to the small ones and pay more attention to the small ones.
Twenty-five, holding the back on the left is like "Yi, Beggar, Yi, Ju", and on the right is like "Gen, Ghost, Bao, Xu, Ta".
Twenty-six, the parcel refers to the "group, nursery", surrounded by parcels. "Up and down", "Yes, fierce", "Kui, Kuang" or so, "Ten-day,
Hungary "right package left is also.
Twenty-seven, but it's good to say that its package won't fall into the hands of powerful people. It's perfect to end it.
Twenty-eight, the stippling of characters should be connected, and they should be connected. Two points such as "small" and "eight" are connected correspondingly, and three points such as "long" are left to right, middle to upper, right to left and four.
If you use the words "nature" and "heat", the two points on both sides correspond and intersect in the middle.
Twenty-nine, see the big or small with small, such as "door?" So is the next big one. When a small word becomes a big word, it is called a small word. For example, the word "orphan" is only at the end.
After a stroke, the word "Ning" only has a vertical hook at the end, the word "owe" is pulled out, and the word "Ge" is a bit.
30. The big print means that there is something wrong with the small print and the big print. Mr. Dongpo said: "The big characters are difficult to be dense and seamless, and the small characters are difficult to be generous." If you can tie it in capital letters,
If Xiaoyu is generous, it will be perfect.
Thirty-one, small and big "Calligraphy" says: "The big characters are small preface, and the small characters are big preface, which is naturally wide and narrow." For example, the word "Japan" is so small that it is hard to be as big as the word "country", for example
The word "one, two" is sparse, and calligraphy and painting alternate with secrets, so we must consider the location arrangement, make the matching suitable, and then top it. Or, "it means up and down, up and down."
This is commensurate. "Also said.
Thirty-two, each writing is formed separately. It is also good to combine into one, and it is also good to divide into different forms, which can be formed separately. As for the size of density, length, width and narrowness, it is necessary
When detailed also.
Thirty-three, small left and big right. This section is a word disease. If you want it to stop, people's knots are easy to be left small and right big. So with the next two verses, it is also sick.
Thirty-four, left high and right low, left short and right long. Can't be left high and right low, that is, one shoulder. The left side is short and the right side is long. The so-called "eight strokes" do not mean making the left short and the right long.
People who study European books tend to write long words, so the law requires it to end neatly and converge? Dense, ranked second, and old-fashioned. The so-called "secrets are out of date",
This is why it is expensive.
Thirty-six plans, the leaders want them to look around, without losing their position, but also to cover up and down.
1. Collation refers to arranging the size and density of each word according to the number and length of stippling when writing, so as to make it symmetrical and appropriate. For people with many strokes,
For example, the words Dao, Zhou, Xin, Dou, Mo, Zhou and Zhu are closely arranged, but they can't offend each other. We must also have our own stippling space next to the horizontal "Zi" and "Yan"
Location. The "white cloth" and "harmonious stippling" mentioned in Eight Tactics are the same, and so is the "overlapping" mentioned in Tang Gaozong's calligraphy. (text)
In the examples cited in the book, the words "longevity, painting, pen and beauty" were replaced by "Tao, faithfulness, ink and frown" because the original words have been simplified. The following is similar)
Second, avoidance is to make the density, risk and distance of font structure change and reflect appropriately. For example, the word "Lu" is long and sharp outside and short inside.
Yes, in order to avoid similarities, the "Fu" has a long left, and the short left should be changed. Another example is si. If the pi si of the word "po" is shortened, it is called avoidance. "Chang"
Permanent elongation is called "rigidity". Another example is a flat hook, in which the hook of the word "pigeon" is taken as avoidance, and the hook of the word "well" is displayed. Or do you like the word "every"? If you pull it out, you must do something on it.
It is also because of avoiding overlap and keeping the path simple.
3. Top loading refers to the composition of fonts, most of which are installed below. However, we must be honest and not biased in writing big or small. It should be regarded as heavy on the top and light on the bottom, stable but not floating.
