At the age of 65,438+04, Linchi Huarende began with Yan Ti, followed by Liu Ti and Zhao Ti, and was traced back by Wang Neng's father. He learned the rhyme of Xiaosan from the tablet of Longzang Temple in Sui Dynasty, a dozen compact epitaphs from Northern Wei Dynasty, simplicity from Shimen Fu and Zhang Qianbei in Han Dynasty, and vivid interest from the simple tablet of Guangwu General in Qin Dynasty. While studying in Peking University, he visited the epigraphy rubbings in the library. As a result, his calligraphy level improved day by day, and he was used to writing big characters with big strokes. The official script he made is tightly tied, open and solemn in structure. The running script comes from official script, with sparse characters and black characters on a white background, which is simple and quiet. It is particularly interesting to wash inscriptions with seal script in the Han Dynasty. Calligraphy works participated in major exhibitions at home and abroad, and won the first prize in the second national exhibition of young and middle-aged calligraphy and seal engravers. Shandong Hanmoyuan Gallery recommended Hua Rende, a calligrapher, to publish dozens of calligraphy works and "Notes on the North Monument and the South Post" of the North and South Calligraphy School. He was the president of Peking University Calligraphy Society, the chief deacon of Canglang Calligraphy Society, and the judge of the 5th, 6th, 7th and 8th China Youth Exhibition. Judges of the 4th and 5th National Calligraphy Symposium and Official Document Calligraphy Symposium. He is currently a member of the Academic Committee of China Calligraphers Association, a judge of the National Young and Middle-aged Calligraphy Seal-cutting Exhibition, the chairman of Suzhou Calligraphy Association, a member of Canglang Bookstore, the director of the Reference Department of Suzhou University Library, a doctoral supervisor of Suzhou University Art College, and a librarian of Jiangsu Literature and History Research Institute.
He has compiled The Complete Works of China's Calligraphy, Epitaph Volume of Three Kingdoms, Jin Dynasty, Southern and Northern Dynasties, History of Calligraphy in China, Handwriting in Lanting, Calligraphy in Six Dynasties, Figures of China in Past Dynasties, etc., and published more than 40 academic papers. Calligraphy works won the second national exhibition of young and middle-aged calligraphy and seal cutting works (1986), and were included in the Calligraphy Volume of the Complete Works of Modern Fine Arts in China. His works won the First China Lanting Calligraphy Award and Theory Award (2002) and the Sixth National Book Award (China Calligraphy History, Seven Volumes, 2004). He was awarded the "First China Lanting Calligraphy Award, Editing and Publishing Award" (with Bai, 2002). And won the second China Lanting Calligraphy Award, the first prize of Education Award, and the fourth China Lanting Calligraphy Award for Art.. In 2009, he won the first prize of the third China Lanting Calligraphy Education Award. 20 12 won the Lanting Prize for Calligraphy in China.