Mi Fei said in On Calligraphy that when he writes calligraphy, just like writing an article, he needs to follow his heart and put pen to paper casually, so that the written words will be natural. He mentioned that others said that his calligraphy was a masterpiece of the ancients, but in fact he abandoned the style of the ancients and became a school of his own.
Then, he cited many examples to prove the correctness of his above views.
Finally, he said, "you can't learn stone carving." Why? Because you have written your calligraphy and asked others to carve it on the tablet for you, in fact, this is not your original work, but the credit of the stone carver. Therefore, to appreciate calligraphy, we must put it on the original work, so as not to lose the original flavor of the work.
Miffy's On also said that writing needs not only hard work, but also God. Many people think that they will write when they pick up a pen, and that writing will be vigorous and powerful. In fact, the harder you write, the thinner and lighter the words you write. Writing needs to use god, so that the words written will appear natural and elegant. To write, we must first pursue bone feeling, and then pursue muscle and meat. The implication is that you should know the layout when writing. For example, the upper and lower structures of words should not be too divided. Writing is like painting. If you don't pay attention to the layout and structure, you will choose the wrong words.
In addition, Mi Fei's Book Theory also mentioned that writing should be diligent and need to be practiced every day. You can't fish for three days and dry the net for two days. Just like the ancients, you never slacked off your handwriting every day, which is why we have so many Mo Bao.
Mi Fei's brushwork Mi Fei was a calligrapher in the Northern Song Dynasty. Mi Fei's brushwork is good at distinguishing, and he is good at seal, official script, model script, running script and cursive script. Mi Fei often copied the calligraphy of the ancients to achieve the effect of confusing the fake with the real. Mi Fei is one of the "northern Song Sijia", and Song Huizong named Mi Fei as a doctor of calligraphy and painting.
Mi Fei's brushwork is beautiful, Mi Fei's calligraphy is as unique as himself, and his calligraphy is unique. Mi Fei had the deepest employment in calligraphy and achieved the greatest success in his life. Miffy is a casual person. Although he is in official career, he is not good at catering to officialdom. He obtained a doctorate in painting and calligraphy all his life. Although the rank is not high, it is also a pleasure to have many opportunities to browse the unique famous paintings in the world. Mi Fei's calligraphy calls itself "collecting ancient Chinese characters". Mi Fei studied the calligraphy of Yan Zhenqing, Ou Yangxun and Chu Suiliang in his early years. By studying Two Kings, he was greatly influenced. After the age of 50, he completed the establishment of his own style. Mi Fei's stereotyped calligraphy is magnificent and too bold, and he has his own unique views on the distribution, structure and use of calligraphy. He is good at the positive, negative and turning between strokes, forming an elegant momentum and a depressed and cheerful style in the ups and downs between lines.
Miffy's pen is often heavy and slightly lighter in the middle. When he meets a turning point, he turns his pen and runs with running water, which is very enjoyable. The biggest feature of Mi Fei's calligraphy is "brush writing". What is "brushing character"? In other words, using a pen is fast and powerful, just like using a brush, but every time a word comes out, it hits the nail on the head, and the style is chic and heroic. A word "brush" will set off Mifei's elegant demeanor vividly. Su Dongpo once said that Mi Fei's calligraphy is superb, calm and happy, and can be compared with Zhong Wang.
Mi Fei cursive script Jiutie Mi Fei was a painter in the Northern Song Dynasty. Originally from Taiyuan, Shanxi, he moved to Xiangyang, Hubei. He is gifted in calligraphy and painting, and is good at landscape painting. He can draw dead trees and splash ink on landscape paintings. Good at calligraphy, good at writing seal script, official script, regular script, running script, cursive script and other calligraphy. Among them, cursive script is the most chic and elegant. Because of his eccentric personality, he called him brother when he met a stone, so he was also called "Mi Dian".
Nine Notes on Cursive Script is one of Mi Fei's major works. Teenagers often copy the works of calligraphy masters, which can often achieve the effect of confusing the fake with the real. These nine cursive scripts are, Haidai, Family Planning, My Friend, Cursive Script, Muqiong, Feng Yi and Mid-Autumn Poetry. Among them, cursive script, Yuan Ritie and Chen De are the most famous. The manuscript of Jiu Cao Shu was collected by Song Gaozong, and then copied by Wen Zhiming, Zhu Yunming and others.
Mi Fei has his own unique views on the distribution, structure and brushwork of calligraphy. Because of his peculiar personality, his calligraphy is unique, unconventional, steady but not vulgar, risky but not strange, fat but not thin, and well-balanced. In the aspect of composition, we attach importance to the overall charm, and at the same time give consideration to the perfection of details, and improvise in the writing process. When you use a pen, you are calm and happy. No matter when you start writing and when you put pen to paper, you have your own charm. You should praise first and then restrain, and you should leave first and then right. Although it is a fixed word on paper, it makes people feel that the rhythm is clear, ups and downs, natural and free, and never artificial. Although later generations have different opinions on Mi Fei, his calligraphy style has become a model for later great calligraphers to appreciate and learn from.