For example, "overlapping, tillering, honeymoon, heron, deer, analogy, smashing, gathering" and so on, this is the case. Among the eight tactics, the so-called "leaning like a man is called downloading", and there is also a saying that "the head should not be light and the tail should not be heavy"
That's what it means.
4. Interpolation refers to the method of horizontal stroke, vertical stroke and diagonal cross to coordinate fonts with density, length and size, so as to achieve the purpose of balancing the structure of bookshelves. For example, "medium,
Fu, Jing, Qu, Shu, Concurrent, Yu, Yu, Shuang, Duo, Xiang, Yong, Er, Lou, You, Hang, Che, Cao, Mi, etc. In the eight tactics, it is mentioned that "four sides are flat and there are eight sides"
This is a metaphor.
Five, there are opposites and opposite words, each with its own posture and posture, which cannot be confused. The antonyms such as "Mao, Hao, Zhi and He" belong to a category, while "Bei, Zhao, Fei,
Root "is a kind of.
6. There are many people whose one-sided words are correct, but there are also people who are biased and inclined. They can be distributed and set according to the different potential structures of each word. Such as the heart of a person leaning to the right,
Ge, Yi, Ji, Fei and Ye belong to the same category, while left-leaning figures such as Nai, You, Bie, Shao and Hong belong to the same category. Basically, there are "hai, female, Zhang, you, mutual,
"No" is another kind. From the word formation point of view, each word has a main pen as the potential, and the rest of the stippling is supplemented by the potential, so the deviation can be written correctly, and the correct posture can be slightly biased. so-called
Flat and wavy, straight in the middle of the song is more beautiful. The "impartiality" in the eight tactics also means this.
Seven, pick? Font shapes, some to choose, so that the horizontal trend to achieve overall balance, and some strokes will be elongated. Words like "one, one, five, nine, seven" should be
When using the vertical pen and wrist method, the strength of the pen should be appropriate to avoid bending failure. Another example is the words "offer, persuade, disperse and break". Because there are many stacks on the left, you need to bend on the right, such as "save,
"Lord" and other words, the upper side must be pressed down on the lower side, so that its balance is called good.
Eight, the words are mostly left and right, and more points are easy to squeeze and less are easy to disperse. When writing, the radicals must give way to each other without affecting each other, and only when they are arranged properly can they be good.
For example, the words next to "horse", "nest" and "bird" must be straight on the left to facilitate writing on the right, otherwise it will hinder the inconvenience. Another example is the word "debate", with the word "word" in the middle.
The picture above is relatively short, which makes the word "Xin" stand out. Another example is the word "gull, quail and late", which is narrow on both sides and wide on the bottom. Also make way for the other party, such as "woo, hoo", put your mouth on the left and your mouth is close to the top properly.
Ok, the word "He" and the word "Kou" are on the right, so they should be close together to avoid interference. This font must be set in this way.
Nine, fill in the blank refers to fill in the empty place when making a book, to ensure that the air is well connected, evenly mixed on all sides, and the whole is commensurate. For example, the word "I, I am" should be done on the left, not with the word "Cheng, Ji".
The words are the same. Another example is "attack, conquer, dine, and Jiangxi", and it is best to be perfect and square on all sides, such as the word "build" in "Li Quan Ming".
10. Cover, that is, the top of the word covers the bottom, like the roof of a palace, completely covered. For example, "Bao, Rong" and so on, the points must be right, the paintings must be round and clear, and it is not appropriate to stick to each other or go up.
There are long and short.
Eleven, sticking zero is to stick sporadic stippling, which is used to collect pens. In order to set the position, it will be loose if it is too far away from the above strokes, and it will be embarrassing if it is too close. For example, "Orders,
Today, winter, cold and other words, this is the case.
Twelve, the image of some words, originally intended to leave each other, will stick to each other, so that each takes its place. Such as "lying, giving, quality, crystal, force, right and wrong", belong to this category.
