Official script is also called Zuoshu and Bafenshu. Zhengheng's "Four Body Scripts" says: "The official script is the best in seal script." ?What I bring to you below is the appreciation of calligraphy works by famous official script brushes. I hope you like it. < /p>
Appreciation of the official script calligraphy works of famous artists 3
Appreciation of the official script brush calligraphy works of famous artists 4
Appreciation of the official script brush calligraphy works of famous artists 5
Learning official script Skills:
Official script is also called Zuoshu and Bafenshu. Zhengheng's "Four Body Scripts" says: "The official script is the best in seal script." ?Xu Shen's "Shuowen Jiezi ?Xu" said: ?The Qin Tian Jing Book, the old scriptures were eliminated, and the official and prison affairs were complicated. At the beginning, there were official scripts to facilitate the change, and the ancient texts were extinct. ?In fact, official script is the simplicity and simplicity of seal script.
The official script carries the seal script on the top and the running cursive script on the bottom. Official script originated from the results of war and flourished in the Han Dynasty. As a practical calligraphy style, official script was popular in the Han Dynasty. Although it was replaced by cursive script, regular script, and running script after the Han Dynasty, it is still very popular due to its beautiful glyphs and varied structures, and has become a popular calligraphy style in today's calligraphy art creation. . And because there are so many inscriptions and ink marks handed down in official script since the Han Dynasty, it is also an excellent way to get started with calligraphy.
As far as beginners learning official script are concerned, people today can only read the ink in official script, and they can never directly write it. If you don’t have a foundation, it is very dangerous to read, because you don’t know what to learn and what to discard. Therefore, when practicing, you can only write on copybooks and tablets written by ancient people. The reason is very simple. When we study calligraphy, we can only learn what has been accumulated through history. Following the successful experience of history is undoubtedly a matter of half the effort and twice the result.
Learning is a process of abandonment. It is difficult to constantly abandon the dross and requires continuous improvement of aesthetic awareness. Therefore, to learn books, you must first read more and improve your aesthetic discernment, and then write in a targeted manner. This is extremely necessary. If you can’t understand it yourself, and don’t understand what’s good and what’s bad, then how can you learn? If you learn the bad ones and throw away the good ones, then you might as well not learn them at all. Therefore, always look first and write second. Otherwise, if the pen is moved incorrectly, it is better not to move. Han Li is the collective name for the official script of the Han Dynasty. Because the official scripts on stele inscriptions in the Eastern Han Dynasty are vivid and diverse in style, while the official scripts written in the Tang Dynasty are mostly stereotyped and are called "Tang Li". Therefore, those who learn to write official scripts attach great importance to the stele inscriptions of the Eastern Han Dynasty, and call the various styles of official scripts in this period "Tang Li". Han Li?, to distinguish it from Tang Li?. From a macro perspective, Qin and Han official scripts are divided into three forms: ancient official script, Han official script and Bafen form: First, ancient official script: the popular time of ancient official script was about 309 BC to 111 BC, that is, from the period of King Wu of Qin to Emperor Wu of Han Late stage. This is just a rough breakdown. The characteristics of the ancient official script are that it takes a vertical position, is uneven horizontally, and is not straight vertically. The second is Han Li: Broadly speaking, all official scripts in the Han Dynasty are Han Li, including ancient Li, Han Li (Han Li in the narrow sense) and Bafenshu in the early Han Dynasty. Han Li in the narrow sense refers to the official script most widely used in the Western Han Dynasty. Han Li is more standardized than ancient Li, but not as decorative as Ba Fen. It was the common calligraphy style from the Western Han Dynasty to the end of Han Dynasty. The characteristics of Han Li are horizontal posture, prominent horizontal strokes, and horizontal and vertical strokes. Three is eight points: Eight points is the artistic calligraphy style in official script. The characteristic of the eight-point book is that it is distributed from left to right and highlights the picking and suppressing paintings.
To learn Han Li, it is best to start by writing Han steles. However, some beginners cannot appreciate the characters in Han steles and do not know how to write them at all. You have to find a teacher for advice. Han steles have various styles: fair and elegant ones such as "Cao Quan Stele", "Chaohou Xiaozi's Broken Stone", "Yiying Stele", "Huashan Stele", "Zhang Jing Stele", "Shi Chen Stele", "Ritual Stele", "Zhang Jing Stele" "Shou Stele", "Yuan Bo Stele", etc. This type of stele has exquisite and rigorous techniques, elegant and dignified mood, delicate and perfect stipples, and a flat and well-proportioned structure.
The ancient, clumsy and powerful ones include the "Xianyu Huang Stele", "Zhang Qian Stele", "Kaitong Baoxie Road Carved Stone" and so on. These inscriptions have an ancient and simple appearance, a simple and powerful conception, vigorous and solemn stipples, and a square and naive structure.
The sparse and scattered works include "Hengfang Stele", "Ode to Xizhao", "Ode to Yige", "Ode to Fenglong Mountain", etc.
His artistic style is graceful and generous, his mood is leisurely and elegant, his strokes are smooth and graceful, and his structure is sparse and full.
The odd and indulgent ones include "Ode to the Stone Gate" and some ink marks on slips and slips. The mood is free and unrestrained, the strokes are round and free, and the structure is full of changes.
In short, based on experience, don’t just pick up a pen and write. First read, master the basic knowledge, read more posts, and develop your aesthetic appreciation ability. There are a lot of copybooks in bookstores. Buy as many as you can and understand them for yourself. If you don’t understand, just ask. It’s best to read it for a year and a half. Once you understand it yourself, there will be no more problems. You will know what you like and what is good. What is broken, you know how to write it.