Mi Yuan Fei Ri Tie Mi Fei Yuan Ri Tie is very famous and has been well preserved so far. As can be seen from Mi Fei's January Day Post, Mi Fei's calligraphy attainments are profound. Next, we will introduce Mifei Yuanri Sticker in detail.
Looking at its name, you can think of Mifei's creation on the first day of the Lunar New Year. This Yuan Ritie work is currently in the collection of Japanese Art Museum. Miffy was so excited to see other people's calligraphy that she copied it several times according to other people's fonts. But after writing it down, I found that there was no artistic conception at all, and I couldn't reach the style I wanted. So he wrote it again, and after this adult, it became the representative work of Mi Fei's cursive script.
Mi Fei's cursive script is rare, and some people think that his cursive script is not as good as the running script. However, after reading his Yuan Ritie carefully, we find something unique and original. Mifei wrote it several times and wrote it again, because he thought he just copied the calligraphy of his predecessors and didn't see himself in it. Calligraphy is most afraid of copying other people's writing styles, so it is easy to be forgotten. After the idea came into being, he wrote Yuan Ritie.
Look at his Yuan Ritie, the thickness of each word is different, which forms a sharp contrast. Moreover, he writes quickly, and his wrist is steady and powerful when he writes. Not only speed, but also pen power, domineering posture and free font writing. And I can see that when he wrote it, he was in a high-spirited state and had everyone's demeanor.
His paste fonts are mostly imitated by Jin people, and so are his pen features. He brought the calligraphy of Jin people into full play, and his writing style was vigorous and ups and downs, which made people see the momentum and his own style, so this post was regarded as his masterpiece, which made his calligraphy by going up one flight of stairs. I'm afraid Mi Fei is the only person who dares to compare with him after Wang Xizhi!
Mi Fei's poems Mi Fei's calligraphy is world-famous, but his poems are not as famous as his calligraphy. Did the fame of calligraphy overshadow his poems? Next, let's read Miffy's poems in detail.
One of Miffy's poems is Water Tone. The main idea of the poem is: the sound of hammering is more urgent because of the wind. Seeing crickets reminds me that it is late autumn. Today, I'm going to write a poem about scenery, but I'm not up to the level that famous poets can express their feelings through scenery. The bleak feeling of autumn is not so easy to disperse, and it is even more bleak after drinking. Looking at the full moon hanging high in the south building, I have to feel sad! This is the first half sentence. First of all, it shows that he is modest, but he can naturally relate poetry.
The last sentence of the first half sentence is to show the true feelings, and the second half sentence is to express feelings with scenery. The second half probably means that I feel a little melancholy in my heart, and I feel very comfortable listening to the beautiful voice of Yu Di. On this beautiful cool night, I couldn't help drinking and getting drunk. Looking at this lovely world, I walked from one railing to another, unwilling to leave for a long time, thinking that the universe was like duckweed. I fell asleep when I was drunk, so I could go with the flow.
Miffy's poems are unique. They praise the moon, but don't write about it. It feels like borrowing scenery to express feelings but not being sad, but writing about everything in the universe. His emotional expression is elegant, and the scenes are naturally integrated, which makes people memorable. Secondly, he also wrote many other poems, which are unique and easy to watch. Perhaps it is because his poems have not formed their own genre and are not as famous as his calligraphy. Moreover, he is just a business enthusiast, and most of them write poems when he is interested.
In the history of Mi Fei Suotie, Mi Fei was a famous calligrapher, painter and calligraphy theorist in Song Dynasty, and Mi Fei was known as the messenger of Haiyue and the descendant of Huozheng. She is very good at calligraphy and painting, among which, for calligraphy, he is good at all kinds of fonts, such as cursive script, official script and running script. He can also identify the authenticity of various paintings and calligraphy, and he also likes to collect some good paintings and calligraphy works. Because of her weird personality and bumpy behavior, she is called "Mi Dian" by the world.
In the classical Chinese "Mi Fei Suotie", Mi Fei's eccentric character and bumpy behavior are vividly written. "Secret is not trivial" is a classical Chinese text selected from "Stone Forest Romance". It's a story about Mifei asking Cai You for a post.
The first sentence of "Mi Fei Suotie" is written like this: "Mi Fei is curious. During Zhou Zhen's stay, Mi Fei often asked Mrs. Cai to stay on board in order to receive a message from Lue Wang. " Mi Fei's curiosity is very heavy, so in Zhou Zhenshi, he specially visited Cai You. Cai You was very happy to see his attitude, so he took out Wang Xizhi's Lue Wang Post and showed it to Mi Fei. I didn't expect Mi Fei to like it very much after reading it. He couldn't put it down and asked Cai You to give him the Lue Wang Post. Cai You refused.
When Mi Fei saw that Cai You didn't want to give him the Lue Wang sticker at all, he shouted, "If you don't give me a picture, I'll throw myself into the river." . At first, Cai You thought Mifei was just joking. I didn't expect Mimi to get up and walk to the boat, ready to throw herself into the river. Cai Youli immediately got up and grabbed him. In desperation, she gave the Lue Wang Post to Mimi.
From the classical Chinese "Mi Fei Lock Posts", we can see that Mi Fei's personality is really eccentric and her manners are bumpy, but it also reflects her incomparable love for calligraphy from the side.