Type.
Thirteen, speed is to use the brushwork quickly. For some words, the meaning of pen is like archery. If Arrow doesn't want to be late, it's too late. For example, "wind, phoenix" and other words. , the long left.
It is advisable to run fast vertically, and the right back pen needs to be "like electricity" to write well.
14. Don't be full. For the text around the structure, the inside should be full, and it is not advisable to leave more blanks. But don't scatter points, avoid forcing the periphery, the density should be symmetrical and the size should be appropriate.
Appropriate is better. For example, the words "circle, garden, map, country, back, bag, south, minute, eye, four, hook" must be arranged in this way.
Fifteen, the meaning of the structure, some braille paintings, shapes do not intersect with each other, strokes are relative, we must pay attention to ups and downs when writing, and strive to isolate the word potential, although the shape is broken.
The pen is connected with the meaning. For example, the words "knowledge, meaning, faith, comparison, dawn, communication, week, water and autumn" are like this.
Sixteen, covering similar words is a downward trend; Anything that is big in the upper part will inevitably cover the lower part, but it must stop evenly on the left and right, and it must not be biased to one side. Such as "rain"
That's the head, the prefix "hole", the prefix "home, glory", and the head of the font "luxury, gold, food, toilet, lane, Thailand".
17. Drag is a gesture of pointing downward, with the right hanging and the left slightly retracted, such as "Du, Qing, Mao and Bai", and the right dragging and the left slightly shorter, such as "water, support, debt, skin, shift, walk,
People, also "is.
18. Borrowing means that the stippling of combined words is borrowed from each other, or interchanged left and right, and some of them are stacked up and down, and split into horizontal lines side by side. For example, in "Jiuchenggong Liquan Ming"
The word "secret" is borrowed from the right point of "show" as the left point of "must". For example, in the second half of the word "Ling", the word "Gang" or "Wu" in the law post is also borrowed. Say it again,
The word "autumn" is written as "?" The word "goose" is written as "?" , are changing positions. And such borrowing and exchange is also called "East reflects West".
Nineteen, increase or decrease refers to writing, according to the number of stippling in a certain part of the font, increase or decrease by itself. Because of the lack of strokes, such as the word "new" is "?" , the word "sword" is "?" ,
Or because there are many strokes, such as "Cao" is "?" What is the word "beauty"? . Some calligraphers creatively borrow whatever ancient fonts are in order to make the writing situation beautiful.
It has changed.
Twenty, Fu Ying refers to some left and right combinations of words, which deliberately achieve the purpose of correspondence and proportion in structure. Those lacking stippling, such as "Zhi, Xiao, Yi, Chuan", belong to the same category and are rich in stippling.
Secret, such as "Si, Qu, Fei, Ding" is one kind. That is, a picture is a picture and a pair.
Twenty-one, the words with single structural support and vertical support should be firmly supported when writing, in order to be powerful. For example, "money, summer, towels, ding,
The words "Yu, Shou, Ke, Si, Gong, Yong, Yu, spear, Ning, Heng, Ting, Hui and Cao" all belong to this category.
Twenty-two, North Korea, where two or more parts are combined, must look at each other and contact each other, and strive to avoid looseness. Most forms are written in two languages,
Such as "Zou, Chen, Xiao, Yao, Qiong, Lou, Wan, Zhuan", and words synthesized by "Xie, hoe, storage, Qing, spot, bi, breaking, breaking and arguing" are quite similar to each other.
This is the meaning of "welcoming and caring for each other" in calligraphy.
Twenty-three, save every time you write a book, the first pen falls off the paper, so you must think about how to deal with the second and third pens. If the previous pen is dead, the latter pen will be remedied immediately. Eight strategies
This means "write before writing, think after writing".
Twenty-four, Liv's figures should be close to each other, such as "shape, shadow, elevation, transcendence, drinking, smoothness, feeling and encouragement". Where there is "text",
For radical words such as "owe" and "support", small strokes should be accompanied by large strokes, and multiple strokes with fewer strokes should be accompanied by multiple strokes.
Twenty-five, the back hug refers to the back to the front hook when writing, pay attention to the width and narrowness, too wide and too loose, too narrow and awkward. Embrace those who are left behind, such as "death, beggar, Iraq, residence",
Those who turn right, such as "gen, ghost, treasure, Xu, it" and so on.
Twenty-six, the packaging is fully enclosed or semi-enclosed. For example, "gardens, nurseries" and so on are all around. "Shang, Xiang" is the top package, "static and fierce"
In the next package, "Kui" and "Kuang" are said to be left and right, while "Xun Hungary" is left and right.
Twenty-seven, but it means that when writing, you should master the method of line breaking, pay attention to rules, avoid losing momentum, and be just right.
Twenty-eight, the stippling of words should be connected with each other, so that the strokes are interesting. Two points, such as "Xiao" and "Ba", should naturally be connected together, and the word "one" of the three points points points to the left.
Right, the midpoint is up, the right point is to the left, and the "natural, hot" of four points corresponds to two points on both sides, and the middle two points intersect.
Twenty-nine, Cheng Xiao's masterpiece must be meticulous, and all strokes related to the whole word can't be ignored, even if they are small. There are also small words, such as "door" and "the next big one is one.
Class. More is a small success, for example, the word "orphan" is only at the last, the word "ning" is also the last vertical hook, the word "owe" is a pull, and the word "ge" ends at one point.
Can determine the quality of the whole word, sometimes a word is related to the quality of the whole article.
30. The formation of small characters and large characters means that small characters and large characters have their own situations and characteristics, so the writing of the two types of characters is also different. Su Dongpo said; "Chinese characters are difficult to knot.
Close, small print is difficult to be generous "; In other words, if the big words are written tightly and the small words are written generously, it will be perfect.
Thirty-one, small and big "Calligraphy" says: "Big characters promote small, small characters make big, and naturally wide and narrow." For example, the word "Japan" is so small that it is difficult to write it with the word "country"
Generally large, such as "one, two" is the most sparse, and its strokes are not the same as those of dense horizontal paintings. It is necessary to consider the mutual mercy of positions in order to be called top grade. or
It is called "up small and down big, up big and down small" to make it commensurate in size.
Thirty-two, where to write each molding, whether it is better to combine two or three words into one word, or to divide it into different writing methods (the so-called "beauty is detachable") mainly depends on whether it can be molded separately, that is,
On the grounds of downloading, control the video. As for density, length and width, the same is true, depending on whether they are symmetrical and harmonious as a whole.
Thirty-three, small left and large right font structure, should be square, stable center of gravity. This section is about the problems in the knot. The left and right dimensions must be equal, people
Writing is easy to be small on the left and big on the right, so this section and the next section are all pathological conditions of speaking words.
Thirty-four, the font structure with high left and low right, short left and long right is characterized by correctness, solemnity and balance on all sides. Don't write high on the left and low on the right, which is called the shortcoming of "one shoulder to pick". Although the left side is short and the right side is long,
As pointed out in the eight tactics, "Don't be short on the left and long on the right".
Thirty-five, the study of Ou Yangxun's calligraphy style is prone to long and narrow characters, so the conclusion emphasizes neat posture and tight connection, and advocates orderly arrangement, which can become rigid. Sun's book spectrum
Speaking of "old-fashioned secrecy" is also expensive.
Thirty-six, the basic meaning of phase tube collar, is the tube, the front collar after collar. In order to take care of each other and reach a position, the structure of words is regular, so the upper cover is under the cover and the lower cover is under the cover.
Connecting the preceding with the following, the left and right backs should also give in to each other (similarly, the meaning of pipe collar can also be extended to the layout of the whole article. The Book of Music says, "One word at a time, one word at a time."
It is the standard of the final article, which is the reason). trait